You have taken me to an unfamiliar place you call home, where our separate fates are woven into a single sacred thread of eternal union.

You have deepened my faith, asking me to embrace change and leap into our becoming.

You are the wind that jangles my heart, reminding me you are there even when unseen.

You are the rain that washes me away, leaving only who I truly am.

You are the star that lights the way, revealing what has always been.

You are the silent protector who reclaims my soul from the grasp of the world, saving me from myself.

You are the one I love, the only home I will ever know.

Created by: The Jangler
Starlight Temple Music Library — STAR-0003

The need to slow down and reverse the constant stimuli to which we are subjected is a principle that accompanies ALCRUD3. From scarce resources and admittedly archaic methods, this auditory orientation is born — conceived primarily to guide the author himself more than the listener. The journey is built from a disoriented beginning to a fulfilled conclusion, as if the guide were seeking to answer himself along the way.



Throughout this path, different musical genres are explored without the intention of fixing or labeling them, moving through them intuitively. Errors, detours, and wanderings cease to be obstacles and become an essential part of the journey, shaping a sonic narrative that values the process above any destination.

失恋してこのアルバムを作りました。それを念頭に置くと、音楽から来る痛みも聞こえるはずです。

___________________________________



私の心は少しだけ癒されただけ。彼らのおかげで、私は人として成長できる。



Artwork by E Z R A ゴーバー





"すべてが間違っています" originally released 11 October 2025.

"水の上を動く神" originally released 13 October 2025.



- WFWM #0089

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The sophomore offering by Moscow illusionist Ilya Ryazantcev aka Iguana Moonlight centers on a lost shaman's soul transmuted into a mythical jaguar lurking in the Amazonian unknown. As with his 2017 desert island debut, Wild Palms, the music acts as both score and summoning, remote dreaming a gradient of sights, sounds, and smells via synthesizers and field recordings.



The six songs of JAGUAR waver at the threshold of fantasy and hallucination, saturated and surreal, awash in colors not found in nature. It's a virtual reality jungle of smeared neon, steel drums, and deep bass, hyperreal fauna floating in fluorescent mist. Purist portal music at its most potent, born of and for black mirror séances past and present.

St. Petersburg seeker Vladimir Karpov coaxes hushed auras of keys, metronomes, fog, and feeling to evoke hazed and isolated realms, traced in altered states. His latest collection – and vinyl debut – maps the maze at “the bottom of the self,” subterranean consciousness manifested from decaying synthesizer and shadowed pulse: music for fading torchlight. Labyrinth leads through six misty, mystic chambers of dreams, drones, delirium, and phasered percussion, spiraling in slow, sacred arcs, in quest of “the inner world.” Tosya Chaikina’s ghost vocals on “False Angel Lullaby” and “Shadows Of Forgotten Ancestors” bring a whispered hymnal mood but otherwise the LP is ambient and abandoned, obscure meditations along corridors of candlelit runes, “to find the right path, to find the true answer.”

The hypnotica transmissions of Jungle Gym exec Caleb Draves encompass every terrain and trance-state, from equatorial drone to aquatic miasma to stardust murmur, coaxed from fluctuating wooden floor gear assemblages: software, FX, keys, miked ephemera. Earth Mirage collects 11 of his most recent and revelatory rippling ecosystems to paint an expansive panorama of the Dravier dimension, high and low and longform, alternately windswept, psychic, and subterranean. Elements of gamelan, hand percussion, synthesizer, rainstick, and field recording ebb and echo and decay in opaque symmetries, like tarot symbols scrawled in smoke on cave walls.



A limited selection of these tracks appeared previously on Jungle Gym or its sister division Tourist, but in altered form; the rest are fresh additions to Draves' deepening discography. Totaling a full hour, this is as close to a definitive work as the project has yet ventured, a gallery of masks and mirages, for earths both future and forgotten.

We are here to satisfy your daily needs.

The first new classic-style slushwave album by t e l e p a t h テレパシー能力者 since 2015



夜明けが訪れる



Side 1 - 21:37

運命の縁から跳び立つ私を、白い鳳凰の翼が抱きしめる

その鏡は君じゃなく、私の孤独を映していた



Side 2 - 21:47

死の森にて結ばれた強制の契り

あの微笑みの裏で、君は私をほどいていた



Side 3 - 20:57

愛という名のラビリンスで、私は私を見失っていた

この夢の中で、君は私の心に光を灯すために歌う



Side 4 - 20:37

私はあなたに溶けて、光になる

今は離れていても、心はいつもそばにいる

私たちの夢を覚えていますか？ 星がまだ語りかけているのに

A continuous transmission from a world that almost existed.



This 53-minute compilation brings together fragments from across the Dreamfibre archive, soundscapes shaped by the optimism of early 2000s digital design, where glass, water, and light converge into something both futuristic and strangely familiar.

More tracks will be added

Andrew Wegman Bird is a Grammy nominated indie rock multi-instrumentalist, singer, and songwriter. Since 1996, he has released 15 studio albums, as well as several live albums and EPs, spanning various genres including swing music, indie rock, and folk music.

Hiroshi Yoshimura was a Japanese musician and composer. He is considered a pioneer of ambient music in Japan. His music lies mostly in the minimalist genre of kankyō ongaku, or environment music—soft electronic melodies infused with the sounds of nature: babbling brooks, steady rain, and morning birds.