A salmon fisherman has to choose between a bad girl and a society doll.

Head railroad man Dan is as ugly as he is honorable. When he spots a drifter who'd hopped a freight held up by a landslide, Dan offers the man a job; then he finds the man was a railroader, too, and takes him under his wing. Engaged to Mary, Dan doesn't notice the growing attraction between his protégé and his intended but focuses instead on running the railroad.

A doctor is driven into an investigation of sinister goings-on at a horse race track by his mystery writer ex-wife.

Long-missing Bill Cardew returns to find his wife Vicky remarried...and in no hurry to settle for just one husband.

1924 film by King Vidor

价值连城的红宝石失窃，这宗案件被众多报社争相报道。每日公报的主编觉得自己手下的记者写出来的文章实在是太无聊了，抓不住读者的眼球，于是请来了闻名业内的天才记者乔治（乔尔·麦克雷 Joel McCrea 饰）为自己撰写新闻。
乔治自认为是一名大预言家，曾经屡次精准的预测过犯罪事件的发生。这一次，乔治认为盗窃宝石的，是大家都以为已经死去的大盗博尔利。某日，乔治在路上遇到了一个名为克莱尔（琪恩·亚瑟 Jean Arthur 饰）的女人。衣衫褴褛的克莱尔向乔治求助，于心不忍的乔治伸出了援手，哪知道就此被卷入了一个巨大的阴谋之中。

吉姆（赫伯特·马歇尔 Herbert Marshall 饰）即将和未婚妻携手步入婚姻的殿堂，但他始终觉得，自己对未婚妻更多的是责任而不是感情。一次偶然中，失意的吉姆在公园里散步，邂逅了名叫琼（琪恩·亚瑟 Jean Arthur 饰）的女孩。琼正在找工作，她烧得一手好菜，可是，所有招聘厨师的广告都要求招聘厨师和管家的夫妻组合，没有人要单打独斗的琼。
看到了同样形单影只的吉姆，琼灵机一动，她说服了吉姆和自己假扮夫妻，并且最终顺利的获得了一份工作。在相处的过程中，吉姆和琼之间渐渐产生了真挚的感情，可是吉姆一直对琼隐瞒着自己的真实情况，眼看着琼对自己越来越信赖，吉姆该何去何从呢？

This 1930 film, a collection of songs and sketches showcasing Paramount Studios' contract stars, credits 11 directors

In this gossamer-light romance, a wealthy American woman meets a charming Parisian headwaiter and they fall in love. However, the woman's estranged husband blackmails her into returning to America with him. The headwaiter follows her trail to New York, where, after months of searching, he finds her again and they reaffirm their love. They board a ship headed back to France, but her insanely jealous husband compels the captain to steer the ship into dangerous waters, where it will almost certainly collide with icebergs and be destroyed.

Biography of director George Stevens by his son. It includes clips from many of his films with commentary by the actors and by directors such as Frank Capra, John Huston and Alan Pakula, among others. Also included are Stevens's war "home movies," found only after his death. Assigned by Eisenhower to film the war in Europe, Stevens used the opportunity to produce, at the same time, the only color footage ever shot in World War II. There is breathtaking film of D-Day and its aftermath; the triumphal march through Paris of the Allied liberators; and the unspeakable horrors of Dachau. This is what Goya might have done with a movie camera. On a more mundane level is a segment on Cecil B. DeMille's 1950 underhanded attempt to oust Joseph L. Mankiewicz, then president, from the Directors' Guild, which Stevens was instrumental in blocking.

he wealthiest man in the world, John P. Merrick, is a private person who likes to stay anonymous. One of his many assets, and a minor one at that, is Neeley's Department Store. There is labor unrest at the store, most of the employees' anger directed at Merrick, who they hang in effigy outside the store despite not knowing what he looks like. Merrick, not happy at what he sees going on, decides to go undercover working at the store to mete out the rabble-rousers. Undercover as Thomas Higgins, Merrick gets assigned as a sales clerk in the shoe department, where he is taken under the caring wing of his colleague Mary Jones, who sees in Higgins a poor man needing the guidance of friends. One of those other friends is Elizabeth Ellis, who Mary sees as a possible "Mrs. Higgins". Mary's boyfriend is Joe O'Brien, the chief organizer of the employees, four hundred of whom are following Joe in the charge against the store and Merrick. At the store, Merrick not only wants the list of the four hundred, but also wants to change those things he doesn't like at the store, chief amongst those being his shoe department section manager, Mr. Hooper. But as Higgins, Merrick also begins to see things a little differently, specifically from an employee's point of view.

