Amidst the profound social change and political turmoil of post-war Japan, a bold generation of avant-garde artists and photographers emerged in the 1960s, forever transforming the global art landscape.
The 1960s era in Japan was a time of profound social change, political unrest and student protests. The turbulent times of the postwar era inspired an artistic explosion in Japan, with the emergence of a revolutionary scene of avant-garde artists who pioneered many disciplines: experimental and erotic photography, "Angura" theatre and underground street performances, apocalyptic Butoh dance, surreal illustrations and seminal graphic design. A new aesthetic of photography was born: "Are, Bure, Boke" (rough, dark and out of focus), pioneered by Moriyama Daido and the Provoke magazine photographers. Araki beautified bondage and Hosoe Eikoh sublimated the male body. Ishiuchi Miyako captured her experience of American military bases. Kawada Kikuji's era-defining photobook The Map captured the poignancy of Hiroshima's trauma. Master of underground theatre Terayama Shuji produced countless magical, surreal and vividly colourful films, plays and photobooks, Yokoo Tadanori and Awazu Kioshi revolutionised graphic design with their incandescent theatre posters, Tanaami Keiichi, Japan's answer to Andy Warhol, developed his unique kaleidoscopic vision of Pop-Art, and Butoh founders Hijikata Tatsumi and Ohno Kazuo impacted modern dance forever with their dance of darkness and light.

没後５０年となる作家・三島由紀夫。『命売ります』のヒットなど、今も世代を超えて注目を集めている。その生きざまからは、「天才作家」という一面に加え、劣等感や嫉妬など「弱い人間」としての一面も。同級生が語る幼い頃の姿、美輪明宏さんが語る素顔、ノーベル賞をめぐる知られざる確執、そして、晩年の東大全共闘との対話で語った一言など…三島を身近に見てきた人たちの証言から知られざる素顔に迫る。

（一）沦陷
（二）屠杀
（三）救援
（四）审判
（五）铭记

A romantic tale that depicts love between married people and the psychology of their marriage with elegant and a controversial touch. Love, art and suffering until the tragic and absurd ending.

黑道人物朝比奈武夫（三島由紀夫 饰）是家族的二代头目，当年其父被对手相良组杀害，武夫为复仇而刺杀相良组组长雄作（根上淳 饰）。然刺杀失败，他也锒铛入狱。三年左右时间转眼即逝，武夫出狱在即。相良对当年之事怀恨在心，接连派出杀手袭击武夫。凭借运气和警觉，武夫一一化险为夷，却只能窝在自己的根据地——某电影院中暂避风头。
在此期间，他结识了影院新来的检票员，美丽的少女小泉芳江（若尾文子 饰）。虽然兄长（川崎敬三 饰）极力阻挠，芳江还是义无反顾爱上了这个刀口舔血的黑道男子。两人去游乐园游玩之时，偶然遇见了相良的幼女美雪。武夫将其诱拐作为要挟，经过大头目云取大三郎的斡旋，朝比奈一家终于和相良组和解。只是黑道世界，怨怨相报，从没有尽头……

A detective tries to outwit a jewel thief who has kidnapped the daughter of a jeweler to get to an exquisite diamond.

This BBC produced documentary about Yukio Mishima highlights the many known major aspects of his life and personality. Mishima was a pen name he adopted en route to his chosen life as a writer. He eventually became recognized as one of Japan's most prolific post-World War II writers, producing stories, plays and novels. He became tortured by his bisexuality/homosexuality and shyness around people as a young man. Both of these played a role in his work as did many other eventful occurrences throughout his life. Mishima had an admirable dedication to the forgotten samurai way of life and ideals, which later turned into an unhealthy obsession, culminating in the storming of a general's garrison on November 25, 1970. It was Mishima's way of combining beauty, art, and action; ultimately the garrison forced to assemble and listen to his speech on that day rejected him. Mishima gave his life for his ideals, however misguided and twisted one might think him to be. His literary output of 40 novels, 18 plays (both for Noh and Kabuki theater), 20 books of short stories, 20 books of essays, and a film remain a testament to his talent despite his simultaneous tendency, at times, to be commercial, controversial, and unconventional.

1969 film by Hideo Gosha

Two characters on a Noh stage dramatize the rite of love and death of Lieutenant Shinji Takeyama and his wife Reiko.

film