1970 film by Tito Fernández

Ante la perspectiva de ser padre, un tímido abogado se ve obligado a mejorar sus ingresos y como única solución decide meterse en asuntos tan turbios como peligrosos.

Shot of the All Saints Day, when the cemeteries Rodada the All Saints Day, when the cemeteries are filled with visitors, think about the business flourish over the death. The production was given by Juan Antonio Bardem and UNINCI, producer of the orbit of the Communist Party of Spain. Censorship under Franco banned the showing of the film, as mentioned in the text of the Board of Classification and Censorship of December 18, 1962: "In my opinion, the documentary is done so biased. Has a series of ups, all taken with a bad intention, such as the Condor Legion. The vast majority of advertising is going badly dressed, dirty, dirt this appears in many of the... Moreover, I do not think that film has any value."

Shot of the All Saints Day, when the cemeteries Rodada the All Saints Day, when the cemeteries are filled with visitors, think about the business flourish over the death. The production was given by Juan Antonio Bardem and UNINCI, producer of the orbit of the Communist Party of Spain. Censorship under Franco banned the showing of the film, as mentioned in the text of the Board of Classification and Censorship of December 18, 1962: "In my opinion, the documentary is done so biased. Has a series of ups, all taken with a bad intention, such as the Condor Legion. The vast majority of advertising is going badly dressed, dirty, dirt this appears in many of the... Moreover, I do not think that film has any value."

Leo Pozas, native from Burgos and high bank clerk, arrives to a town on the Costa Brava, with his mother to marry Loli. Unexpectedly, Leo's mother died. This may mean the suspension of the wedding, a year of mourning and, perhaps, another relief, so that Leo and Loli hide the corpse of the old betrothal until after the wedding...

1975 film by Francisco Regueiro