Margaret Tait Award winner Rachel Maclean’s latest film is a parable of the pleasures and perils of indulgence, and a wicked, waspish skit on a world where greed is good. The film is a provocative exploration of the commercialisation (and sexualisation) of childhood, and a corresponding infantilism in adults. A delirious confection of multi-layered images, made more extravagant by the artist’s trademark multi-character theatrics, this is Maclean’s most ambitious film to date.