Album published by Xeen Music (2025-05-08)



Produced by Andrew Harrington and Takeshi Abo (阿保 剛).



This soundtrack has been recorded with a real PC-9821 with a PC9801-86 (OPNA) soundcard, and a real FM-TOWNS machine (OPN2 soundchip).



Bonus material:

(#1) Detailed archival tracklist.

(#2) Commentary



The archival soundtrack series contains all known music from said title, including 1 second jingles, unused music, beta versions, and more. (In this case, there are several beta versions not currently included upon request of the composer.)



Soundtrack and any bonus materials may not be re-distributed elsewhere without the express permission of Xeen Music.



Proceeds (after Bandcamp fees) divided between Xeen Music and Takeshi Abo (most of which goes to Takeshi Abo).



Note: The game using this music contains lewd adult content. Xeen Music does play nor endorse any games containing such themes in any way, and is providing the album solely for an independent musical listening experience.

This soundtrack collection covers all versions of Treasure Galaxy! (1994, 1995). Despite the policy of having no credits listed for a majority of The Learning Company's games, Alan Nu and Bret Menze were the company's two in-house sound designers at this time. In general, Alan Nu focused on the music while Bret Menze did sound design and sound effects, although occassionally another employee may have done a track or two. Due to the lack of surviving credits and the passage of time, Alan Nu no longer remembers how the tracks from Treasure Galaxy! were divided between Bret and himself.



The Roland SC-55 is the original version of this game's soundtrack, being first heard in the Macintosh edition. The 1994 PC version used regular OPL, but, beginning in 1995, the PC version was updated to use MIDI.



NOTE: Unfortunately, it looks like "Reward 3" replaced "Reward 2", causing this jingle to be "missing in action" to this day.



This soundtrack has been recorded directly from an authentic Sound Blaster 16 OPL3 CT2230 Rev. 049432, and a real Roland Sound Canvas SC-55 v1.20, while playing the game (1994 edition, OPL) or from the original game files (1995 - OPL3 and SC-55).



Due to the hardware limitations of the SC-55 causing polyphony problems, if necessary, each channel has been recorded independently and then merged into a single track. Therefore, no notation data is lost through polyphony limitations and the tracks may be heard at their fullest.



Track titles are based on the original filenames, except where the original filenames remain unknown. In these cases, the track names in {brackets} have been created by myself based on how the music is used in the final version of the game, and should not be considered official at this time.



The archival soundtrack series contains all known music from said title, including 1 second jingles, unused music, beta versions, and more.



Soundtrack and any bonus materials may not be re-distributed elsewhere without the express permission of Xeen Music.



Proceeds of each sale (after platform fees) is divided between Xeen Music and Alan Nu.

Britol Trip Hop三巨頭之Portishead大成功專輯，連Levi's都徵用廣告歌。

Single from their 1993 breakthrough album 'Siamese Dream'.It's backed with two covers: Fleetwood Mac's 'Landslide' andThin Lizzy's 'Dancing In The Moonlight', the latter of whichis exclusive to this single. Slimline jewel case. 1994 Hutrelease.

Rocket Single

Limited re-pressing vinyl on the Warp label.

Susumu Yokota was a Japanese composer. He released several albums under pseudonyms including Stevia, Ebi, and others. Yokota was well known in the English-speaking independent music scene for his albums of experimental ambient music, including albums like Acid Mt. Fuji and Sakura.

Obaa Sima is the debut studio album by Ghanaian singer Ata Kak. Originally self-released in 1994, only 50 copies of the album were made, of which 3 were sold. The album initially gathered no attention until record label Awesome Tapes From Africa founder Brian Shimkovitz came across the album one of only copies of the album from a vendor in Cape Coast, Ghana in 2002. The album was finally re-released on 3 March 2015.

The album was recorded using secondhand drum-machine rhythms along with built-in synth sounds, sounding like dance beats made in the 80s and 90s and was recorded in his own living room and bathroom. The original tracks of the DAT copy of the album (discovered by Shimkovitz) was sped up by Ata himself in post-production, giving the music a rough but helium-like quality.

Obaa Sima has since gathered massive attention and critique for its dynamic blend of highlife, electro-funk, and hip hop across its 7 tracks, which was unlike anything of its time. As of 2022, the album's songs in total has been streamed more than 8 million times on Spotify and has helped Ata Kak resume his passion for music commercially.

GAK is an extended play by the British electronic music artist Richard D. James, also known as Aphex Twin. It was released in 1994 under the pseudonym "GAK", which was used only for this release. The record is sourced from demos Richard D. James sent to Warp Records in 1990 prior to his signing.

在Grunge大潮渐渐退去之时，在尖叫和烟熏还未成为标尺之时，Jeremy已经将一种情绪带入到了摇滚乐中，而SDRE则是名副其实的Emo开山鼻祖。《Diary》的出现开创了一个先河，而SDRE却在几年之后被一群哥特装扮的形式主义者抢去了引导潮流的风头。一直以来的声名在外却默默无闻的现状与他们十年来的分分合合不无关联。