《婚姻风景》展现了一对结婚十年的“模范夫妻”，如何面对爱情的死亡，如何走向婚姻破裂，如何在离婚后又成为“情人”的一幕幕场景，这些场景犹如一道婚姻的风景线，将两性关系中最为复杂的“婚姻关系”赤裸裸地呈现在观众面前。正如瑞典戏剧大师斯特林堡所说：“世界上没有比相互仇恨的夫妻更可怕的关系了”。

Drawing on 30 years of marriage to five spouses, Ingmar Bergman acknowledged a strong connection to the lead characters of his masterful 1973 film. Johan and Marianne seem the perfect couple. Yet the illusion is soon shattered during this blisteringly perceptive study of a relationship breaking down.

Illuminating Bergman’s world, Ivo van Hove’s theatrical adaptation invites audiences to intimate onstage spaces in which three sets of actors portray Johan and Marianne at different ages. Simultaneous performances converge, bringing their universal battle for love, identity and understanding to a surprising conclusion.

Van Hove’s inventive transfers of cinematic works to the stage, including Antonioni Project, have immersed European audiences.

'As good as theatre gets; combining astonishingly inventive stagecraft with glorious acting’ Guardian on Roman Tragedies at the Barbican (2009)

3 hours 20 mins / including a 25-min interval

根据英格玛·伯格曼同名电影改编而成的舞台剧。

1973年，丽芙·乌曼和英格玛·伯格曼在交往多年后分手了。随后 英格玛·伯格曼花了数月时间创作，写下了一对夫妻长达二十多 年的生活点滴故事，也就是《婚姻 生活》。通过此故事，伯格曼又再一次和大家分享了他耀眼职业生涯的辉煌一笔。

当爱情生活和个人空间发生冲突的时，伯格曼的言语仿佛就刺中了我们生活的要害。

这个故事让我们见证相爱的两个人如何越走越远，这样的相处创造了什么又毁灭了什么。没有事后回溯，没有结果善后，只是当下的时刻。对话简明扼要，仿佛手术刀一样精确。剥去一切不必要装饰陈设之后最原始的生活状态。两者互相吸引又互相生厌，渴望又嫌恶，背叛的性、谎言和妥协。

约翰与玛丽安，一对登上《妇女时尚世界》的模范夫妻。
『我们几乎不吵架，就算吵也是理智地听对方说些什么，然后再达成合理的妥协。』

然而突然有一天，这座中产阶级高知家庭的城堡轰然倒塌。
『我想要甩掉你已经足足想了四年。』

『我不在乎告诉你我有多讨厌这两个愚蠢、放纵、没大脑、懒惰、自私的女儿。』
他们分居、离婚，与不同的情人恋爱、再婚，却永远也找不到灵肉合一的完美婚姻。

『你永远不能向一个人保证忠实，无论你忠实与否。』

『说到感情，我们都是文盲。』

匆匆又数年，在一个晴朗的午后，约翰与玛丽安分别避开自己在法律意义上的伴侣，又一次幽会在一起……

『这是一场属于心灵层次的集体性交。』

The film shows four women moving in a crowded, closed room to the music of Monteverdi. They represent women living by passing on a role that is passed down to them for generations. Two of the dancers are damned souls that come to life, the third is death and the fourth a child born free, but forced into the other female roles.

A massive documentary that chronicles the creation of Autumn Sonata (from September 5, 1977 until November 7, 1977). The documentary was shot by Arne Carlsson.

During WW2 in neutral Sweden, young sailor Bo, son of a railway stationmaster, comes home from the Navy and reminisces a childhood accident. At age twelve, he ran away in a steam locomotive together with a blind 10-year-old girl. The engine derailed, and the little girl got killed. Feelings of guilt haunt Bo even in his courtship with Eva, a beautiful local girl. In Stockholm, Bo sees a nightmare about plotting to kill his roommate Göran together with Göran's flirtatious girlfriend Susanne. In a third act, Eva and Bo are married and living on a remote island off Stockholm. When it's time to give birth, Bo has to row the stormy seas and fears again that he will cause another death. Written by Markku Kuoppamäki

A Swedish couple are trapped in their marriage and way of life. Locked up in their bourgeois inferno.

Included in CC Ingmar Bergman's Cinema.
Letterboxd:
Short film with footage Bergman shot of his infant son and later included in the Swedish omnibus film “Stimulantia” (1967).

Martin is married to Frida and together they have a son. One day after a quarrel with his wife, he goes to buy flowers to ask for forgiveness. In the flower shop he meets the beautiful Rut and falls instantly in love. They both start a passionate love affair but beneath the beautiful surface hides a completely different woman than he expected ...

n the early 1950's Ingmar Bergman made a series of imaginative commercials for the soap brand "Bris".

A knight returning home after a ten-year crusade to the Holy Land finds a country paralyzed by the Black Death.

Two young Swedish children experience the many comedies and tragedies of their family, the Ekdahls.

A Spiritual Matter is the first-ever adaptation of an Ingmar Bergman script since his passing. In this movie, Viktoria is a 40-year-old woman who seems to have gone mad and develops a compelling and moving monologue of moments that marked her existence. Viktoria (Sophie Marceau), a bishop's daughter and pastor's wife, talks to herself and reveals her intimate world: her joys and woes, her childhood and her relationship with her cheating and aloof husband. She voyages from life to life, seemingly playing several roles. She remembers, dreams, fantasizes and hallucinates, bringing back to life her late husband, mother, father and friends.

a short film based on Bergman's family album, particularly photos of his mother, Karin.