A village woman abandoned by her husband is forced into prostitution in Kolkata and forms nameless yet strong relations with a wealthy patron as well as an abused boy in the neighbourhood.

1975 film by Hrishikesh Mukherjee

Raju lives with his mother and resents his father for having an affair

Naseeb, a story of destiny and fate, begins with a lottery ticket. A drunk who cannot pay his restaurant bill trades his recently purchased ticket with a waiter. Naseeb becomes a poignant story about love, friendship, sacrifice, deceit, revenge and above all, destiny.

A businessman's family is torn apart by an earthquake and reunited years later in a courtroom where father and sons stand opposed in the roles of accused, lawyer, and witness.

As told through clips from 183 female directors, this epic history of the cinema focuses on women’s integral role in the development of film art. Using almost a thousand film extracts from thirteen decades and five continents, Mark Cousins asks how films are made, shot and edited; how stories are shaped and how movies depict life, love, politics, humour and death, all through the compelling lens of some of the world’s greatest filmmakers – all of them women.

This powerful psychological drama follows a young executive's climb up the corporate ladder and his slow immersion into corruption, seen through the eyes of his young sister-in-law.
Shyamal (Barun Chanda) is an ambitious Marketing Manager in a British firm in Calcutta, manufacturing fans. He's married to Dolan, and lives in a company flat. He aspires to become the company director. For this he has to compete with a colleague who has a relative in the board of directors.
His sister-in-law Tutul (Sharmila Tagore) arrives from Patna to spend a few days with them. She has been a great admirer of the ideologist Shyamal and was envious of her sister's marriage with him. Tutul is Shyamal’s conscience. Shyamal shows her the delights of city life - the cocktail parties, the clubs and horse racing.
Life goes on smoothly for Shyamal until he learns that a consignment of fans meant for exports is defective. There is not much time to rectify the fans. It could result in cancellation of the export contract and an end to his dream of becoming a director.
Hopeless, Shyamal takes Tutul in confidence though not his wife. Late at night, he hatches a plan with the labor officer to provoke a strike at the factory. A factory watchman is badly injured and a lockout is declared. The export contract is saved.
Shyamal becomes a director but he has fallen low both in the eyes of Tutul and his own.
This is the second film of the Calcutta Trilogy. The other two were and Pratidwandi (The Adversary, 1971) and Jana Aranya (The Middle Man, 1975). All the three films study the effect the big city of Calcutta has on the educated youth and the price it extracts from them.
With an effortless conviction, Ray builds up the narrative, and characters including the minor ones. The film has a poetic and understated ending. As triumphant Shyamal returns home after being named a director, the elevator is out of order. A joyous Shyamal begins to climb the stairs. As he ascends his steps become slower. When he reaches the top, both physically and metaphorically, his joy has vanished. Tutul who has witnessed fall of her hero, sits beside him, they exchange glances. Without making a sound Tutul removes the watch that he had gifted her. She places it on the table. We see Shyamal from above a ceiling fan, with his head bowed in his hand and Tutul fading away.

Abhik Chowdhury is an IPS officer with a heart -- honest, upright, yet laid-back. Having lost faith in the real relationships that he sees around him, Abhik seeks solace in the virtual world. While navigating through this virtual world, Abhik develops an online relationship with a young woman, Brinda, without knowing anything about her. Brinda is a young, dynamic television journalist. For both Abhik and Brinda, who do not know each other's real names or whereabouts, this online communication soon becomes an increasingly intense relationship, more real than virtual. Ironically the virtual lovers, Abhik and Brinda have an acrimonious first meeting in the real world - at the launch of a controversial mega project of a big-time real estate entrepreneur, V.K. Mehra. Unaware that she knows Abhik so well on the Internet, Brinda, gets into a bitter exchange of words with him. Before leaving in a huff, she overhears a piece of conversation about Mehra's project, which gives her a lead to a potentially big scoop. Ranjan and Paromita, an estranged couple, become the bridge between Brinda and Abhik. Ranjan is Abhik's cousin, but he is more a friend, philosopher and guide. A stock market addict, Ranjan leads a lonely life after having separated from Paromita a few years ago. Paromita, is a senior marketing executive with the television channel where Brinda is a colleague and a friend. Ranjan and Paro still care deeply for each other, but they have separated because they feel togetherness would spoil that very love and tenderness. It is an irony they live through, each alone. As the film progresses, we follow the lives of these characters as they discover each other and also themselves; and when the credits roll up we see love is fragile, yet it continues endlessly, linking us to eternity.
阿比卡•乔杜里是一个诚实、正直的网络警察，他在网络上结识的网友布琳达是一个年轻的、精力充沛的电视新闻工作者，但双方对彼此的真实情况一无所知。兰詹和帕罗米塔是一对分居多年的夫妻，他们成为了阿比卡和布琳达认识的桥梁。影片反映了爱情可能是脆弱的，却也是延续的。

Four friends from Calcutta who have very different personalities make a holiday excursion into the country, to a tiny village in the state of Bihar where they set themselves up in a bungalow. A series of minor events, all connected to their respective reactions to their new environment, reveals their characters more deeply.

Dhadkan is about Anjali (Shilpa Shetty), a young woman who hails from an extremely rich and influential family. Her father Mr. Chauhan (Kiran Kumar) is a renowned businessman and has many dreams for his daughter. Anjali is in love with Dev (Sunil Shetty) who is very poor and often cannot even afford to clothe himself properly. Dev loves Anjali and wants to marry her — so has to meet her father.
When Anjali puts forward to her parents the proposal of marrying Dev, she is rebuked and gets an outright refusal. Moreover, her parents have chosen for her a wealthy suitor from Delhi. Not wanting to hurt her parents Anjali finally gives in and marries Ram (Akshay Kumar) who her parents believe will be a perfect match for her.
Ram is a man of great ideals, who believes in giving a rightful place to his wife and respects her sensibilities. Despite this, he is unable to win Anjali’s love at first and their marriage remains on the edge. However, after seeing the magnanimity of her husband’s heart in forgiving and accepting her, she realises she has fallen in love with him.
Anjali leads a life of bliss and becomes an ideal wife. But suddenly, at their third wedding anniversary party, Dev returns and reveals his intent of winning Anjali back. Dev is now a wealthy businessman, and Anjali finds herself at a crossroads where she has to fight for her husband with her former love. Anjali is in love with her husband and has no wish to return to her former lover. When she tells him this, he sets out to ruin Ram's business. But the truth wins in the end when Anjali tells Dev she is pregnant with Ram's child. Dev realises his folly and decides to marry his friend and business partner Sheetal Varma (Mahima Chaudhary) who has secretly loved him for a long time.

Arindam, a matinee idol, is going by train to collect an acting award. On the train, he is confronted by Aditi, a journalist who somewhat unwillingly starts to take his interview. Arindam, won over by Aditi's naivete, starts to disclose his past, his fears and his secrets.

A devout upper-class Hindu has a vision in a dream that his daughter-in-law is the human incarnation of the Goddess Kali and begins worshipping her.

Apu is a jobless ex-student dreaming vaguely of a future as a writer. An old college friend talks him into a visit up-country to a village wedding. Preserved by the Academy Film Archive in 1996.