Tearful Surrender is a trilogy filled with intensity & murder using nature, sexuality, & violence to represent the sadness of what it is to be immortal.

Lisa Templeton begins a new job as a cleaner at High Hopes Hospital, a mental institution in Amityville, Long Island. Initially delighted to get the job, Lisa soon realises that all is not as it seems. Intimidated by staff and the psychotic ramblings of the patients, she is further unnerved by apparent supernatural occurrences on the night shift. To preserve her sanity Lisa must uncover the mysterious history of the institution and it's inmates. But the truth is far more terrifying than she could ever imagine.

This is the story of the beautiful young Pervirella. Set in the mythical English land of Condon, the grotesque, power-mad Queen Victoria builds a wall around the country and establishes a "Monarchy of Terror." Intellectuals and "pervs" are prosecuted and killed, or driven underground to form the "Cult of Perv." Their leader, the Demon Nanny gives birth to a possible savior, then dies. The infant Pervirella grows to maturity with supernatural speed and shows amazing abilities, including raging nymphomania whenever her magical necklace is removed. Pervirella is sought by various rebels, agents of Victoria, the Cult of Perv, and a trio of witches. Eventually she teams up with Amicus Reilly, a James Bond spoof played to stiff, campy perfection by the late David Warbeck. Wild adventures ensue!

A 19th century woman (Eileen Daley), who has become one of the undead, acts as a hired killer in modern times. When she starts knocking off part of the elite businessmen, "The Illuminati", who secretly are taking over business and the government, she becomes the target of a hired Scotland Yard detective (Jonathan Coote). Of course, the head of "The Illuminati" is the vampire (Christopher Adamson) who first gave her immortality.

This is one of the most beautiful and mysterious shorts committed to film. Visuals are more like a moving painting than anything else I've seen. There are certainly elements of films like City of Lost Children in there, but taken to another level. Visually only Casshern comes close to this, for sheer depth of vision. It just shows you what is possible for people to achieve with some imagination. Too many film makers seem to want to use digital effects to create the most realistic looking sets/ extras/ stunts, when they should be concentrating on making it look as interesting as possible.

Frank is a filmmaker who brings a group of actresses to a cabin in the woods to make a film. While there they stumble upon a book, a book that belongs to the Book Keeper. The book is in no way an ordinary book, as it brings demons to earth, and now Frank and his actresses are the only ones to stop them.

A gruesome homage to the cult Amicus anthology Asylum, Cradle of Fear unfolds four screamplays all linked by the unspeakable need of an incarcerated child killer to wreak vengeance on those responsible for his imprisonment. Helped by deranged angel Dani Filth, who leaves a trail of charnel house death in his crimson wake, the cannibal convict forces two Goth vamps to endure a one night stand from hell, two tough female robbers to see through each other, an obscenely rich coke-head to chop up more than a few lines and an internet surfer to descend into madness when he uncovers the ultimate web depravity.

2005 film by Jessica Nilsson