György Fehér是匈牙利电影长镜头学派的另一位大师级导演，与杨索属同代人，可惜他的作品很少而且极难看到。。。
If you like to see what movies are really about (i.e. moving)you should see szurkulet. This highly original and intense film is an exercise in style 'pur sang'. The story is loosely based on 'es geschah am hellichten Tag' by Friedrich Durrenmatt. But how the story is told is the most important part here. In a shadowish black and white twilight we see the story unfold in very (and I mean very) slow moving breathtaking camera movements over different scenes. This means that the whole movie exists out of less then 50 shots, without making unnessecary cuts. Orson Wells eat your heart out. Every scene tells the viewer another part of the puzzle and so the story gets you more and more in its gripping way of telling the story. For movie fans this is a must-see because this movie is the only movie I've seen which has stripped a picture to its bare essentials.

1983, behind the Iron Curtain of Eastern Europe in Budapest. Frank is the charismatic singer of a banned punk band that carries the voice of their generation against a totalitarian regime. Taken by the police psychiatric hospital in an attempt to silence him, Frank will sacrifice everything to resist.

A switchman at a seaside railway witnesses a murder but does not report it after he finds a suitcase full of money at the scene of the crime.

The film brings together various everyday and relationship stories from Budapest that at first glance have nothing in common. A sequel to Fliegauf's 2003 film 'Forest'