Nikolai Pastukhov — Actor (5)
Uncle Vanya (1970) [Movie] Douban TMDB IMDb WikiData
Дядя Ваня
8.4 (8 ratings) director: 安德烈·康查洛夫斯基 Andrei Konchalovsky actor: 因诺肯季·斯莫克图诺夫斯基 / 谢尔盖·邦达尔丘克
other title: 万尼亚舅舅 / Дядя Ваня
Retired professor Serebryakov and his young wife Yeléna disrupt the lives of his brother-in-law Vanya and daughter Sofya on a rural estate, leading to a crisis of unrequited love, resentment, and disillusionment.
The Postmaster (1972) [Movie] Douban
Станционный смотритель
director: 谢尔盖·索洛维约夫 actor: 尼古拉·帕斯图霍夫 / Marianna Kushnerova
other title: 驿站长 / Станционный смотритель
驿站长(尼古拉·帕斯图霍夫 Nikolai Pastukhov 饰)是一个心地非常善良的老头子,每一天,驿站长都要接待很多来投奔他的人,不仅要照顾他们的吃喝,有时候还要充当心灵导师的角色,甚至有时候还要成为有些人泄愤的无辜靶子。一天,一位名叫明斯基(尼基塔·米哈尔科夫 Nikita Mikhalkov 饰)的上尉抵达了驿站,在准备离开之时竟然晕倒了,驿站长的女儿冬妮娅(Valentina Ananyina 饰)照料着失去了知觉的明斯基,在她的精心照顾之下,明斯基苏醒了。
明斯基答应驿站长将冬妮娅捎到不远处的教堂做礼拜,然而冬妮娅却一去不回,直到这时驿站长才反应过来,自己的宝贝女儿给这个坏男人给骗走了。
Unfinished Piece for Mechanical Piano (1977) [Movie] Douban WikiData IMDb TMDB
Неоконченная пьеса для механического пианино
8.0 (32 ratings) director: 尼基塔·米哈尔科夫 actor: 亚历山大·卡利亚金 / 叶莲娜·索洛维
other title: 未完成的机械钢琴曲 / Неоконченная пьеса для механического пианино
On a summer day in late 19th century Russia, a group of bourgeois friends and acquaintances gather at a dilapidated country estate.
A Slave of Love (1976) [Movie] Douban TMDB WikiData IMDb
Раба любви
director: 尼基塔·米哈尔科夫 actor: 叶莲娜·索洛维 / 罗迪昂·拿哈佩托夫
other title: 爱情的奴隶 / Раба любви
During the Russian Civil War, the production of a silent melodrama runs into numerous complications.
Oblomov (1980) [Movie] Douban IMDb TMDB WikiData
Несколько дней из жизни И. И. Обломова
8.2 (26 ratings) director: 尼基塔·米哈尔科夫 actor: 奥列格·塔巴科夫 / 尤里·博加特廖夫
other title: 奥勃洛莫夫一生中的几天 / Несколько дней из жизни И. И. Обломова
St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz?