A look at the careers of John Cleese, Eric Idle, Graham Chapman, Michael Palin, Terry Jones and Terry Gilliam in the years after "Monty Python's Flying Circus"

A 2009 television documentary series in six parts that covers 40 years of the surreal comedy group Monty Python, from Flying Circus to present day projects such as the musical Spamalot. The series highlights their childhood, schooling and university life, and pre-Python work. The series featured new interviews with surviving members John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin, alongside archive interview footage of Graham Chapman and interviews with several associates of the Pythons, including Carol Cleveland, Neil Innes and Chapman's partner David Sherlock, along with commentary from modern comedians.

The story of the rise and fall of the Pre-Fab Four.

Songs you’ll never forget, the film you’ve never seen, and a story that’s never been heard. In 1967, in the wake of the extraordinary impact of Sgt. Pepper, The Beatles made a film – a dreamlike story of a coach daytrip, a magical mystery tour. It was seen by a third of the nation, at 8.35pm on BBC One on Boxing Day - an expectant public, hoping for some light entertainment for a family audience.
Magical Mystery Tour was greeted with outrage and derision by middle England and the establishment media. “How dare they?”, they cried – “They’re not film directors, who do they think they are?” they howled. Where were the four lovable moptops of Help! and A Hard Day’s Night?
What propelled The Beatles to make this surreal, startling and – at the time – utterly misunderstood film? Contributors include Paul McCartney, Ringo Starr, Peter Fonda, Martin Scorsese, Terry Gilliam, Paul Merton and Neil Innes.

Pleasure At Her Majesty's was the name given to the filmed release of A Poke In The Eye (With A Sharp Stick), the first of the Amnesty International comedy benefit galas. The title is a play on the phrase At Her Majesty's Pleasure (the show was performed at Her Majesty's Theatre, London). In America, the film was originally called Monty Python Meets Beyond the Fringe.
This show came to be considered part of the Secret Policeman's Ball series of shows that it inspired, although it pre-dated the first show in the series by three years.
The event was organized by a team of three: Monty Python member John Cleese, Amnesty's Assistant Director Peter Luff and Transatlantic Records executive Martin Lewis. It featured the cream of Britain's comedic talent of the era, setting a precedent that would inspire many subsequent Amnesty galas, as well as Comic Relief. The concept was also the inspiration of similar events, also in aid of Amnesty International in countries around the world as far away as Australia, in the case of the Stand Up For Your Rights Comedy Galas.
The film consists of both on-stage and back-stage footage, taken from all three nights of the run (1–3 April 1976).
Luff and Lewis collaborated on producing the successor show - video-taped in 1977 as The Mermaid Frolics. Then Cleese and Lewis teamed up (with Amnesty's new fundraising director Peter Walker) in 1979 to create The Secret Policeman's Ball - the first show to carry what became the iconic Secret Policeman's Ball title.
(from wikipedia)

Twenty-six years after the release of the original Rutles documentary, famous artists, actors, and musicians speak out on how the Rutles influenced them.

Brian Cohen is an average young Jewish man, but through a series of ridiculous events, he gains a reputation as the Messiah. When he's not dodging his followers or being scolded by his shrill mother, the hapless Brian has to contend with the pompous Pontius Pilate and acronym-obsessed members of a separatist movement. Rife with Monty Python's signature absurdity, the tale finds Brian's life paralleling Biblical lore, albeit with many more laughs.