这是一部关于西藏自治区昌都地区近代史的专题研究。全书从综述、政治、经济、文化与宗教等四个方面，研究了昌都地区的社会与历史。综述篇论述了清代以迄辛亥鼎革前后之昌都、民国时期昌都政局的变化和中央政府对昌都的治理以及民国时期西藏地方政府的管理与康区邦达家族的活动；政治篇考述了道光年间驻藏大臣瑞元的事迹，论述了清代昌都所辖之三岩地区发生的一些事件，以及民国时期国民政府驻昌都工作人员及其活动，以及外国势力的入侵与昌都当地人民的反抗斗争；经济篇论述了近代以来昌都经济与城市的变迁，以及近代昌都地区的外来移民；文化与宗教篇论述了昌都历史文化的特征及其形成原因，并分析了近代昌都历史上的丹达神崇拜和瓦合神崇拜的由来、发展及影响。

《六上瑶山》收录了费孝通、王同惠1935年大瑶山调查时写作的《桂行通讯》、《花篮瑶社会组织》，以及后来费孝通“四上大瑶山”等其他相关文章，及其附录的三篇纪念文章。虽然《六上瑶山》后半部分的文章与《文集》有所重复，但总体上是《文集》的重要补充，两者合在一起，才能构成费孝通民族研究的完整内容。

关中一个普通的小镇——七俠镇，这里有一家同福客栈。就是这间不起眼的客栈，因缘巧合之下汇聚了一群性格各异又活泼搞怪的年轻人：武功高强但初入江湖的郭芙蓉（姚晨 饰）、老板娘佟湘玉（闫妮 饰）、金盘洗手的神偷白展堂（沙溢 饰）、满腹经纶怀才不遇的吕秀才（喻恩泰 饰）、厨师李大嘴（姜超 饰）等等。这群年轻人在同一屋檐下演绎了一幕幕经典的搞笑场面，在欢笑与眼泪中陪伴观众们一起渐渐成长。

2006 film by Fredi M. Murer

In July, 19-year-old pianist Benjamin Grosvenor made his debut at the Proms to great acclaim, wowing both audiences and critics with his performance of Liszt's Piano Concerto No 2 in A Major. The youngest ever soloist to perform in the First Night of the Proms, he returns to the Royal Albert Hall on August 6 to take on Britten's Piano Concerto.
In 2005, Imagine discovered this musical prodigy in the making. Alan Yentob talked to the 12-year-old Grosvenor about his success the previous year, in the piano section of The Young Musician of The Year Competition. This is another chance to see that documentary.
Imagine: Being a Concert Pianist gets under the lid of this extreme form of musicianship. Celebrated pianists, including Yevgeny Kissin, Vladimir Ashkenazy and Chinese wunderkind Lang Lang, talk intimately about their lives, their work and their motivation. The film gives a frank and personal perspective on a profession for which the only real qualification is genius, richly illustrated with specially recorded rehearsal and performance.

Before his death in 2003, Bernard Williams planned to publish a collection of historical essays, focusing primarily on the ancient world. This posthumous volume brings together a much wider selection, written over some forty years. His legacy lives on in this masterful work, the first collection ever published of Williams' essays on the history of philosophy. The subjects range from the sixth century B.C. to the twentieth A.D., from Homer to Wittgenstein by way of Socrates, Plato, Aristotle, Descartes, Hume, Sidgwick, Collingwood, and Nietzsche. Often one would be hard put to say which part is history, which philosophy. Both are involved throughout, because this is the history of philosophy written philosophically.Historical exposition goes hand in hand with philosophical scrutiny. Insights into the past counteract blind acceptance of present assumptions. In his touching and illuminating introduction, Myles Burnyeat writes of these essays: 'They show a depth of commitment to the history of philosophy seldom to be found nowadays in a thinker so prominent on the contemporary philosophical scene.' The result celebrates the interest and importance to philosophy today of its near and distant past. "The Sense of the Past" is one of three collections of essays by Bernard Williams published by Princeton University Press since his death. "In the Beginning Was the Deed: Realism and Moralism in Political Argument", selected, edited, and with an introduction by Geoffrey Hawthorn, and "Philosophy as a Humanistic Discipline", selected, edited, and with an introduction by A. W. Moore, make up the trio.

A fictionalised exploration of Beethoven's life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer. A fictional character is introduced in the form of a young conservatory student and aspiring composer named Anna Holtz. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna's assistance and in the end becomes quite fond of her. By the time the piece is performed, her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his private world.

