Recorded London 2010/2013
credits
released 15 February 2013
David Walters - Everything

Genre: Post-Rock / Ambient
Country: Pakistan, Islamabad

"Oceanmixes" is a collection of remixes and reworks of Endless Melancholy compositions.
Thanks to all of the musicians who participated.
List of artists involved:
1. Siavash Amini

soundcloud.com/the-waterfront
2. Audio Obscura
soundcloud.com/audio-obscura-music
3. Equal Stones

equalstones.bandcamp.com
soundcloud.com/equalstones
4. Desolate Horizons
desolatehorizons.bandcamp.com
soundcloud.com/thehappymask
vk.com/thehappymask

5. Musicformessier
musicformessier.bandcamp.com

soundcloud.com/musicformessier
6. Gamardah Fungus
gamardahfungus.bandcamp.com

soundcloud.com/gamardahfungus
credits
released June 29, 2016
Artwork by Constantine Horizon

Satellite is the 4th album from Graham Richardson's Last Days. Richardson who is now well known for his cinematic electro-acoustic pieces that effortlessly invoke an almost inconceivably tangible imagery has this time around turned ever inward for Satellite's core inspiration. While Richardson credits the album with certain personal themes in tow he's more apt to let the listener gather their own meaning of the album's affinity of satellite and stars. The song New Transmission features vocals by Beth Arzy (Aberdeen, Trembling Blue Stars) and could very well sum up the album's apex while delivering the most pop affected Last Days song to date.

《红楼梦》作为中国古典文学的巅峰之作，在30年前被以电视剧再创造为当年的全民记忆。由文字到视频到音乐，麻瓜乐队的新唱片希望继续这个传承和创新的进程。
这张名为《返听》的唱片，以1987版电视连续剧《红楼梦》的对白采样为主干，将吉他等器乐演奏和电子音效，融入绵密悠长的氛围音乐框架内，将曾经的全民记忆，用看似冷静的手法完成了音乐上的再创造。这种极度克制，和《红楼梦》首播30年来数代人的成长和巨大的世事变迁，形成了有趣的反差。
或许唯一暴露情绪的，是唱片以“寒塘渡鹤影,冷月葬花魂”的引用而结束；无论电视剧还是原著，《红楼梦》中的这句联诗，都预示了远走高飞和香消玉殒两种同样暗淡的结局。
在概念性和氛围风格之外，这张《返听》的另一特点是取消了唱片惯用的曲目排列，代之以42分钟长度的一曲贯之形式。这在强调创造力和创新的独立音乐领域也并不常见。而出于对著作权的尊重，出品方拾柒贰肆唱片和麻瓜乐队决定，这张新唱片并不会进入商业流通领域，无论实体唱片还是数字音乐，均采取免费方式提供给喜欢的爱好者。
麻瓜乐队由音乐人刘洋建立，他也是国内另一知名后摇滚乐队48V早期的吉他手，在返回湘西小城张家界后潜心创作，之后新成员张敏加入，麻瓜也开始不断有新作品面世。2016年初同名EP唱片由拾柒贰肆发行，被乐评人称为“在一片模式化的后摇滚出品中呈现了新意”。这张新的全长专辑看起来会继续这种创新摸索。
《返听》将于2017年5月2日上线，电视剧《红楼梦》也是在30年前同一天首播。
制作团队
音乐：麻瓜乐队
乐器：刘洋 张敏
人声：陆启敏
采样：陆启敏（采样选自1987版电视连续剧《红楼梦》）
录音：刘洋
混音/母带：梁平
平面设计：刘洋
出品人：牛磊（road，拾柒贰肆唱片）
出品：拾柒贰肆唱片，2017，北京
编号：1724046CD
版权提供：麻瓜乐队
出版版本管理：拾柒贰肆唱片（
）

Endless Melancholy is a music project from Kiev, Ukraine, producing minimal piano and ambient sounds.

July 13, 2011.
Happy birthday to me. Thank you for downloading this, and a big thank you if you purchased it
or shared it with your friends. I'm 22 as of the time I'm writing this; so here are 22 things;
11 things for which I'm grateful, and 11 I would be grateful for.
I am grateful:
1. For my family and my friends.
2. That I'm not completely homeless.
3. That I'm alive.
4. For expensive chocolate.
5. That at least one of us made it out of this ok. I still miss you.
6. That I can still smile on occasion.
7. For sushi.
8. That my hearing is still ok.
9. That my arm healed up alright.
10. For my amazing fans. Thank you.
11. For the ability to make music.
I would be grateful:
12. If you shared my music with folks. Please spread the word!
13. For new equipment. I wanna start playing live.
14. For any kind words; like my music on facebook, and let me know what you think!
15. For nything you can help with. If you know anyone in the music business, feel free to tell them about my music.
16. If I didn't have to worry about bills so damn much.
17. If you purchased my music on gogoyoko; it's all on sale and it all goes to charity!
18. If you also rate my music on the above site; it'd help me get into the top artists and consequently get me more exposure.
19. If you shared my music with your favorite blogs. Any exposure is good exposure.
20. For any reviews! If you run a blog or anything like that, feel free to review my music! I'd really appreciate it.
21. For more chocolate.
22. If I started making enough money off of this to take my music to the next level for all of my wonderful, amazing fans.
Thank you guys so much for listening, and for supporting me over the years. It's endlessly appreciated, and I do what I do
for you wonderful people.
If you like acoustic music, please also check out my acoustic project:

