世界如何诞生?诸神又是从何而来?万物为何有今日的样貌?希腊神话作为古希腊文明的重要组 成部分，可以说造就了人类社会史、艺术史、文学史中无数光芒万丈的史诗篇章。特别是在文艺复兴的几个世纪里，希腊神话中的众神与英雄更是艺术家笔下常见的题材。
本书精选400多件传世名画和博物馆珍藏，以艺术解读神话，重新诠释希腊神话真正的价值以 及潜藏的含意，更带领我们走入千百年前的诸神国度，倾听150多位神祇和英雄的不朽传说。

In an industry so often enamored by media-coddled superstars with trendy clients, Eladio Dieste stands out as a refreshing and inspiring figure. Born in Uruguay, Dieste spent most of his long and productive career creating industrial and agrarian works, public infrastructure, commercial buildings, and small churches in his native country. Dieste's unique and innovative method of design, a melding of architecture and engineering, elevated these often humble buildings to masterworks of art.
Capitalizing on his revolutionary approach to building with reinforced masonry, Dieste built aesthetically stunning structures economically. If he often worked outside the architectural mainstream, he never lost sight of the modest people for whom his structures were built. Today, those familiar with his work consider him the equal of such structural innovators as Pier Luigi Nervi and Eduardo Terroja.
In this, the first comprehensive analysis of his work to be published in English, both the beauty and technical innovation of Dieste's projects are examined in detail. Three essays by Dieste himself convey his thoughts on art, culture, and technology. With Dieste's death in 2000, this book serves as a tribute and a definitive reference to his extraordinary work and its brilliant union of architecture and engineering.

《渴望生活——梵高传》是欧文·斯通仅二十六岁时的作品。欧文·斯通认为，最能打动读者的不是名人深厚的成就和辉煌，而是他们追求和探索的过程。七十余年来，梵高悲惨而成就辉煌的人生震撼无数读者。这部作品也成为欧文·斯通的成名作，被译成八十余种文字，发行数千万册，感动亿万读者。

◎封藏八十余年，华丽新版
◎丰子恺书写梵高，大师笔下的大师
梵高是世界上最孤独的人，丰子恺却说艺术不是孤独的。
梵高：一个西方基督教徒，狂热，神经质。丰子恺：一个东方佛教徒，冲和，恬淡。两人却都有着与世无争、自信深情的艺术之心。
◎佳文名画，一书双璧
丰子恺之女亲题书名，彩印多幅梵高等大师名作，图文交辉。
本书是丰子恺编著的梵高传记，述荷兰著名画家梵高一生行止和创作历程。二十多岁后才真正致力于绘画的梵高，三十七岁即离世，留下多幅名作。他以短暂生命燃烧的艺术之火，深深影响了二十世纪绘画艺术。他激情洋溢、带些神经质的鲜明个性，对宗教、绘画的狂热和曲折命运，至今引人怀思。丰子恺以淡雅而不失热烈的笔调描述了梵高的一生，让读者感受梵高没入在艺术中的生命和他对太阳的渴慕。

出身贫寒的女子葛丽叶，为生计前往画家维梅尔家中帮佣。葛丽叶视男主人如诗如神，内心产生了神秘的情素，拥有极高艺术天分的她，竟深深影响了维梅尔的创作，甚至成为画中的主角，却因身份地位的悬殊，空余一场情恨……
《戴珍珠耳环的少女》为维梅尔最伟大的作品，与达·芬奇《蒙娜丽莎》齐名。此画面世三百多年来，世人都为画中女子惊叹不已：那柔和的衣服线条、耳环的明暗变化，尤其是女子侧身回首、欲言又止、似笑还嗔的回眸，唯《蒙娜丽莎》的微笑可与之媲美。这摄人心魄的“回眸”，与画龙点睛的珍珠耳环，浮刻在深色背景之中，使神秘女子似要向画面深处走去，“她踯躅与明暗之间，仿佛此去即与我们永别。”画中女子的真实身份，亦如《蒙娜丽莎》一样，是一个千古之谜。……并不是每一部好读的小说，都能既给人以阅读的快乐，又能深刻地走进油画的世界……并不是每一部伟大的作品都能有这样的运气——作者以绝世的视角，天才的想象，走近绘画大师，给了一幅不朽名作一个故事，一段历史。
书内附赠杨·维梅尔首次于国内面市的油画插页四张。

In 1950s London, a renowned dressmaker's meticulous lifestyle begins drastically changing as his relationship with his young muse intensifies.

2017 fully painted feature film