雏见泽是一处坐落在群山环绕之间的僻静村庄，淳朴的民风使得这个古老的村庄一直以来都保留着祖先时代的祭祀习俗，称为绵流。昭和58年的一个夏天，这个村庄迎来了一个新的居民：少年前原圭一（保志总一朗 配音）。新的环境让圭一有些不太能适应，但在结识了温柔的龙宫礼奈（中原麻衣 配音），活泼的园崎魅音（雪野五月 配音），外表孱弱却内心坚强的北条沙都子（金井美香 配音）和古手梨花（田村由里香 配音）后，新的生活很快便如火如荼的展开了。
随着时间的推移，一年一度的绵流祭奠即将开始，然而在此热闹之际，圭一却听闻了一些雏见泽不为人知的过去，以及历年来绵流祭奠所带来的，一人失踪一人死亡的被称为“神隐”的恐怖事件。这些传闻是虚是实？过往单纯快乐的生活是真是假？作为一名“外来者”，前原圭一出人意料的逐渐接近了某个重大事件的真相。

《彩云国物语》是雪乃纱衣的出道作品，曾荣获〈第1回角川Beans小说大奖〉的奖励赏及读者赏，被誉为“日本第一青春小说”。
传说中，一名青年借助彩八仙的力量，建立彩云国，领土划分成红州、黄州、碧州、蓝州、紫州、黑州、白州、茶州共八州。约600年前，当时的国王命令各州豪族以这八色为姓，并禁止平民与这八侯同姓，所以拥有这八色姓氏的人便意味着是贵族中的贵族。红秀丽虽然出身于名门红家，但却过着贫穷的生活。只好为了生计而经常四处工作赚钱以便贴补家用。幼时经历过王位之争的动乱，深知民间疾苦，因此自小她便用功学习，希望能通过国试当上官吏，辅佐国王，建立一个富足安乐的国家。可是，身为女性的她不能参加国试。一天，秀丽因高额报酬而接受了霄太师的委托，以贵妃的身份进入后宫，教导辅助不理政事的昏君紫刘辉。以此作为契机，秀丽一步步迈向成为官吏之路……

我们这里介绍给读者的七册书，是有关历辈达赖喇嘛生平事迹的历史资料性的套书。此套书包括了从藏文传记中翻译的一世达赖喇嘛的两种传记、二世达赖喇嘛的自述、三世达赖喇嘛传、四世达赖喇嘛传(以上合编为一册) 、五世达赖喇嘛的自传(上下册)、七世达赖喇嘛传、八世达赖喇嘛传、九世达赖喇嘛传、十二世达赖喇嘛传，以及我们组织编写的《历辈达赖喇嘛生平形象历史》的书。其中五世达赖喇嘛自传和七世达赖喇嘛传，曾经由中国藏学出版社(1997年)和西藏人民出版社(1987年)出版过，三世达赖喇嘛传和四世达赖喇嘛传由全国图书馆图书缩微复制中心(1992年)印制发行过，因为当时的印数不多，现在读者已经难以买到，所以此次我们将它们一并收入。此外还有六世达赖喇嘛、十世达赖喇嘛、十一世达赖喇嘛、十三世达赖喇嘛的藏文传记，也正在着手翻译。
本书是《雪山中的转生丛书》之一，它是有关历辈达赖喇嘛生平事迹的历史资料性的套书。历代达赖喇嘛在雪域高原相继转世，他们都是藏传佛教格鲁派的领袖人物，被认为是同一个观世音菩萨在不同时期的化身。本书依据历史事实及相关资料，真实地记述了五世达赖喇嘛的历史功绩。相信这套译自藏文的历代达赖喇嘛传的经典版本，将使读者在了解历代达赖喇嘛各自的生平事迹后，会有不同的感受。

2006 film by Nicholas Hytner

经历了十年动乱，知青丁尚彪和妻子返城回到上海，学业中断，身无一技之长，令他在这个充满变革的社会里举步维艰。在朋友的鼓励下，丁尚彪于1989年6月飞往彼岸的日本，开始了求学创业之路。在北海道的阿寒町，他和一众同胞为了未来努力学习，最后却不得不迫于生计逃离这里，成为一名非法滞留者。在此期间，他的想法发生转变，眼见自己的学业无望，于是丁将全部心血花在女儿身上。拼尽全力打工，只为将女儿送往美国留学。15年的日本岁月，一家人天各一方，辛酸、喜悦、误会、理解，万般情感，言语难尽……
本片为系列纪录片《我们的留学生活——在日本的日子》收官之作。

早在两千多年前中国已出现了《乐记》、《吕氏春秋》等音乐学的代表性的著作。在相传为公孙尼子撰写的《乐记》中，论及了有关音乐本原、音乐美感、音乐的社会作用、乐和礼的关系等，是为音乐哲学的滥觞性著作。由战国末期秦相吕不韦集合门客共编写的《吕氏春秋》，则留下了有关远古音乐、音乐与自然社会政治关系，尤其是音律方面的记载。
20世纪80年代以来，伴随着改革开放步伐而成长起来的中青年音乐学者，抓住时代所提供的难得机遇，投入民族音乐集成的浩大工程之中，深入民间，深入生活，在以上这些前贤的研究成果的基础上，又有新的贡献。
本丛书睥诸位作者及其成果，正是这一时代的产物。他们沐浴着改革开放的春风，浸润着中华民族优秀音乐传统的雨露，吸吮着前辈、同仁的学术养分，试图对中国传统音乐理论的某些方面进行梳理、整合。这既是为有志于中国传统音乐研究的青年学子提供一些可资参考的材料，也起到为中国传统音乐学的学术建设添砖加瓦的作用。

When 17-year-old Makoto Konno gains the ability to, quite literally, "leap" backwards through time, she immediately sets about improving her grades and preventing personal mishaps. However, she soon realises that changing the past isn't as simple as it seems, and eventually, will have to rely on her new powers to shape the future of herself and her friends.