An abusive psychologist enjoys torturing and abusing his wife. After rough sexual session of pain and dominance she decides to leave her husband. Then her masochistic twin sister arrives and of course plenty of kinky sexual torture and bondage happens next.

本作は22歳の若さでこの世を去った天才画家であり詩人の村山槐多の作品に魅せられた現代の若者たちが、村山の作品を独自の解釈で再生させ、時代の突破を試みる“アヴァンギャルドエンタテインメント”。タイトルの由来は村山の友人・高村光太郎の詩「強くて悲しい火だるま槐多」だ。劇中では、村山の「尿する裸僧」という絵画に魅入られた法月薊（のりづき・あざみ）が、道行く人に「村山槐多を知っていますか？」とインタビューしていたところ「私がカイタだ」と答える謎の男に出会う。その男、槌宮朔（つちみや・さく）は、特殊な音域を聴き取る力があり、ある日、村山が過去から語り掛ける声を聴く。度重なる村山の声に神経を侵食された彼は、自らが村山槐多だと思い込むようになっていた。

This is one of cult filmmaker Hisayasu Sato's most disturbing and powerful pinku-eiga films, taking the soft-core sex genre into the perverse psycho-Sadean world of the Anglo-American literary trend often referred to as "splatterpunk." Following cosmetic surgery to enhance her breasts, an office worker is raped. The rapist's son, after setting his distinctly Oedipal gaze on his father's busty victim, locates her and they begin an ill-fated sadomasochistic affair that leads to a bloody killing spree. Needless to say, this is definitely not entertainment for the squeamish

This bizarre pinku-eiga entry from cult director Hisayasu Sato combines modern technology and parapsychology against a backdrop of rapes-for-hire and sadistic softcore sex. As usual in Sato's films, the center of the story is an alienated young man desperate to find a way to pay his bills. Financial relief arrives in the form of anonymous e-mails directing him to rape women for money, photographing the crimes as evidence of his work. Sordid as his new job may be, the aspiring rapist seems to have solved his financial woes, until a plucky young psychic uses her extrasensory powers to solve the case. Sayoko Nakajima stars in the Shintoho release (fresh from toplining the first two films by the studio's rising star director Takahisa Zeze), along with Toru Nakane, Aiko Shindo and Kiyomi Ito. ~ Robert Firsching

A teenage couple drive around improvising radio shows, following night stalkers and rapists or peeping on various sexual escapades, describing what they see in detail, feigning shock and screams as the attackers become more violent.

A hospital nurse treating a patient for amnesia discovers that he is the serial killer who has been roaming the city armed with a metal baseball bat. The plot is really an excuse for numerous softcore couplings featuring rubber gloves and the like.

Halcion days, 16 November 2000
Author: white pongo ([email protected]) from tokyo japan
Having lived in Tokyo for almost two years,i can confirm my suspicions that Sato is one of the most Japanese directors working today.His films could not be made anywhere else by anyone else.His unwavering,logical dissection of a central theme (usually something to do with psychosis and obsession) spiralling towards a nihilistic, doomed (and romantic) ending is in keeping with a dark strain that's been in Japanese culture since it's inception.Xenophobic film watchers who think this is a scary mirror of modern Japanese society should however,not take it so seriously.THE BEDROOM is a very hard film to write about.It has no asides.All the usual cinematic bull**** has been lyposucked away leaving a economic, tight and intense story that goes from A to B swiftly and leaves the imprint of a film behind without actually developing fully.But it doesn't need to.It's like a song that never repeats that riff you like so much enough to fully satisfy you,so you listen again.And (if his whole back catalogue was available in English) i would immediately put on another Sato movie after this.They are as obsessive and addictive as his characters.Unredeeming,anti-social and seriously well-made.One day,some film-maker will push forward Sato as an influence and maybe people will take notice.But until then,his small fan base will watch them in darkened rooms in dark cities trying to replicate a fever dream.

