Films Directed by Women

On his return from America, András simply cannot find his place: he has lost his wife, friends and job, and he cannot even find his way back to his former great love. Eventually, as a surrogate father, he takes in a wild young girl (Zsuzsa Czinkóczi) and a particularly strong bond is formed between these two rootless people. Márta Mészáros’s remarkable movie starring Jan Nowicki and Anna Karina is about displacement, loneliness and attachment.

Eastern and Western culture collide in this poetic tale of infatuation and self discovery.

Promotional omnibus film, made for the 1990 FIFA World Cup in Italy, featuring portraits of 12 Italian cities.

A follow up to Jean Vigo’s short 1930 documentary A propos de Nice, A propos de Nice, la suite (1995), is really a collection of seven short documentary films combined into one feature.

An intimate look into the Parsi community in post-independance Bombay. Aloof bachelor Pirojshah's close friend marries a naive pianist who he had unrequited love for. Pirojshah watches as the marriage gradually crumbles.

Based on a true story, a powerful study of the dysfunction and disorder in the police and criminal justice systems that allowed a wily psychopath to murder nearly 50 marginalised women from Vancouver's Downtown Eastside.

Ray is an aging ex-socialist who has become a bankrobber after seeing the demise of socialism in 1980s Britain. Teaming up with a gang of other has-beenish crims, he commits one bank job too many. The gang dissolves in a murderous flurry of recriminations. Written by <[email protected]>

Petra Going is a migrant cyborg, an agent of the Global Nomad Project: an international “Experience Data Agency” which sends hundreds of “receivers” like her to wander the globe and record a succession of random encounters. Periodically, they return to agency headquarters where they deposit their accumulated memories into an archive. This archive is available to users who then vicariously and virtually inhabit the ready-made landscapes of touristic consciousness. The motto of the GNP: “Nostalgia For Rent.”

A young woman is returned home to her biological parents after living with her abductor for 17 years.

Three generations of women live on a small island off the coast of Washington state with their men with whom they have no end of problems.

After a violent encounter, Roy finds Rocky and sees something in her eyes that prompts a fateful decision. He takes her with him as he flees to Galveston, an action as ill-advised as it is inescapable.

When the razor blade slasher begins his reign of terror in the alleys behind the Los Angeles strip clubs, the most famous stripper in the spotlight must walk a tightrope between her own fragile sanity and the inescapable murderer's blade.

A woman gets killed in a department store. No one imagines this could lead to serial murders, but two days after the first murder, another homicide occurs. A woman is suffocated to death and the only evidence left at the crime scene is a sticker of the cartoon character “Princess Aurora”.

1976 film by Martha Coolidge

A college student (Rinna) typing a manuscript for a novelist (Estes) begins to realize he's planning to carry out the murder mystery in real life.

Kingdom of Hungary, 17th century. As she gets older, powerful Countess Erzsébet Báthory (1560-1614), blinded by the passion that she feels for a younger man, succumbs to the mad delusion that blood will keep her young and beautiful forever.

A foster family in South Central a few weeks before the city erupts in violence following the verdict of the Rodney King trial in 1992.

2015 film by Patricia Riggen

In 1561, Mary Stuart, widow of the King of France, returns to Scotland, reclaims her rightful throne and menaces the future of Queen Elizabeth I as ruler of England, because she has a legitimate claim to the English throne. Betrayals, rebellions, conspiracies and their own life choices imperil both Queens. They experience the bitter cost of power, until their tragic fate is finally fulfilled.

The House of Suh” tells the story of Andrew and his sister Catherine, and how the values, conflicts, and dysfunctions of their Korean immigrant family led to the murder of Robert O’Dubaine. Eloquently narrated by Andrew, the documentary highlights issues of assimilation and the struggle between freedom and responsibility, raising questions about guilt, innocence, and the illusive gray area in-between.