安杰伊瓦杰达导演的法语片，于佩尔在当中饰演一配角（沙托夫之妻），改编自陀思妥耶夫斯基同名小说。虽然由于片长的限制删改不少，但仍不失为一部极佳的改编电影。

1973 film by Wojciech Jerzy Has

Part-time model Valentine unexpectedly befriends a retired judge after she runs over his dog. At first, the grumpy man shows no concern about the dog, and Valentine decides to keep it. But the two form a bond when she returns to his house and catches him listening to his neighbors’ phone calls.

新晋诺贝尔文学奖得主、国际布克奖得主、波兰文学女王——
奥尔加·托卡尔丘克代表作，大陆首次引进出版。
魔幻现实主义的碎片化小说，人的世代更迭，是土地的瞬息一梦。
◎ 编辑推荐
☆ 作者奥尔加·托卡尔丘克为2018年诺贝尔文学奖获得者（2019年10月颁发），本书18年间在25个国家和地区出版83次。还获得1999年“尼刻奖”读者选择奖，英译本入围2004年都柏林文学奖。
☆ 与《百年孤独》《檀香刑》共同被台湾大学“魔幻写实专题读书会”（骆以军指导）列入十本推荐书目。
☆ 被诺贝尔奖得主阿列克谢耶维奇（《二手时间》作者）称为“辉煌壮丽的作家”，并视为叛逆的同路人。
☆ 这是一部由一百多个特写、故事、随笔片段集结而成的一部多层次、多情节的小说。每一个故事都是一篇精致的短篇小说，连缀起来又是一部遍布伏笔与呼应的绝妙长篇。错综复杂的叙事方法带给读者解谜一般的阅读乐趣。
☆ 既易懂而又深刻，既简朴而又饱含哲理，既意味深长而又不沉郁。在托卡尔丘克的小说中，日常生活获得了少有的稠度，充满了内在的复杂性、激烈的矛盾和冲突，以及耐人寻味的转折和动荡不安的戏剧性。
☆ 马尔克斯式的历史，辛波斯卡式的时间，耶利内克式的文化身份，在托卡尔丘克的笔下融合。
☆ 护封采用正反两面印刷，一面是“白天的房子”，一面是“夜晚的房子”。
◎ 内容简介
《白天的房子，夜晚的房子》讲述了一个边境小镇，从第一位拓荒至此的制刀匠人在此安居，到女主人公与丈夫迁居这片乡野，同一片土地在千年之间不同的历史瞬间、不同的人生流徙。各种传奇人物在此粉墨登场：长出胡子的圣女、性别倒错的修士、身体里住着一只鸟的酒鬼、化身狼人的小镇教师、会冬眠的做假发的老太太、靠网络收集梦境的女人……千年之间人世沧桑变换、起起落落，但对于土地而言，人的悲欢离合、人的世代更迭，不过是土地的瞬息一梦。
这是一部多种文体交杂、多条故事线相互穿插的奇妙小说，短篇小说、散文、民间故事、圣徒传记，甚至菜谱、笔记，交错呈现。每一个故事都是一篇精致的短篇小说，连缀起来又是一部遍布伏笔与呼应的绝妙长篇。
◎ 名人推荐
辉煌壮丽的作家。
—— S. A. 阿列克谢耶维奇（诺贝尔文学奖得主，《二手时间》作者）
梦境，梦境中人的梦境，或梦外真实世界却闪耀着梦之光辉的街道，从外面、里面、上面、下面，编织补缀了这样一幅让读者被拉至上帝视觉位置，俯瞰群梦汹涌此起彼落发生、绽放或黯灭的奇书。
—— 骆以军（《西夏旅馆》作者）
◎ 媒体推荐
她的叙事富于百科全书式的激情和想象力，代表了一种跨越边界的生命形式。
—— 诺贝尔文学奖评选机构瑞典文学院
托卡尔丘克的散文式书写简单朴实。她以一种很自然的口吻讲故事，将其笔下世界的希望、单调与荒谬轻松道出。她使想象与真实的生活交织，梦境掺杂进现实，回忆与当下重叠，并且做得天衣无缝。
——《观察家报》
2002年，她的第一本译入英文的作品《白天的房子，夜晚的房子》同样具有神秘的吸引力。她所有的小说都反映了经过再度想象的波兰复杂的历史，她的现实主义是极其魔幻的现实主义。
——《卫报》
◎ 获奖记录
★ 作者获得2018年诺贝尔文学奖（2019年授予）
★ 获得1999年“尼刻奖”读者选择奖
★ 英译本入围2004年都柏林文学奖决选名单

Véronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Véronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Véronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.

