Timeless: Live in Concert, recorded at her Las Vegas show on New Year's Eve 1999, takes as its subject the star herself. It opens with a dramatization of her first, amateur recording session, with young Lauren Frost playing a part described in the credits as "Young Girl," though Streisand later refers to her as "mini-me." Frost doesn't get too far before being joined by Streisand herself on a stirring version of "Something's Coming" from West Side Story. The rest of "Act One" traces Streisand's career from her club days to her movie performances. "Act Two" has less of a narrative structure, though it is equally autobiographical, with Streisand displaying and commenting on videos of herself performing with other stars and building up to the stroke of midnight with a combination of old, recent, and new specially written songs. At 57 that night, Streisand remains in good voice.

At her husband's funeral, Pearl, Jewish mother of two divorced and antagonistic daughters, meets an old Italian friend of her husband, whose advice years previously had stopped the husband leaving home. For 23 years he, now a widower, has secretly loved Pearl.

Upon her untimely death, a workaholic finds herself in training to be a Christmas Angel in Heaven. Despite being the worst recruit in the history of Christmas, she’s assigned a hard luck case. As she’s forced to help solve his problems, she’ll start to discover the meaning of Christmas and maybe even fall in love along the way.

A stranger in a Western cattle-town behaves with remarkable self-assurance, establishing himself as a man to be reckoned with. The reason appears with his stock: a herd of sheep, which he intends to graze on the range. The horrified inhabitants decide to run him out at all costs.

In this winsome comedy, an entitled Economics professor pursues a tactic to buy an ailing widow’s mansion for nothing, but he quickly realizes that his seemingly foolproof strategy won’t be as easy as he thought.

Directed by Mark Cousins, My Name is Alfred Hitchcock re-examines the vast filmography and legacy of one of the 20th century’s greatest filmmakers, Alfred Hitchcock, through a new lens: through the auteur’s own voice.

Carolina Mirabeau was raised 'free-spirited' with two sisters by eccentric, domineering grandma Millicent in the country. Carolina's city neighbor, talented and witty Jewish author Albert Morris, is her best friend, confident and the wacky family's favorite guest. Yet she begins dating Heath Pierson, an 'all too perfect' upper class brilliant Britton, whom she met in the TV studio where she's fired as dating show candidates-screener. But the past and some truths catch up with all of them.

杂志的出版人莱德在度假中意外死亡。他的侄子托尼接管继承了杂志社。目前，该杂志正计划扩大，他们需要一些资金。托尼试图通过他的朋友，安排贷款。他随后被酒店宾馆的侦探怀疑，他的叔叔去世有关。一个女人，只穿着一条毛巾，来到了他的房间，逃跑前的侦探能不能跟她赶上。他们怀疑是上校与她害死了叔叔，因为当他死的时候她在微笑。托尼和他的两个叔叔的心腹都担心，不是只有在银行就听说这个，他们不会得到贷款，该杂志健康的形象也会受到...

当化妆品皇后玛丽·凯依对化妆品直销的垄断受到性感、年轻的暴发户金格·希斯的威胁时，化妆品界突然变得丑陋了。表面上看，她们是截然不同的女人。玛丽白手起家，打造出了自己的王国，现在过着富足却谦卑的生活。相反，时尚的金格却出任一家化妆品公司的董事会主席，正在威胁着玛丽的生意计划。她们的不同引发了竞争，然而，又是她们的相同加剧了竞争。她们自立自强，敢于竞争，是脱身家庭主妇后的成功女性。

Utitlising humour, fantasy, animation, poetry and theatrics, Hochman and her crew challenge the male establishment for ignoring the first meeting of the National Women's Political Caucus and Shirley Chisholm's bid for US vice-president.

Broadway: Beyond the Golden Age is the sequel to the feature film documentary Broadway: The Golden Age, which documented American theater in the 30s, 40s and 50s. This second installment of director Rick McKay's Broadway film trilogy continues the story from the legendary Broadway season of 1959 (Gypsy, Raisin in the Sun, Once Upon a Mattress, etc.) through the tumultuous 60s (Hair, Oh, Calcutta, etc.), the revolutionary 70s (Sondheim, A Chorus Line, Chicago, etc.), up to the opening night of David Merrick and Gower Champion's 42nd Street in 1980. Once again, McKay tells the story with in depth, candid, personal interviews with over 100 newly filmed, legendary stars, while incorporating never before seen footage of the original productions, as well as home movies and photos from the stars' own personal collections, bringing to life a lost era in American history. Many of the stars of the film went on to become household names from their subsequent fame in film and television, and talk of the differences in the mediums and how the theater gave them the foundation for their success in front of the camera.

A Parisian nightclub owner known for her performances of the can-can attracts the ire of a self-righteous judge. He hatches a plot to photograph her in the act but ends up falling for her — much to the chagrin of her lawyer boyfriend.

Connie Doyle is eighteen, pregnant and alone. She accidentally ends up on a train where she meets Hugh Winterbourne and his wife pregnant Patricia. The train wrecks and she wakes up in the hospital to find out that it's been assumed that she's Patricia. Hugh's mother takes her in and she falls in love with Hugh's brother Bill. Just when she thinks everything is going her way, her ex-boyfriend shows up.

After leaving his wife, lawyer Jerry Ryan moves from Omaha, Nebraska to New York City to start a new life. While studying for the New York Bar Examination and working to finalize his divorce, Ryan meets dancer Gittel Mosca, and the two begin a cautious courtship. However, Ryan feels that he must come to terms with his failed marriage and overcome his lingering attachment to his ex-wife before he can redefine himself and embrace his budding romance.

After his daughter persuades him to move into a new apartment, aged widower Fred strikes up a friendship with his eccentric 74-year-old neighbour Elsa, who convinces him it's never too late to keep enjoying life. Although he seemed resigned to a miserable bedridden existence, Fred embraces Elsa's youthful enthusiasm as she introduces him to the path of life and entertains him with outlandish stories about her past life. But when he discovers Elsa's terminally ill, Fred decides to accompany her on the trip of her dreams to the eternal city of Rome to help her fulfil a lifelong ambition.

在她们的60年代电影"男孩疯狂"重新发布并获得成功之后，3位女演员(Piper Grayson, Kate Westburn 和 Addie Holden)重新聚首，经过Kate Westburn的儿子和她们经理的帮助，她们准备做一场重聚表演。可是麻烦在于，这三位女演员以及她们的经理都互相反感。