Ernesto, an ordinary man who, after making a deal with a strange character, has the chance to return to the past and live his youth again, tries to recover lost opportunities and avoid certain behaviors to change his gray and insipid present.

A young man with charisma and magnetism enters the atmosphere of tropical music as a romantic singer and undertakes a vertiginous ascent to fame.

Following the death of a musician under suspicious circumstances, a researcher and a music fan examine why rock stars often die at 27.

What limits does Malena cross to get what she wants most? Malena is a 38 year old middle class doctor from Buenos Aires. One afternoon she receives the call from Doctor Costas, who informs her that she must travel immediately to the north of the country: the baby she was waiting for is about to be born. Unexpectedly Malena decides to embark on an uncertain journey, full of crossroads, facing all kinds of legal and moral obstacles that will make her constantly wondering how far she is ready to go.

2021 film by Peta Rivero y Hornos

On their scond honeymoon, a couple travels to the beaches of the Dominican Republic to reignite their marriage

2017 film directed by Kris Niklison

In a town in the Northwest of the province of Buenos Aires, a group of neighbors is organized to recover the economy of the area, but when the corralito is implemented in the country and they suffer a fraud, their hopes disappear. Now, they will unite to recover the lost money and give the blow of their lives to their greatest enemy.

Cult片导演尼卡诺尔·罗瑞提([氪星石]、[爆头风云])执导新作曝出剧照四张。新作名为[27岁俱乐部](27 El Club De Los Malditos，暂译)，故事主角是27岁去世的摇滚巨星们，包括吉米·亨德里克斯、席德·维瑟斯、詹尼斯·乔普林、艾米·怀恩豪斯等，剧情围绕着27岁俱乐部的各种阴谋论和民间传说展开。

In a town in the Northwest of the province of Buenos Aires, a group of neighbors is organized to recover the economy of the area, but when the corralito is implemented in the country and they suffer a fraud, their hopes disappear. Now, they will unite to recover the lost money and give the blow of their lives to their greatest enemy.

Leonardo, a successful industrial designer, lives with his family in an architectural wonder, a midcentury Le Corbusier home. One morning, he wakes to an irksome noise and is appalled to discover that workmen next door are constructing a large window that faces directly into his home. Leonardo protests, using a number of excuses (privacy, building codes, his wife), in an attempt to coerce his neighbor, Victor, into scrapping his plan. But Victor just wants a patch of sun to catch some rays. Thus, one man’s light is another man’s blight.
Enamored of architecture, the film is meticulously designed. Mariano Cohn and Gastón Duprat give it a carefully crafted weirdness as well as a figurative quality. Its caustic humor comes in contemplating why the window completely undermines Leonardo. Does it reveal his arrogance, affectation, and lack of compassion; or dispel his bourgeois illusion of power? The Man Next Door offers a biting critique of moral shallowness—and what happens when thou dost not love thy neighbor’s window.