1997 film by Claire Simon

A Mexican community is slaughtered by Confederate troops; the lone survivor, a boy, is taken in by a preacher. Years later, the boy is now a soft-spoken, devout young man with perfect shooting skills (despite being a pacifist). On his journey to help his half-sister out of a complicated situation, he crosses paths with the men who killed his family, unbeknownst to him.

In 1958 Angelo, a rich and spoiled boy, enters a religious school, where students are tired of its vice-rector, and the strict rules and old-fashioned teaching methods of priests. Soon, Angelo exerts strong leadership among his peers and incites turmoil among them, helped by intellectual Franco and shy Camma. They expel the prefect from the school, organize a Grand Guignol show, and disappear the corpse of an old professor.

A young commissioner investigates the murder of a Sicilian criminal with the help of a social worker.

An enterprising reporter takes along four willing adventurers to interview and photograph a young Sardinian criminal in hiding. Under intermittent gunfire, they make their way to the mountain hideout of the bandit. After a leisurely conversation and photo session, the encampment comes under fire from a group of armed citizens acting as police. Bullets fly and violence overtakes the criminal's two henchman, as the thrill-seeking group and the wanted criminal find themselves under attack.

In a futuristic society, an old man tells the legend of a strange medal to two children. In flashback, we learn that after a nuclear catastrophe, two teenagers were living in an artificial paradise, maintained by electronic means, and once decide to leave that shelter and escape using that same medal - a mini video-disc - in search of outer-space freedom.

A gang of cattle thieves rescue a criminal from the gallows, and later rob a stagecoach loaded with gold. When they get the loot, he is betrayed and left dying in the middle of the desert. In the escape they reach a mysterious ghost town, where they perceive there is something strange about ...

弗兰克，一位住在精神病院的70岁老人，制作了一部电影，希望能够至少让他40年前的两位前女友——丽娜和芭芭拉——中的一位回到他身边。机缘巧合下，这两位心存怨恨的情敌相遇并得知弗兰克对自己的背叛。她们发誓要报复弗兰克，带着一根魔棒、一杆猎枪回到了过去……
The ensemble film THE GENITAL WARRIORS takes a look at the common past of the three main characters as their memories meet and overlap. The 70-year-old Frank sits in a geronto-psychiatric ward and types a screenplay about his relationship with Lena and Barbara. These two embittered women come together with a magic wand and a shotgun to travel to the past and commit an act of revenge on him.

A 1966 biopic of Francis of Assisi presents him as a troubled rebel and champion of radical brotherhood, reflecting the spirit of 1968 student protests. Praised and condemned, the film sparked controversy for its bold, dissenting portrayal of faith.

Young Alvise's body is paralyzed, or at least he thinks so. He is infatuated by his beautiful aunt Lea. What starts as innocent therapy and care soon develops into strange erotic and psychological battle between them.

A demented nun sliding through morphine addiction into madness, while presiding over a regime of lesbianism, torture and death. Sister Gertrude is the head nurse/nun in a general hospital, whose increasingly psychotic behavior endangers the staff and patients around her.

This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity.
I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few).
Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).

Described as an answer to Fassbinder’s The Marriage of Maria Braun, Fraulein tells the story of a German woman and a former French prisoner of war living in 1950s Germany. Instead of playing a role in rebuilding her country, Haneke’s heroine remains preoccupied with her personal affairs. Shot predominantly in black and white (with a color sequence added toward the end), Fraulein asserts Haneke’s place alongside the masters of the New German Cinema.

Dreams and reality collide as a young woman navigates a tumultuous relationship amid rising social tensions, protests and tragedies in Paris.

Nada, named after a gang of Spanish anarchists, is a small, confused band of French terrorists. They kidnap the American ambassador after one of his regular visits to an exclusive brothel. The gang starts to quarrel amongst themselves as to the diplomat's fate, while the police purge suspects in their attempts to destroy the Nada faction. As the violence escalates on both sides, the States and the terrorists are forced to use one another's methods in an increasingly desperate and relentless conflict.

A deeply disturbed and epileptic young man benignly decides to murder other members of his dysfunctional family for altruistic reasons.

The unhappy love lives of Paul and Marcus, two artists and friends who are neither particularly young nor successful anymore.