“Congratulations, you’re pregnant!” Lara can hardly believe what the doctor has just told her. The 25-year-old spends her nights hanging around Berlin with best friend Nora, having lost interest in her architectural studies long ago. She has no idea what to do with her life – she does a lot, but nothing properly. She now finds herself pregnant after a night of passion with a charming barman she met at a party. Nora is thrilled by the news though, proclaiming: “we’re having a baby!” After some initial doubts, Lara too begins to see her pregnancy as a chance. Together with Nora, she sets about painting the nursery and goes in search of the baby’s father. Then the gynaecologist gives Lara some bad news…

The main thing is sexy - no matter whether thin, fat, what skin color, young, old, we can all be sexy in different ways. Almost every woman grows up having to work on herself in order to remain desirable. Why? What if we stopped pushing ourselves into a sexy pose with all our might? What if we no longer fought for the right to be sexy, but were truly free? What if we stopped investing all our time and energy in being heard and the world started to hear us? A modern movie about modern women and men - who might be able to find a common language.

Vera and Wolf Küper live in Berlin with their 5-year-old daughter Nina and their one-year-old son Simon. Vera takes care of the children and the household alongside a part-time job, while Wolf works as a scientific advisor to the UN, trying to raise awareness of the seriousness of the coming climate catastrophe. The stressful everyday life in a system that is not exactly family-friendly puts increasing strain on the young family and the couple's relationship. The Küper family's way of life is finally shaken to the core when little Nina is diagnosed with a fine motor and coordination disorder. At this moment, Wolf remembers a wish that his daughter expressed shortly before going to bed. Nina would like to have a million minutes, just for the really nice things.

Clemens Frowein (36) ist einer mit Ecken und Kanten. Körperlich nicht unbedingt, aber dafür glaubt er an Gerechtigkeit. Doch die ist als Kommissar nicht immer gefragt: Nachdem das Gericht den Drahtzieher eines Kinderpornorings frei spricht, übt King Selbstjustiz und wird suspendiert. Gar nicht sooo schlimm, denn er gründet die Internetplattform „bullenjagd.de“ (Bürger fotografieren und filmen Polizisten bei Verkehrsverstößen) und findet seine wahre Berufung als Pinguinpfleger im Wuppertaler Zoo: „King Ping So könnte es ja weiter gehen. Wäre da nicht der Ex-Kollege. Genick gebrochen, am Ende einer Treppe. Kommissar Ellbroich Kings pseudo-cooler Nachfolger, glaubt an einen Unfall. King natürlich nicht - und behält Recht: Der Treppenmörder übt Rache und wird es wieder tun. Freunde und Pinguine sind sich einig: Der King muss ran ...

Joseph 和 Sonya 通过密切的友谊以及他们共同抚养的年幼儿子 Pino 进行了联系。当导演 Joseph 在构思一部新电影的想法并应对与前男友 Marc 的分手时，Sonya 正在忍受越来越严重的抑郁症，这让她逐渐与生活脱节。当她被送入一家诊所时，Joseph 不仅需要应付日常的家庭生活，还要应对自己的艺术雄心。
在他的第二部作品中，编剧兼导演 Fabian Stumm（《骨与名》）将不同的情感色调融合到一个悲喜交加的现实反映中。“Sad Jokes” 是荒谬、平淡、充满希望和感人的，或者——正如现实生活中一样——这些都可以同时存在。

TV series

Suburban summer heat. Merit, Eva, Lion, Rose and David cautiously wind around their conflicted relationships. They talk, but their words don’t meet. They act in plays while rehearsing their lives. The garden needs watering. Fears of the future and traces of violence relentlessly press into the present. A narrative of the beauty and gravity that arise from discovering our individual truths.
Director's Note:
How can we be with one another? Especially when unconditionality begins to crumble? Is it possible to be with one another without the need to feel beautiful in their eyes? The eyes of those who make us dissolve? Is it possible to be apart?
源自：

2015 German television series

17世紀初，在德國的某個地方，一名神秘的士兵來到一個孤立的新教村莊。这个陌生人天性娇小而谦虚，脸上因伤疤而毁容，他宣称自己是一个废弃已久的农场的继承人，并出示了一份文件来支持他对可疑村民的索赔。随着时间的流逝，他克服了他们的疑虑，证明了自己是一个勤奋、敬畏上帝的人，成为他们社区的一部分。然而，他对接受的追求建立在一个大胆的谎言之上。一个骗子真实而曲折的故事，她藐视自己作为女人的出生，把自己当作男人，欺骗了一个村庄。

