As children, the introverted Smile was being bullied by a gang of kids until the brash Peco comes by and chases all of them them away. Peco then takes Smile under his wings and teaches him how to play the game of ping pong. From there a life long best friend relationship comes into existence between these two polar opposite kids.

这是一个人类和妖怪共存的世界，在妖怪的国度里，鬼太郎（温兹瑛士 饰）和朋友们过着无忧无虑的生活。然而，某一日，封印着人类邪念的妖怪石忽然下落不明，使得整个妖界陷入了恐慌之中，这块石头若是落到了心术不正之徒的手中，后果恐怕不堪设想。
与此同时，一位名叫三浦健太的小学生写信给鬼太郎，声称家乡为了修建主题公园而拆毁了稻荷神社，并因此激怒了妖怪，造成灵异事件频发的糟糕局面。让鬼太郎没有想到的是，妖怪石几经辗转，竟然落到了三浦健太的手中。贪婪邪恶的妖怪空狐一直渴望着得到妖怪石以获得强大的力量，在妖怪石的引导之下，空狐渐渐逼近三浦健太的身边。

1996 film by Masayuki Suo

耳袋，即是把听到的怪异诡秘的故事，好好地放进袋子里收藏起来。电影改编自日本畅销灵异小说《怪谈新耳袋》，由99则独立的灵异故事组成。故事内容都是民间种种怪异骇人的传言，例如公寓洗手间的女鬼、照片上莫名多出来的人、发出幽幽呜咽的音乐盒、扔不掉的儿童自行车……承袭了日本恐怖电影的一贯风格，每桩灵异事件，都在引发毛骨悚然的恐怖情绪。

Based on the "2.26 Incident", an attempted coup d'état in Japan 1936, launched by radical ultra-nationalist parts of the military. Several leading politicians were killed and the center of Tokyo was briefly held by the insurgents before the coup was suppressed.

Yohei, a punk rocker, becomes a Buddhist monk in order to inherit a mountain temple. Though initially rebelling against the tough monastic discipline, he learns to adjust. Then his girlfriend shows up, enticing him to return to his rock 'n' roll roots.

在远离喧嚣城市的海港小镇波乐里，生活着几名无忧无虑当然也倍感无聊的男人：石井（赤井英和 饰）、津田（竹中直人 饰）、富田（冢本晋也 饰）、中江（温水洋一 饰）、森下（津田宽治 饰）以及松本（浅野忠信 饰）。他们是当地消防队的队员，无奈此地已18年之久未发生火灾，所以石井等人除了每天的例行练习外百无聊赖，竟隐隐期盼火灾的发生。这一天，美丽女子日比野桃子（铃木京香 饰）的到来打破小镇的宁静，更让一众苦命单身汉兴奋不已。在这些人中间，属石井表现最为积极，羞涩腼腆的他用各种各样笨拙的方法引起他的注意，而消防队的好朋友们虽然对桃子也有好感，但还是千方百计成全着石井的爱恋……
成年人充满青涩的恋之歌，在这座海港小镇悠然飘扬……

中年男子佐佐木正太郎（竹中直人 饰）继承父亲留下的八栋房子，日常靠出租房屋赚取收入，平日里无所事事，相妻教子，俨然一个家庭妇男。与之相对，他的妻子美奈子（天海祐希 饰）则是一个在外辛苦打拼、事业蒸蒸日上的女强人。地位的倒错和不对等导致夫妻间的战争爆发。他们的婚姻走向崩溃边缘，一双儿女只能默默地注视着这一切……
本片根据第25回城户赏获奖作品経塚丸雄的小说改编，并荣获2002年蓝丝带最佳女主角奖（天海祐希）、2002年横滨电影节最佳女配角奖（天海祐希）。

Nostalgia is Takashi Miike’s favorite film of his considerable body of work. Including biographical elements, Nostalgia centers around the home and school of a young boy, whose family mix the violent and dysfunctional with the comic and the loveable. Though containing elements of the sudden and shocking brutality that many associate with this director, Young Thugs – Nostalgia is more concerned with a child’s moment of leaving the internalized world of fantasy, and passing on eagerly to the next stage of life. A wonderful, touching, startling vision that is uniquely Miike’s.