Partly inspired by the true story of the Salton Sea, a failed river redirection to assist Californian agricultural development at the turn of the 20th century, Rafael Anton Irisarri’s “The Unintentional Sea” mimics the ideas of transformation of place. During the1950s, this ecological disaster was seized and rebranded by corporate land developers, flipping it into a dream getaway destination for West Coast elites. Before long, record temperatures and a rising level of water mineralization led to the mass death of fish and other wildlife, and in turn so too did the resort town's population, leaving behind a vast post-human deserted wasteland. This unintentional sea had given life and now has taken it away.
The follow-up to the much acclaimed “The North Bend,” this album continues Irisarri’s development of landscape inspired musical renderings. Like the Salton Sea of today his latest edition is a gently churning portrait of fluidity. It’s a record that sounds like staring at a vast ocean in light breeze. Layer upon layer of currents swirl below the surface, while gentle surges and waves coalesce creating fleeting patterns and moments of intermeshed sonics. As these elements meet and break away again, a sense of motion - both micro and macro - is created, a rendering of the ocean calm before the inevitable storm. Coated in a thick blanket of bass tonality, flickers of light catch on the crests of these waves, uneasy jewels of sonic light that appear as quickly as they disappear.

Recorded for the movie by Thomas de Thier
"Des Plumes Dans La Tête" - (Feathers In My Head)

The Cinematic Orchestra presents In Motion #1
「僕が作りたいのはポピュラー・カルチャーに根ざした音楽で、そのためには映像との結びつきや映画音楽の影響が重要なんだ。ヴィジュアル・アートを勉強していた僕にとっては、映像と音楽が結びついていくのは自然な流れだった。『Man with a Movie Camera』では、ジガ・ヴェルトフの無声映画という既成の映像に音楽をつけることで、ふたつが結びついた。『Ma Fleur』ではオリジナルの映像を想定して音楽を作った。僕は複雑で強烈なインパクトをもたらす映像というメディアとの結びつきを模索することで、新しい音楽を作ることができると思う」 - by ジェイソン・スウィンスコー
■国内盤3ヶ月のみの期間限定発売!
■豪華スペシャル・パッケージ仕様!
【NINJA TUNE】を代表するアーティストであり、ここ日本でも絶大な人気を誇るザ・シネマティック・オーケストラ(以下シネマティック)がSonarSound Tokyo出演を記念して、最新音源を緊急発売。
デビュー作『Motion』、彼らの名を世界中に知らしめた傑作『Everyday』、生楽器を全面的にフィーチャーした『Ma Fleur』などの作品でジャンルを超越した壮大なサウンドで世界中のファンを魅了する彼等。またロシアの無声アヴァンギャルド映画の傑作『Man With A Movie Camera』に生演奏でサウンドトラックをつけるという革新的パフォーマンスが大反響を起こし、音楽以外の幅広い層からも喝采を浴びた。さらに英ロイヤル・アルバート・ホールでライブを行い、その貴重な音源を収録した 『Live At The Royal Albert Hall』もリリースされている。その他、ディズニーのドキュメンタリー企画第1弾となった映画『フラミンゴに隠された地球の秘密』のサントラ制作や、来日公演の成功でその人気を不動のものとする。
そして現在は『In Motion』と題し、ジェイソン自らが選んだミュージシャン達と映像に生演奏で音を付けていくライブ・パフォーマンスを行っており、本作はライブで実演した楽曲を、新たにスタジオで再録音した彼らの最新音源である。
いずれの収録曲も斬新かつアヴァンギャルドな映像作品からインスピレーションを得て制作されており、彼らの魅力が最大限に反影されている。中でもシネマティックによる楽曲は、現代アメリカ写真界の巨匠ポール・ストランドと写真家チャールズ・シーラーが1921年に制作した『Manhatta』、マルセル・デュシャンやマン・ レイ、エリック・サティなど前衛芸術界の名士たちが出演した事でも有名なルネ・クレール監督 『Entr'acte』とのコラボレーションにより制作されており、シネマティック独特のモダニズムと美しいサウンド・スケー プで表現されている。
また今作には15歳からジャズ・ピアニストとして活躍するオースティン・ペラルタや、新世代ビートメイカーのドリアン・コンセプト達も参加している。

post-rock/ambient/soundtrack band from Poland.

'Folding Leaves, the latest record from Message to Bears, takes the idea of something rustic and organic and tenderly crafts it into musical origami: something complex and detailed, yet gracefully simple.
Jerome Alexander, the multi-instrumentalist behind MTB, combines layers of rustic strings, crisp acoustic guitar and a warm, almost wordless vocal melody – a sound which builds throughout each song and across the whole album. The resolution of each crescendo – after the communal, folksy accumulation of voices, strings and other instruments – is either triumphant, or left to crumble away on a breeze of bird song and crackling ambience.
The effect is an album that is unfolding in two ways: both as an old letter or map, unfurling to display detail and emotion, or disappearing, as an origami swan pulled at two ends loses its creases, becoming as formless and unassuming as it began.'

Full length CD album from Jerome aka Message to Bears, Oxfords premiere ambient folker. Here he brings us 10 tracks of his gorgeous acoustic guitar driven melancholy, begining with the the aptly titled “Running Through Woodland”, the track sets a menacing pace with layers of guitars and cellos. “Hidden Beneath” is driven by a stomping pulse and delightful percussion. Plenty of glock action and viola sweeps, uplifting choral vocals and delicate piano lines, this is Jerome at his finest yet, showcasing a brilliant melodic ability, combing classical instrumentation into a folk/pop structure taking cues from bands such as Explosions in the Sky. This is an album that will leave you speechless every time you listen as you uncover new hidden details, textures and melodies.