In August 1954, Alcide De Gasperi, now at the end of his personal and political career, left the Christian Democrats' headquarters in Rome and visited his daughter, Lucia, a nun. He revealed to her that he had definitively retired from active politics and was leaving for Sella for a period of rest, necessary for his precarious health. Upon arriving in Sella, where he was reunited with his family, the statesman and his grandson Giorgio went for a walk in the mountains, and there, prompted by the boy's questions, he began to recount his life story, an often painful journey down memory lane.

A biopic of Franco Basaglia, the Italian psychiatrist.

A family saga set in Italy which chronicles the life of a middle-class family. It explores the relationship between two brothers Nicola and Matteo as their life paths separate during youth, encompassing major political and social events in post–World War II Italian history.

After the 8th September 1943 north of Italy is occupied by Germans. Italian army collapsed and the soldiers are escaped to the mountains trying to set up a resistance. Many civilians did the same and Johnny, an English literature student, is among them. Johnny avoids to band together the red partisans (communists) and tries to be part of the azure bands (former regular soldiers). But in both cases he is deluded by the partisan bands and discovers that the partisan war is less poetic and genuine that he thought. At one point anyway the partisans free Alba from Germans. When the city falls again in German hands Johnny escape with Ettore and Pierre. But, one after another, German army and Italian fascists captures the partisans and Johnny will pass the winter alone and isolated. He then finds the way to participate to one of the last attack to occupants, in fact the war will be over two months later.

A devoted father working in film shares a magical bond with his daughter, but as she enters adolescence and falls into addiction, he takes her to Paris in a final effort to save her and their fading connection.

This film is a very personal account of moments lived by the director with her father. A personal account, yet told with the proper distance, in that cinema is ever-present between father and daughter: as a passion, a life choice, and a way of being in the world. Cinema as a web that underlies the story of their exchanges and creates a space for imagination. “With cinema,” the father says, “you can escape. With your own mind”. Images are sparked by memories and like memories amplify a few notable markers while erasing others. Spare images, where there is hardly anything other than the two of them, and the marker that is present always has something monstrous about it: large things are exceptionally large; distant things are incredibly far; sunbeams are ablaze; nearby things are much too close. As for the movie sets, however, everything is in excess: confusion, urgency, people, noise—and everything here is also amplified. In these sets is the thrill of communal life. The ones featured in the film are those of Pinocchio, built in the middle of nowhere in the barren countryside.

2022 film directed by Ludovico Di Martino

It’s the 1980s, we’re in the magical Campanian capital and Maradona is considered a god. Enrico “Erry” Frattasio turns the mixed tapes he makes for his friends into an empire with the help of his brothers Peppe and Angelo. It’s a sensational enterprise which changes all of their lives, reinvents the concept of piracy in Italy and brings music into everyone’s lives.

In 1858, in the Jewish quarter of Bologna, the Pope's soldiers burst into the home of the Mortara family. By order of the cardinal, they have come to take Edgardo, their seven-year-old son. The child had been secretly baptized by his nurse as a baby and the papal law is unquestionable: he must receive a Catholic education. Edgardo's parents, distraught, will do anything to get their son back. Supported by public opinion and the international Jewish community, the Mortaras' struggle quickly take a political dimension. But the Church and the Pope will not agree to return the child, to consolidate an increasingly wavering power…

影片根据意大利音乐家朱塞佩·斯加比的自传改编而成。朱塞佩·斯加比也叫“尼诺”，和妻子卡特琳娜一见钟情，有一段长达65年的美满婚姻。卡特琳娜去世之后，为了让父亲走出丧妻之痛，他的女儿联系上了一个名为阿米甘杰洛的编辑，打算联手完成一本关于斯加比夫妇的爱情小说。阿米甘杰洛一心想要成为小说家，起初也只是出于经济原因而参与这个写作计划，而且因为和尼诺性格不合，两人时不时就要发生争吵。但在不知不觉间，作家和故事主人公之间发展出了一段美好的友谊。

罗马影展上颇受关注的一部黑帮电影，故事讲述法官伊戈纳齐回归故里后，再遇了儿时两小无猜的暗恋对象露西亚。然而，如今生为人母的露西亚，表面是个香水公司的业务代表，实则是当地黑帮的重要人物。一系列的黑帮火拼，让伊戈纳齐在事业和爱情之间犹豫了……暗杀、毒品、暴力、爱情，影片一方面通过女主角视点揭示了一个女子版的黑帮电影世界，又通过男主角视点刻画了一场游走在黑白两道之间的爱恨情仇，兼具爱情和火爆的元素，让本片很有看头。

The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists

Where I've never been to live, Francesca's emotional conflicts, 50, is the only daughter of a famous Turin architect, to whom she visits only on rare occasions. For many years, Francesca lives in Paris with her teenage daughter and her husband Benoît, a financier on her sixty, apparently reserved but paternal and protective about her. Due to a domestic accident that forces the elderly father to bed, the woman flees to Turin to take her parents in the design of a villa on a lake for a young couple. At work he meets architect Massimo, his peer-minded career and engaged in an open relationship with independent Sandra. After a tough first approach, Massimo and Francesca create a strong professional tune that leads to a deep and passionate feeling. For the first time in life, both will have to really confront themselves and their most authentic destinies ...

第四季改编自“那不勒斯四部曲”最后一部《失踪的孩子》。

To rescue his daughter, an unstable Special Forces veteran unleashes his inner beast as he pursues her kidnappers — and soon becomes a suspect himself.

贝罗奇奥是意大利国宝级导演之一，他不但深受威尼斯的追捧，同时也受到戛纳的厚爱。他曾五次入围威尼斯电影节主竞赛，并获得终身成就奖；同时，他又曾入围过六次戛纳主竞赛单元。去年，导演极其私人化的影片《吾血之血》在威尼斯收获无数好评。今年这部片，将围绕一个隐藏在信封内长达四十年的秘密所展开。本片为今年导演双周开幕片。

《人力资本》改编自同名美国小说，讲述因一起车祸而联系起来的三个家庭的故事。全片分为四章，前三章从三位不同人物的视角叙事，最后一章汇总。

2001 film by Ridley Scott

2003 film by Marco Tullio Giordana