1994 film by Krzysztof Kieślowski

1965 Polish film by Wojciech Jerzy Has

《影子》是50年代-60年代初波兰电影学院派的代表作，与Andrzej Munk的《倒霉》《铁轨上的男人》等片齐名。是卡瓦莱罗维奇最好的作品之一。获嘎纳金棕榈和英国学院奖最佳影片提名。
The first screenplay, based on one of his own stories, by noted writer Alexander Scibor-Rylski, SHADOW is a Rashomon-like investigation into the life of a man found dead after having been hurled from a train. As security agents, policemen and a medical examiner begin to piece together his identity, three accounts emerge: one set during the war, one in the immediate aftermath, and one in then contemporary Poland. In each, the murdered victim seems to have been a mysterious, ambiguous presence, of shifting loyalties and suspicious connections, who invariably set himself against the ruling powers of the time. Critics at the time attacked the film for its depiction of a world rife with secret agents and hidden enemies - a favorite Stalinist theme - yet the film seems rather to insist on how heroism or villany are so often matters of point of view and timing.
Polish filmmaker Jerzy Kawalerowicz was once considered one of his country's most talented post-WW II directors, noted for his powerful, detail-oriented imagery. Kawalerowicz was versatile and his subjects ranged from historical dramas to intense psychological studies. He made his directorial debut in 1951 after working as an assistant director. In 1955 Kawalerowicz was appointed head of the prestigious KADR production unit. He held the position again in 1972. In 1983, Kawalerowicz alienated himself from many of his peers by signing communist government-generated reports condemning all filmmakers aligned with the Solidarity Movement and promoting the destruction of production units run by long time associates Wajda and Zanussi.
Born in Gwozdziec, Poland (now Gvozdets, Ukraine), Jerzy Kawalerowicz was noted for his powerful, detail-oriented imagery and the depth of ideas in his films. After working as an assistant director, he made his directorial debut with the 1951 film The Village Mill (Gromada). He was a leading figure in the Polish Film School, and his films Shadow (Cien, 1956) and Night Train (Pociag, 1959) constitute some of that movement's best work.
Other noted works by Kawalerowicz include Mother Joan of the Angels (Matka Joanna od aniolów, 1961) and a 1966 adaptation of Boleslaw Prus' historical novel, Pharaoh, which was nominated for the Academy Award for Best Foreign Language Film.

1988 film by Andrzej Żuławski

1972 film by Andrzej Żuławski

1957 film by Andrzej Wajda

Two strangers, Jerzy and Marta, accidentally end up holding tickets for the same sleeping chamber on an overnight train to the Baltic Sea coast. Also on board is Marta's spurned lover, who will not leave her alone. When the police enter the train in search of a murderer on the lam, rumors fly and everything seems to point toward one of the main characters as the culprit.

1981 Polish film directed by Krzysztof Kieślowski

Polish film by Roman Polański

《横渡大西洋》这部半自传体讽刺小说，是贡布罗维奇的一部重要作品，囊括了他对文学、哲学、心理学和社会的想法。贡布罗维奇用荒诞的手法，描绘阿根廷波兰人社区的自我主义和浮夸。在绚丽夺目的文风和百转千回的情节中，挖掘出波兰的民族性格。
一个也叫贡布罗维奇的年轻作家，因为纳粹入侵他的祖国而滞留阿根廷。一文不名的他，只得寻求波兰公使馆和波兰人社区“供养”。荒唐的冒险常常让作家陷于波兰人身份和难民地位的矛盾之中。在经历了一系列光怪陆离的事件之后，他成了一场决斗的联络人，而公使也参与其中，公使要让决斗成为展示波兰人血性的事件……
————————————————————
写作就是艺术家为了自己的个性和荣誉跟大众进行的一场战斗。
——维托尔德•贡布罗维奇
一位滑稽模仿的语言大师，心理讹诈的行家，最深刻的后期现代派作家之一。
——约翰•厄普代克
我们将见证这位作家展示他不同寻常的写作才能。
——布鲁诺•舒尔茨
一个艺术家最伟大的杰作。
——巴兰恰克
在绚丽夺目的文风和百转千回的情节中，挖掘出波兰的民族性格。
——《书单