“如果你不想听，就不要问我的感受！” “我想听，但有时你的感受并不是真实的。” 演员鲍里斯和作家乔纳森是一对日渐隔阂的夫夫。鲍里斯投入沉浸在新片的彩排中，开始混淆真实人物和虚构人物的边界；而陷入创作瓶颈的乔纳森在遍寻灵感不得后，动起了鲍里斯的主意。本片是德国演员法比安·斯图姆自编自导自演的处女作，将幽默感投射到卧室、超市和彩排厅等日常空间，反思文艺情侣的相处之道。

2021 film directed by Sabrina Sarabi

tv show aired in 2021

Cold War, the seventies. Lars is a Romeo agent from East Germany: he must go to the West side and seduce and spy on Western women who work in government or defense institutions.

John Gruber is in his mid thirties, an egocentric, living life in the fast lane and sparing no expense. But all of a sudden he is thrown off track by a cancer diagnosis and by the person who unwillingly delivers the news: Sarah, a DJane from Berlin, who is not his type at all. Feelings just aren’t Gruber’s cup of tea and now, without having asked for them, he has more than ever before…

安泰科从德国迁居到北法小镇，才刚发生的谋杀疑云，让初来乍到的他立刻蒙上一层阴霾，邻居除了房东夫妇，还有一名单亲妈妈热纳维耶芙和她的女儿，热纳维耶芙随即对安泰科萌生好感，但安提克却没有回以同等爱意，在二手商店工作的他，反而与顾客萨巴斯蒂安发展出一段似有若无的恋情，而一名德国旧识女人的突然来访，迫使他必须面对逃离家乡的真相。（豆瓣电影字幕翻译2.0小组）

2022 film directed by Matti Geschonneck

马蒂（塞巴斯蒂安·弗拉斯多夫 Sebastian Fräsdorf 饰）是一个性格非常软弱的男人，遇事只会忍气吞声，毫无反抗意识。这年夏天，马蒂带着女友（Alice Pehlivanyan 饰）来到别墅度假，打算在这里度过一个悠闲而又浪漫的假日，哪知道，马蒂那平日里处处咄咄逼人的哥哥（戈德哈尔德·吉瑟 Godehard Giese 饰）带着老婆突然出现。
明明是后发制人，但哥哥理所应当的占据了屋子里最好的房间和资源，将马蒂和女友赶到了又小又阴暗的房间里，让女友气不打一处来的是，马蒂对于这些越轨的行为竟然全然接受。忍不了这口气的女友决定帮助马蒂出气，小小的别墅中，针锋相对的四人开始了拉锯战。

根据创新娃娃师傅凯特·克鲁斯生平改编，她制作的娃娃深受多个世代儿童的喜爱。她制作出革命性的崭新娃娃，不仅表情栩栩如生，更柔软得令人爱不释手，娃娃不再是从前只适合放在橱窗展示的瓷娃娃，而是如评论家描述的—孩子的孩子，小女孩最忠实的同伴。她从贫穷的童年出身，后来成为女演员，嫁给一位著名雕刻家，这对前卫夫妻打破了19世纪的道德传统。
凯特·克鲁斯为养活两个孩子和酗酒的丈夫，创作出生平第一个娃娃，不只让小女孩着迷，更引来贪婪玩具商彷冒及廉价生产出售。凯特·克鲁斯必须发挥创业才能，以拯救自己的事业。最终凯特·克鲁斯打赢了玩具业最大的版权官司，她扩大了生产，成为二十世纪最主要的商业女性之一，她是八个孩子的母亲，于1968年在穆尔瑙逝世，享年84岁。

After three years at boarding school, Hanna (14) returns to her childhood village during the holidays. The villagers believe her mother was a witch, who lured three men into the marsh, where they died.
Since no one wants to befriend the daughter of a witch, Hanna is glad when she meets the city girl Eva. She seems to have found a friend but something isn’t right. Strange accidents occur and there is no explanation. What lures in the shadow of the marshlands?