A very faithful Jewish man works making diamond dust in his family's workshop, to sell to industries. One day he goes on businnes trip. In the same train goes a very sexy girl, with some heroin bags (you guess it) very similar to the diamond bags. The police begins to chase the girl, and she hides the drug into the Levy's bag. The girl calls his boss ('Goliath') the situation and he and his band begins to hound Levy, who, by this time, selled the bags to a factory, not knowing the content. He has to get out of the problem with the help of his brother and his God.

A story of two dogs which can find false money end two mafioso losers. One tries to be a tough guy and the other eats only pizza and listens to zen music, but both are totally terrified by dogs.

2010 film by Fabien Onteniente

Eddie, Dov, and Yvan are back, still working in Paris' Sentier textile district, This time they're confronting the high-stakes world of large distribution after striking a deal with Eurodiscount, a European hypermarket chain.

Jobless loner Eddie Vuibert gets a lucky break when a rich Jewish entrepreneur mistakes him for a Jew and gives him a sweet job in the Parisian fashion district.

2004 film by Frédéric Berthe

In this sequel to the huge hit "La vérité si je mens", we're back to the little Jewish community of the Sentier, a Parisian district specialised in textiles. While the first movie focussed on the sentimental and comedic adventures of Eddie (a goy trying to pass for a Jew though totally ignorant of Jewish traditions), the sequel is more about Eddie's friends, a colorful bunch of fast-talking, hot-tempered entrepreneurs who love nothing more than fast cars, fast women, glittering watches and flashy clothes. For the millions of people who saw the first episode, there's little new here : the same (or almost) characters return to their well-oiled roles and punchlines. Still, it's a better sequel than most. First, it has a story that is appropriate to our times: the little Davids of the Sentier are fighting a giant Goliath - a big supermarket chain, and their final vengeance is fun and inventive. Second, there's more room for detail and character definition. Particularly, José Garcia as Serge, the mythomaniac, pathetic loser of the team, is given a lot of screen time and makes a memorable impression (and, like Ben Stiller, he has a lot of hard time "Meeting the parents" !). Third, it's fast-paced and quite funny. In some way, it's hard to describe such a movie to non-French people as the community presented here cannot be found elsewhere. It is also close to impossible to translate, too, as most of the fun is in the "typical" slang (like the title itself). Here's a comparison that comes to mind : take the comedic moments of Italo-American gangster sagas (like Goodfellas or the Sopranos), keep the colorful language but replace handguns by yarmulkes !

Vincent和Antoine都是狂热的乐迷，两人靠到处做工地秀苦苦支撑着一个小小的演艺公司。眼看生计难以为继，Vincent家中的一个小小皮盒给了他们创业灵感：Jeanne Mas, Jean-Luc Lahaye, Lio, Desireless, Peter & Sloane, François Feldman, Début de soirée, Images, Cookie Dingler, Sabrina, Gilbert Montagné... 里面装满了80年代的畅销曲！让这些80年代的巨星重新登上舞台会大卖吧！？两位制作人于是出发去寻找那些已经被公众遗忘的明星们。从乡下小酒吧里的寒酸怀旧演唱会开始r……直到法兰西体育场！