安东尼奥在米兰建立了自己的家庭和一份成功的事业，远离了他的母亲安吉拉。安吉拉是一个无论善恶都极为夸张的女人，充满魅力又守旧敌意，这次特意来和儿子共度圣诞。平安夜的晚餐因此变成了一座充满情绪、既滑稽又激烈的战场，让过往的种种误解重新浮现。这个夜晚最终演变为一场母子之间的清算，注定要改变他们情感纽带的意义：那是一种如烈火般在内心深处燃烧的爱。

2022 film directed by Francesco Lagi

Marco and Anita discover they are expecting a child. Finally a ray of light in Marco’s life after his heartbreak following the loss of Leo, his first born with his former wife Clara. Suddenly, however Perla, the new owner where the couple lived until the tragic accident, bursts into Marco’s and his ex-wife’s lives. The mysterious woman claims she keeps feeling a strange presence and hearing the voice of a child that is tormenting her and her son. Marco therefore finds himself torn between the ties of the past and an unwritten future.

Italian television miniseries

Lucio (Edoardo Pesce), conduttore di una nota trasmissione radiofonica, spigliato, brillante e dalle idee progressiste, è sposato con la bella Elena (Valentina Lodovini), insicura ed emotivamente dipendente del marito. I due hanno un’armoniosa famiglia allargata (che include la prima moglie ed una figlia di Lucio) ed un unico figlio: Blu (Daniele Scardini), 9 anni, che adora vestirsi da femmina, ed è libero di farlo, col permesso di mamma e papà, solo quando è a casa. In occasione della recita scolastica, però, il bambino vuole a tutti i costi indossare il costume della Sirenetta: i suoi genitori, divisi tra il desiderio di assecondarlo e quello di proteggerlo, saranno i primi a dover riconsiderare la loro apertura mentale e a intraprendere un percorso di consapevolezza e accettazione, in cui saranno accompagnati da un gruppo eterogeneo di coppie di “Genitori Unicorni”, guidato da un’accogliente psicologa (Michela Andreozzi).

Black comedy, racconto dal tono farsesco con impianto semi-teatrale, il film è reso vibrante e divertente dalla bravura della coppia composta da Carlo Buccirosso e Lino Musella, accompagnati da Iaia Forte, che scommettono sulla vita e la morte dei ricoverati.

A man spends peacefully his days in hospital without too many worries. He has been hospitalized for a while but that condition seems like the best way to live his life, safe from everything and everyone, without responsibilities and problems of any kind. It feels really good in there and even if some of his ward companions feel trapped, for them he can also feel free like nowhere else. That precious routine runs smoothly until a new person is admitted to the same ward. She is a restless, angry companion, she accepts nothing of that condition, especially the unwritten rules. She is not willing to wait, she wants to leave that place better or even worse. She wants to live as she should or die, as happens to those who end up in there. He is overwhelmed by that fury, first trying to defend himself and then accepting something incomprehensible. That encounter will help him accept that if you choose to truly face your heart and your emotions, there is no possible repair.

Writer, poet, playwright, journalist, soldier and patriot, Gabriele D’Annunzio was the man Mussolini was inspired by in the process of building the Italian Fascist Movement. Our story starts when the poet is however ending up his life in exile, determined to fight against the fascist oppression and to not give up his freedom of thought. Even though D’Annunzio accepts honors and appointments from Mussolini, the Duce fears him and sends a young Italian federal to watch over the ‘evil poet’. Yet the poet, even if old and tired, hasn't lost his seductive skills. Will they charm the young soldier to the point of making him question himself and its faith to Fascism?

影片根据意大利音乐家朱塞佩·斯加比的自传改编而成。朱塞佩·斯加比也叫“尼诺”，和妻子卡特琳娜一见钟情，有一段长达65年的美满婚姻。卡特琳娜去世之后，为了让父亲走出丧妻之痛，他的女儿联系上了一个名为阿米甘杰洛的编辑，打算联手完成一本关于斯加比夫妇的爱情小说。阿米甘杰洛一心想要成为小说家，起初也只是出于经济原因而参与这个写作计划，而且因为和尼诺性格不合，两人时不时就要发生争吵。但在不知不觉间，作家和故事主人公之间发展出了一段美好的友谊。

Sicily in the 1950s: The sales of the communist daily newspaper "L'Ora" have hit rock bottom when Antonio Nicastro takes over the post of editor-in-chief. With him, a breath of fresh air moves in: he resolutely drives his journalists to uncover the crimes of the Cosa Nostra, which are omnipresent in the region around Palermo. In their research, Nisticò and her journalists penetrate every corner of society and the Church. The reaction of Cosa Nostra was not long in coming: a few days after the term "Mafia" was specifically used in the newspaper for the first time, on October 19, 1958 there was a bomb attack on the offices of the daily newspaper. The headline of "L'Ora" the next day reads: "The mafia threatens us, the investigation continues".

The film is based on footballer-turned writer Martin Bengtsson’s autobiographical novel In the Shadow of San Siro published in 2007

Set during the summer of 1957. Ex-racecar driver, Enzo Ferrari, is in crisis. Bankruptcy stalks the company he and his wife, Laura, built from nothing ten years earlier. Their tempestuous marriage struggles with the mourning for one son and the acknowledgement of another.

In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.

In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.

2021 film directed by Paolo Sorrentino