“Okada’s death completely fits into Sato’s version of Japan, alienated and constantly watched. Women, especially, are followed with camcorders, viewed by security cameras, denied privacy. They float, friendless and unattached, in and out of phone booths, sex clubs, medical research, subways, neon cities.”

Ryuzaki, an editor of Muscle Magazine, which features photographs of men with sculpted bodies, becomes involved with a man named Kitami; their affair soon becomes dominated by sadomasochistic games, with a horrid result. Jump ahead one year, Ryuzaki is released from jail and goes in search of Kitami, perhaps to make amends.

“生き別れた眼球”を捜している麻耶（万里紗）は、カメラを手に魔都TOKYOを当てもなく歩いていた。そんな麻耶のドキュメンタリー映画を作ろうと彼女の姿を記録する脳神経外科医の佐多（中野剛）と、麻耶の眼球を狙う黒ずくめの眼球コレクター（PANTA）だったが……。

続放火事件が起こる。火が付けられたのは壁の白い家ばかり。一人の少年（碓田清司）が逃走するところを目撃され、取り調べられる。彼は拳銃を所持していた。取調室で対峙する刑事（佐野和宏）に、少年は一つの提案をする。その拳銃に一つだけ弾丸を込め、お互いに自分のこめかみに銃口を押し当てて引き金をひくのだ。一回終わるごとに、一つずつ、話をしてあげる…。同意して信頼を勝ち取った刑事に対し、少年は少しずつ話を始める。結婚した姉（萩尾なおみ）の元に居候している話。その姉の下着を身につけているところを義理の兄（池島ゆたか）に見られ、犯された話。おそらく知っていながら見て見ぬ振りの姉。義理の兄との関係はサディスティックなものに変貌してゆき、だんだんと、姉夫婦に殺意を募らせてゆく自分…。命を賭けながらその告白を聞いている刑事は、最近恋人を失って気持ちが虚ろになっていた。だんだんと、目の前の少年に、妄想に似た執着を感じるようになってくる…。

High school student Kozue spreads flyers in search of her missing classmate. A psychopath lures her to his place, where he imprisons her. The psychopath gets his kicks by raping his victims with a chrome vibrator, poisoning them then photographing them as they die. However, when Kozue doesn’t act like his typical victims they start up a strange and twisted relationship.

Three social outcasts who live near the seaside interact with each other in increasingly disturbing ways. The trio of characters are a woman who has killed her sister, a man who enjoys necrophilia, and a female amnesiac. The first woman engages in sadistic pursuits such as capturing young women at the beach to force them to engage in sexual activities, including copulation with a horse and a dog.

年轻的刺青师来栖精像（弓削智久 饰）以传说中的雕刻大师“雕精”为目标，一心寻找一个完美的肌肤进行创作。美丽可爱的女大学生雨宫美妙（吉井怜 饰）就这样进入精像的视野，受这个女孩如雪肌肤的吸引，精像铤而走险绑架了美妙。美妙在学校学习日本江户时代的浮世绘艺术，她对色彩有着天然的敏感性。当她看到精像的版画作品时，立时为其所倾倒，更主动要求对方在自己的背上留下最完美的作品。经过一番辛苦雕琢，精像完成了职业生涯中的至高杰作“泷夜叉姬”。然而随着这幅作品的诞生，精像和美妙的关系也变得扑朔迷离起来，他们的命运也充满了危机……
本片根据谷崎润一郎的短篇小说改编。

A journalist. Two photographers. One infamous serial killer on the loose. DARKROOM FANTASIES is directed by 77mi.cc Academy Award Winning Director Yojiro Takita.

Japanese cult director Hisayasu Sato made this slow-moving pinku-eiga story for Shintoho, one of two for the studio that year among his four 1989 releases. This is a standard tale of an abusive psychologist (Kazuhiro Sano) whose S&M sexplay becomes too much for his wife (Kiyomi Ito). She leaves him, but happiness arrives in the form of her masochistic twin sister (Ito again), who is perfectly content to be Sano's whipping-girl.