The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.

Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.

David Marr's posthumously published Vision (1982) influenced a generation of brain and cognitive scientists, inspiring many to enter the field. In Vision, Marr describes a general framework for understanding visual perception and touches on broader questions about how the brain and its functions can be studied and understood. Researchers from a range of brain and cognitive sciences have long valued Marr's creativity, intellectual power, and ability to integrate insights and data from neuroscience, psychology, and computation. This MIT Press edition makes Marr's influential work available to a new generation of students and scientists. In Marr's framework, the process of vision constructs a set of representations, starting from a description of the input image and culminating with a description of three-dimensional objects in the surrounding environment. A central theme, and one that has had far-reaching influence in both neuroscience and cognitive science, is the notion of different levels of analysis--in Marr's framework, the computational level, the algorithmic level, and the hardware implementation level. Now, thirty years later, the main problems that occupied Marr remain fundamental open problems in the study of perception. Vision provides inspiration for the continuing efforts to integrate knowledge from cognition and computation to understand vision and the brain.

《伦理学》一书是斯宾诺莎的主要著作，他的哲学思想基本上都表述在这本书中。他写这部著作花费了十多年的功夫，从1662年写起，到1675年才完成。斯宾诺莎的世界观是在尼德兰资本主义生产关系急剧发展的时期形成的，反映了新兴资产阶级的利益和要求，他的哲学思想应该看作是对资产阶级自由的论证。

《尤利西斯》被誉为意识流小说的开山之作。作者乔伊斯一反传统的写作方法，使用极为怪诞的手法，展现发生在都柏林一天十八小时中的种种事情，每一小时写一章，最后一章描写女主人公的性心理，整章只有前后两个标点符号，堪称文学一绝。加以这部作品是否属淫书的争论，在西方曾两上法庭，解禁后其影响更大。2000年英美一些重要媒体，一致将《尤利西斯》列为20世纪世界最富影响的名著之一。

大卫·丹比是美国《纽约》杂志电影评论家。1991年的一天，他突然意识到自己成了一个只读新闻、时事书籍以及各种杂文的人，而且当时在美国大学，西方经典遭到少数民族和女权主义者以及一些激进知识分子的攻击。这让丹比非常生气。他回到母校，重修“文学人文”和“当代文明”这两门本科生必修课。本书是他重读西方文学、哲学、政治名著的故事，有趣而给人启发。