A cinematographic essay, without dialogues, about the months Nietszche spent in Turin, Italy, with narration quoted by his original writings.

When womanizer Paulo meets a friend’s fiancée, she changes the way he looks at the opposite sex. He falls in love, and believes she is in fact all women in one. Because of that, he has to face an important decision: to go on with his old life, or embrace this special relationship and become a monogamous man.

In an empty city, scorched by the sun, the young and old confuse the fever of sunstroke with the delicate birth of passion. Like ghosts, they hover around buildings and endless flatlands in search of the ever elusive love. Inspired by 19th century Russian short stories, the plots weave and unravel together in the improbable city of Brasilia – a distorted mirror-image of the Soviet utopia – located in the heart of the Brazilian desert.

2004 film by Monique Gardenberg

Três amigos de infância se reencontram na velhice.

1986 Brazilian telenovela

When they discover their town lacks funding for a sewage system, but does have a federal grant to make a movie, a group of villagers decide to make a sci-fi joint about a monster who lives in the building site of a septic tank.

Brazilian television series

Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.

Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.

事业陷入危机的Marcos(Rodrigo Santoro饰)接到父亲病逝的噩耗，与妻子Giulia(Anita Caprioli饰)千里迢迢从意大利赶回故土——巴西。他要收拾的是其胞弟Tiago(Cauã Reymond饰)嗜赌成性、几近挥霍光家产的烂摊子。然而，更糟的是他得知自己还有个素未谋面的亲妹妹Manuela(Debora Falabella饰)，面对着这个已故老父年轻气盛留下的只有孩童智商的同父异母胞妹，Marcos身心疲惫……
这是个关于因伤痛导致破碎的家庭成员最终又因伤痛彼此团聚的电影。原本是个尖锐、紧张、激烈的故事，但导演却用了十分细腻、温柔、感性、敏锐的叙事手法，给观众展现了一个男子与家人重新团聚的勇气、表现出兄弟间至真至纯的亲情，和最后组成真正意义上新家庭的历程。
A film about the reunion of a family broken by the pain and because of the pain can be reunited. An intense story, told in a soft and sensitive way, showing the search and dedication of a man rediscovering family and the love that unites the brothers, finally forming a real family.
本片由巴西第一帅哥，曾出演《霹雳娇娃2》《太阳背后》《我爱你，菲利普·莫瑞斯》《切·格瓦拉》《斯巴达300勇士》等片的超模Rodrigo Santoro主演。他在本片中的表现广受赞誉，获奖无数。

A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.