Hilarity ensues when a falsely accused fugitive from justice hides at the house of his childhood friend, which she has recently rented to a high-principled law teacher.

Arthur Ferguson Jones (Edward G. Robinson) and Wilhelmina Clark (Jean Arthur) work at the same accounting firm. Jones turns out to look exactly like the notorious bank robber "Killer" Mannion (also Robinson) and is apprehended by the police.
After his true identity is confirmed, the district attorney gives Jones a letter identifying him, so that he can avoid the same trouble in future. Jones becomes a local celebrity and, at the behest of his boss (Wallace Ford), begins ghost-writing Mannion's "autobiography", with good-natured but street-wise Wilhelmina voluntarily acting as his "talent agent" to see that he gets paid.
Mannion decides to take advantage of his mild-mannered doppelgänger and, ultimately, leaving Jones "holding the bag" for Mannion's crimes. He kidnaps Wilhelmina, Jones' visiting aunt, and a few others, and takes them back to his hideout. He instructs Jones to make a large deposit for Mannion's mother's benefit at the First National Bank, where police detectives are expecting Mannion to make another robbery attempt. Fortunately for Jones, he forgets to bring the check and unwittingly leads the police back to Mannion's hideout.
Upon his arrival, Jones is mistaken for Mannion by the waiting henchmen and quickly realizes that he is meant to be the fall guy. When Mannion returns unexpectedly, Jones orders the men to shoot Mannion. The police arrive in time to capture the rest of the gang. With Mannion dead, Jones collects a reward and takes a long-desired cruise to Shanghai with Wilhelmina.

With the end of the North American Civil War, the manufacturers of repeating rifles find a profitable means of making money selling the weapons to the North American Indians, using the front man John Lattimer to sell the rifles to the Cheyenne. While traveling in a stagecoach with Calamity Jane and William "Buffalo Bill" Cody and his young wife Louisa Cody that want to settle down in Hays City managing a hotel, Wild Bill Hickok finds the guide Breezy wounded by arrows and telling that the Indians are attacking a fort using repeating rifles. Hickok meets Gen. George A. Custer that assigns Buffalo Bill to guide a troop with ammunition to help the fort. Meanwhile the Cheyenne kidnap Calamity Jane, forcing Hickok to expose himself to rescue her.

To fully appreciate The More the Merrier, it is important to know that, during WW2, there was an acute housing shortage in Washington DC. This is why elderly Benjamin Dingle (Charles Coburn) is obliged to share a tiny DC apartment with pretty Connie Milligan (Jean Arthur) and handsome Joe Carter (Joel McCrea). After nearly two reels of misunderstandings, the trio becomes accustomed to their curious living arrangement. Joe takes a platonic liking to Connie, but she's engaged to stuffy bureaucrat Charles J. Pendergast (Richard Gaines). Sizing up the situation, foxy Benjamin contrives to bring Connie and Joe together, in spite of themselves. Things get dicey when Joe endeavors to complete a top-secret mission for the Air Force, which leads to all sorts of comic complications and misguided remonstrations. Throughout the film, director George Stevens and the four-man screenwriting staff deliberately tweak the noses of the Hays Office, getting by with any number of censorable offenses by deftly and tastefully sidestepping the obvious. Especially potent is the scene in which Joe tries to seduce Connie by talking about everything except seduction: it's also fun to watch Dingle robustly repeat the word "Damn" over and over, getting away with this breach of censorship because he's quoting Admiral "Damn the Torpedoes" Farragut. An Academy Award went to Charles Coburn, while nominations were bestowed upon Jean Arthur, Joel McCrea, George Stevens, the screenwriters, and the film itself. The More the Merrier was remade in 1966 as Walk Don't Run, with Cary Grant, Jim Hutton and Samantha Eggar.

Phoebe Titus is a tough, swaggering pioneer woman, but her ways become decidedly more feminine when she falls for California bound Peter Muncie. But Peter won't be distracted from his journey and Phoebe is left alone and plenty busy with villains Jefferson Carteret and Lazarus Ward plotting at every turn to destroy her freighting company. She has not seen the last of Peter, however.