A kidnapped mobster persuades his captors to help him rob platinum ingots from a train.

A racist insurance agent lives in a typical suburban neighborhood, but his bigoted world of taunting and harassing black people on and off the job is turned upside down when his skin inexplicably turns dark overnight.

A technician brings a frozen specimen of the original Blob back from the North Pole. When his wife accidentally defrosts the thing, it terrorizes the populace-- the local hippies, cops, drunks and bowlers must all face the Blob!

1972 film by Vincent McEveety

Friday Foster, an ex-model magazine photographer, goes to Los Angeles International airport to photograph the arrival of Blake Tarr, the richest black man in America. Three men attempt to assassinate Tarr. Foster photographs the melee and is plunged into a web of conspiracy involving the murder of her childhood friend, a US senator, and a shadowy plan called "Black Widow".

Gravedigger Jones and Coffin Ed Johnson are two black cops with a reputation for breaking the odd head. Both are annoyed at the success of the Reverend Deke O'Mailey who is selling trips back to Africa to the poor on the installment plan. When his truck is hijacked and a bale of cotton stuffed with money is lost in the chase, Harlem is turned upside down by Gravedigger and Coffin Ed, the Reverend, and the hijackers. Much of the humor is urban black, which was unusual in 1970

'Best of Enemies' is a documentary about the legendary series of nationally televised debates in 1968 between two great public intellectuals, the liberal Gore Vidal and the conservative William F. Buckley Jr. Intended as commentary on the issues of their day, these vitriolic and explosive encounters came to define the modern era of public discourse in the media, marking the big bang moment of our contemporary media landscape when spectacle trumped content and argument replaced substance. Best of Enemies delves into the entangled biographies of these two great thinkers and luxuriates in the language and the theater of their debates, begging the question, 'What has television done to the way we discuss politics in our democracy today?'