A social worker tries to end juvenile crime by getting involved with a street gang.

Ken Harrison is an artist that lives to make sculptures. One day he is involved in a car accident, and is paralyzed from his neck down. All he can do is talk and move his head, and he wants to die. Whilst he is in hospital he makes friends with some of the staff, and they support him when he goes to trial to be allowed to die.

In a small town in Wisconsin, a young teenage boy claims he has dreams of young women being brutally raped and murdered. A doctor and the local sheriff discover that the boy's dreams are real and that a sinister cult might be behind the brutal murders. They must track down the vicious killer, who may be the indestructible incarnation of a demon spawned from hell.

The very first full-length documentary on Scorsese offers an invaluable look at how he was perceived by his colleagues, and himself, in 1977. Catching Scorsese while he was in post-production on New York, New York and editing The Last Waltz, British filmmaker Peter Hayden gets the manically hyper Scorsese to comment on his youth, his relation to his lead characters, and most importantly, his approach to direction. The doc doesn’t quite move at the pace of Scorsese’s revved-up speed-talking, but it does offer some real insight into his productivity in the 1970s, thanks to an impressive array of talking heads. Included are Scorsese’s collaborators Jay Cocks, Mardik Martin, Brian De Palma, Steven Prince (who co-produced this doc), and his mentor John Cassavetes. Also the performers, who discuss his working methods in detail — Jodie Foster, Liza Minnelli, and, of course, Robert De Niro.

This short-lived (one season, 1959/60) television detective series is without a doubt, the definitive example of what can now be termed TV Noir, riding high atop a list including such programs as Peter Gunn and 77 Sunset Strip. But JOHNNY STACCATO had much more going for it than those other shows, mainly the presence of the mighty John Cassavetes who starred as the jazz pianist turned Greenwich Village private detective.
Title character Johnny Staccato, played by John Cassavetes, is a jazz pianist/private detective. The setting for many episodes is a Greenwich Village jazz club belonging to his friend, Waldo, played by Eduardo Ciannelli. The show featured many musicians, such as Barney Kessel, Shelly Manne, Red Mitchell, Red Norvo, and Johnny Williams.(Ironically, given the show's New York setting, all of these men were closely identified with the West Coast jazz scene,as the show was filmed largely in Los Angeles.) Elmer Bernstein composed the main theme and Stanley Wilson was music supervisor. Cassavetes also directed some of the episodes

A psychotic sniper plans a massive killing spree in a Los Angeles football stadium during a major championship game. The police, led by Captain Peter Holly and the SWAT commander, learn of the plot and rush to the scene.

A hit man and his partner try to find out why their latest victim, a former race-car driver, did not try to get away.

Ghost is an idealogical musician who would rather play his blues in the park to the birds than compromise himself. However, when he meets and falls in love with beautiful singer, Jess Polanski, she comes between him and his band members, and he leaves his dreams behind in search of fame.

Two New York City longshoremen Axel Nordmann, an Army deserter and Tommy Tyler, an easy-going freight car loader whose growing friendship is threatened by Charles Malik, a notably repellent punk.

《神探可伦坡》（Columbo）是一个有名的经典美国电视电影，由彼得·福克（Peter Falk）主演。自1968年~2003年期间，共69集。本片叙述一名总是穿着一件皱巴巴的棕色风衣，顶着一头乱发，嘴里叼雪茄，开着一辆老爷车的洛杉矶重案组的刑警主角法兰克·可伦坡（Frank Columbo）。看似不修边幅的他，总是以敏锐的推理能力侦破各种案件，并让犯人无从抵赖。
本片每集独立成篇，一大特点是每集中客串演出犯人角色的全为名演员与名人。另一特点是剧情采用固定的倒叙推理形式;先描述犯人作案的情形，而后描写可伦坡从与嫌疑犯的交谈及证据中确定其嫌疑，逼得犯人不得不自白。犯人原以为天衣无缝的杀人计划，都逃不过他的锐眼。他的一句名言是：‘世上没有完美犯罪’。
倒叙推理，着重如howcatchem（如何抓住犯人），而不是常见的whodunit（谁是凶手）、howdunit（手法）或whydunit（动机）。因此在日本若出现倒叙推理的作品，往往会被叫成‘神探可伦坡或古畑任三郎风格’。日本著名编剧 三谷幸喜 从小就可伦坡迷，长大后更是创作了’日本版神探可伦坡’－《古畑任三郎》。

A sobering mid-life crisis fuels dissatisfaction in Philip Dimitrius, to the extent where the successful architect trades his marriage and career in for a spiritual exile on a remote Greek island where he hopes to conjure meaning into his life - trying the patience of his new girlfriend and angst-ridden teenage daughter.

A Constant Forge is a 2000 documentary film directed by Charles Kiselyak about the life and work of John Cassavetes.
It contains interviews with Cassavetes himself as well as recollections by actors who have worked with him and thoughts by admirers, including Lynn Carlin, Seymour Cassel, Peter Falk, John A. Gallagher, Ben Gazzara, Lelia Goldoni, Annette Insdorf, Carol Kane, Sean Penn, Gena Rowlands and Jon Voight.

A dangerous convict has escaped from the state penitentiary, and the alarm has gone out. The convict finds a house where a young wife is currently alone, waiting for her husband to return. He enters her kitchen, and threatens her with a knife. He listens to the radio to see how the search for him is coming, and then starts to give her orders.

When a devious plot separates CIA agent Peter Sandza from his son, Robin, the distraught father manages to see through the ruse. Taken because of his psychic abilities, Robin is being held by Ben Childress, who is studying people with supernatural powers in hopes of developing their talents as weapons. Soon Peter pairs up with Gillian, a teen who has telekinesis, to find and rescue Robin.

Minnie and Moskowitz is a film by John Cassavetes, starring his wife, Gena Rowlands, and actor Seymour Cassel in the title roles of Minnie and Moskowitz, respectively.Following a www. aiyoutv.com break-up, Minnie Moore, a museum curator, becomes disillusioned by love and meaningful relationships. But after a seemingly chance encounter, she meets Seymour Moskowitz, a parking-lot attendant. After this event, Moskowitz falls in love with Minnie, trying desperately to get her to love him back.

The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurosawa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdanovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.

After serving 12 years behind bars for armed robbery, tough guy Hank McCain finds himself the pawn of a ruthless mob runt's rebellion against a high level don. When McCain discovers that he's been betrayed and abandoned by his new employer, he retaliates with a high stakes Las Vegas casino heist that erupts into all-out war on the streets of Los Angeles, San Francisco and New York. Neither blood, nor lust, nor wedding vows can come between McCain and his money ... or his machine gun.

1970 film by John Cassavetes

Examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.