Natacha Régnier — Actor (8)
The Right of the Weakest (2006) [Movie] IMDb WikiData TMDB
La Raison du plus faible
director: Lucas Belvaux actor: Lucas Belvaux / Claude Semal
other title: 약한 자들의 음모 / La Raison du plus faible
In the Belgian town of Liege, in order to buy a moped for the wife of their friend Patrick, three men decide to organise a large-scale hold-up. As expected, nothing goes to plan.
The Prey (2011) [Movie] Min reol
La Proie
other title: La Proie / On the Run
A robber escapes from prison with a single objective in mind: to track down his former cellmate, a serial killer who intends to pin his crimes on him. A cop is sent after the robber who, despite his best efforts, soon becomes Public Enemy Number One. As the protagonists are driven to their limits, it becomes increasingly unclear who is the hunter and who is the prey.
Everything's Fine, We're Leaving (2000) [Movie] Douban
Tout va bien, on s'en va
director: Claude Mouriéras actor: Michel Piccoli / Natacha Régnier
other title: 一切都好,我们走吧 / Tout va bien, on s'en va
三个法国姐妹不相干地过着生活,突然被阔别15年已久、当初抛弃她们的父亲的到来而打乱。每个人由于个人禀性以及对父亲不期出走的反应不同而对他回家持不同态度。而且她们意识到老父亲就要因为失忆而丧失生活自理能力,也没想到老父亲因此走上了绝路,最终小妹妹接受了他,并因此真正改善了姐妹间的关系。
Orly (2010) [Movie] Douban IMDb TMDB WikiData
Orly
director: 安格拉·夏娜莱克 actor: Natacha Régnier / Bruno Todeschini
other title: 奥利机场 / Orly, Poem 1-4
Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit.
Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight.
The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.