Roscoe flirts with a girl in the park. Later he takes his wife and mother-in-law to the movies only to see his flirtation showing on the screen.

Good Night, Nurse! is a 1918 short comedy film written and directed by Fatty Arbuckle, and starring Arbuckle and Buster Keaton. The action centers in a sanitarium Arbuckle's character was brought to by his wife, involuntarily, to be operated on by Keaton's character for his alcoholism.

In an attempt at greater efficiency, the chef and waiter of a fancy oceanside restaurant wreak havoc in the establishment. Adding to the complications is the arrival of a robber.

A feud between the Owens and the Gillettes ends when the last remaining Gillette is killed, but new trouble erupts for the mountain folk with the arrival of a U.S. revenue agent and his assistant. The revenuers search high and low for the secret hideaway where the mountain people prepare illegal alcohol, but end up in deep trouble that only a little movie magic can save them from.

Out West is a 1918 short comedy film, a satire on contemporary westerns, starring Roscoe "Fatty" Arbuckle, Buster Keaton, and Al St. John. It was the first of Arbuckle's "Comique" films to be filmed on the west coast, the previous five having been filmed in and around New York City. The idea for the story came from Natalie Talmadge, who was later to become Keaton's first wife.
The story involves Arbuckle coming to the western town of Mad Dog Gulch (which the intertitles call "the toughest town in the movies") after being thrown off a train and chased by Indians. He teams up with gambler/saloon owner Bill Bullhorn (Keaton), in trying to keep the evil Wild Bill Hickup (Al St. John) away from Salvation Army girl, Salvation Sue (Alice Lake). Fatty and Buster have a series of adventures trying to beat St. John, until they discover his one weakness: his ticklishness.

The Bell Boy is a short film produced and released in 1918 by the Comique film company.
The film stars Fatty Arbuckle and Buster Keaton as bellboys in Elk's Head Hotel. They cause trouble with each other and guests. The elevator is powered by a stubborn horse, a sham robbery turns into a real one, and there is a chase on a runaway trolley. Much of the material in this film was later re-used by Keaton in his 1937 film "Love Nest On Wheels". One sequence involving a mop was reused by Keaton in his last film appearance, in The Scribe.

In a drugdstore Al and Roscoe are rivals for Alice. Roscoe slings melons and operates the gas pump. Buster delivers a wedding gown for Alice, begins modeling it, is mistaken for Alice and is kidnapped by Al.

A young man (Buster Keaton) proposes a young woman (Renee Adoree), but her father questions how he might support his daughter after the marriage. The youth informs that he will move to New York, find a job and marry the girl. If he fails, he would commit suicide. Once in the big city, he works in many professions and writes to his girlfriend; and his imaginative girl reads each letter and thinks in her beloved being successful on each trial.

Color: Black and White
Sound Mix: Silent

Roscoe, his wife and his mother-in-law run a seaside resort. Buster plays a gardener who puts out a fire started by Roscoe, then a delivery boy who fights with the cook St. John, then a cop.
The Rough House (1917) is a short comedy film written and directed by and starring Roscoe "Fatty" Arbuckle and Buster Keaton. The Rough House was Keaton's first film as a director.

Customers and clerks frolic in a general store. Roscoe walks out of the freezer wearing a fur coat, then does some clever cleaver tossing. In Buster's film debut he buys a pail of molasses.