Meticulously assembled from a good 15 years' worth of source material, Cong Burn boss John Howes' second Paperclip Minimiser transmission proliferates its predecessor's network of turn-of-the-millennium aesthetics and concepts, bringing us closer to the lost future promised by the mid-digital age. If the debut album rooted itself in 2006, using an era-specific rig to activate its vintage Winamp-ready sound, 'II' pushes the clock forward just a little, recycling an unreleased album that Howes engineered in various locations across the north of England, starting way back in 2011. Working quickly and methodically with his homebrewed "DIY DAW" system, Howes improvised live using the record's bank of sounds, transforming the skittering bio-electronic rhythms, bitcrushed modem whines and inclement Lancs soundscapes into a suite of sleek, bass heavy steppers.



Howes has refined his setup and process over the years to function as an antithesis of contemporary production logic, a system that he can use easily to retreat from the excessive layering, overdubbing and editing that plagues modern electronic music. With only limited separate channels in each track, 'II' sounds both archaic and strangely novel. Showing respect to the early days of techno, when stone-cold classics were jammed out live using just a drum machine, a sampler and a couple of synths, Howes simultaneously acknowledges the promise of the transition to a digital future, as nascent algorithmic technology began to rehydrate stale rhythmic and melodic patterns. Fabricating its wrinkled cyberpunk landscape from shovelware blips and whines, spacious environmental echoes and lustrous, plasticky FM hits, 'II' is dense but never congested. It's a reminder that bass music thrives when it's given the room it needs to breathe.

Mixing fluidly between afro-beat, reggae, rock, Brazilian, soul, easy listening, electronic and rare library music, Thievery Corporation create a set that takes the listener on a trip of truly global proportions. The Outernational Sound is a seamless recording from many nights of sonic exploration with the turntables and a crate of records. From warehouse parties in Caracas to elegant soires in Honolulu, and root downs in Kingston, Garza and Hilton have played a lot of rare wax for a broad spectrum of listeners. Now, in a one-hour mix CD, the sound system has been mashed up and the whole world can share in Thievery Corporation's Outernational Sound.

The story goes that the bassline on this one was so deep the mastering engineer had a problem cutting it! The bassline powers the tune perfectly as the plunging kick drums and dancing synths get you moving your body. Perfectly deployed vocals bring heart-aching soul as this most warm and dubby cut drowns you in timeless deep techno. Next to the gorgeous original mix is an extended dub for even more drawn-out late-night dance floor pleasures, pure classic.



Reviews:

"You’ll struggle to find many better ‘bleep and bass’ releases than Ability II’s Pressure EP. It’s perhaps not as well known as the records that defined the style – think Unique 3’s “The Theme”, Forgemasters’ “Track With No Name”, Nightmares on Wax’s “Dextrous”, Sweet Exorcist’s “Testone” and LFO’s peerless “LFO” – but it’s rightly regarded as one of the sound’s seminal releases." - Matt Anniss, Innate



"The story goes that the bassline on this one was so deep the mastering engineer had a problem cutting it. There is no evidence of it on this reissue though - that bassline powers the tune perfectly as the plunging kick drums and dancing synths get you moving your body. Perfectly deployed vocals bring heart-aching soul as this most warm and dubby cut drowns you in timeless deep techno. Next to the gorgeous original mix is an extended dub for even more drawn-out late-night dance floor pleasures." - Juno records



"Pressure Dub" : beautiful floating dubby megadeep-house wandering, with seemingly random pads, echoes, liquid voice snippets bursting in and fading out...Like a cosmic jam-session, this could be an electronic dance music equivalent to jazz (in spirit) as improvised music around a loose but harmonious structure. Lasts about 10 minutes, could be double, triple or forever...classic here people!" - Discogs

Froid Dub continues to explore its synth-lined slowed down digi-dub cave flooded with waves of echoes and acid bleeps. Bass lines and flanged delays sail over deep waters, seemingly barely disturbed by the minimal pump of the synth-wave vibe.



Programmed and recorded by F.M.

Mixed by F.M. & Fafane

Mastering by Krikor Kouchian

Graphic design by Sylvia Tournerie.