In his experimental short film "Brutalität in Stein" (Brutality in Stone), Alexander Kluge demonstrates how Nazi architecture used dimensions of inhuman and super-human scale to bolster the regime's politics of the same kind. Shots of huge neo-classical architectural structures from the Nazi period are confronted with equally anti-human national-socialist language as a voice-over.

A young German woman searches for happiness, liberation, and independence in the illusive wake of a transformative national recovery.

A young circus director ends up going into television after her father, a trapeze performer, dies in a circus accident.