Political intrigue and psychological drama run parallel. The queen is in seclusion, veiling her face for the ten years since her husband's assassination, longing to join him in death. Stanislas, a poet whose pen name is Azrael, is a suicidal anarchist, his imagination haunted into hate by longing for this queen who's drawn apart. He enters her private quarters intent on killing her then himself, but they fall in love, in part because he looks like the king. Stanislas wants her to regain political power by appearing to the public, and she tries to convince him to find hope and escape. All the while, the queen's enemies plot to keep the lovers together but to thwart their plans.

The story of a gentle-hearted beast in love with a simple and beautiful girl. She is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn't return it to him by a specific time, he will die of grief. She is unable to return the key on time, but it is revealed that the Beast is the genuinely handsome one. A simple tale of tragic love that turns into a surreal vision of death, desire, and beauty.

影片改编自1929年发表的让·考克多的自传体小说，讲述一对姐弟的非正常生活。他们之间进行着外人看起来过分的游戏，但对于他们来说又是必要的。在新人走进他们的生活之后，嫉妒和欺骗产生了。
让-皮埃尔·梅尔维尔曾执导《独行杀手》《红圈》等着名影片。他并非科班出身，因为喜欢电影自组独立制片公司开始从事创作。但当时他忽视法国电影界传统的制片方式，很受到各方面的注意，特别是受到诗人让考克多的赏识。因此考克多提供一千七百万法郎的制片费，请他导演他的小说《可怕的孩子们》，结果很成功，而被誉为战后法国电影界最有才华的新人，被视为法国新潮电影间接的先驱者。
Elisabeth is very protective of her teenage brother Paul, who is injured in a snowball fight at school and has to rest in bed most of the time. The siblings are inseparable, living in the same room, fighting, playing secret games, and rarely leaving the house; though Paul's friend Gerard often stays with them. One day Elisabeth brings home Agathe to live with them also. She bears a strong resemblance to Dargelos, a schoolboy whom Paul had a crush on, and who injured him. Paul and Agathe become attracted to each other, causing Elizabeth to be very jealous.
大致意思是关于兄妹和介入者的感情纠葛，贝托鲁奇的《戏梦巴黎》部分灵感源于此片。

An 18th century poet travels through time in search of divine wisdom. In a mysterious wasteland, he has a series of enigmatic encounters with symbolic phantoms with whom he muses about the nature of art and his own career. Ultimately, the poet strives to achieve his rebirth as a celestial being.

1930 film by Jean Cocteau

1950 film by Jean Cocteau