Following the 1954 Geneva Accords that partitioned Vietnam into two zones at the 17th parallel, a pregnant Dịu remains back in the South with her family while her husband has to move up North. At home, the young woman has to juggle between the duties of a liberation fighter and a mother while enduring her enemies' tortures and imprisonment, as she assumes the leadership of an underground liberation movement after its previous secretary was assassinated

10 filmmakers provide 10 separate stories focusing on the 18 days of the 2011 Egyptian revolution. Ten stories they have experienced, heard, or imagined.

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"1871" is a visually sumptuous, multi-layered treatment of the Paris Commune which was selected for the "Un Certain Regard" section of the 1990 Cannes festival.

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The bloody history of radical revolutionary movements in France has frequently provoked otherwise reasonable people in other countries to have an unreasoning fear of alternative political movements. In 1871, Napoleon III ruled France in a way that made him very popular with the rich and with aristocrats and would-be aristocrats around the world. In particular, he rigorously suppressed any hint of dissent, and prevented the development of trade unions and socialist political movements. In 1871 there was a bloody uprising which produced a short-lived regime known as "The Paris Commune," founded on principles every bit as radical as anything from the French Revolution of 1789. The story of this time is told from the point of view of the actress Severin (Ana Padrao) and the theater in which she worked. Her favors were sometimes available to those with sufficient funds, and she had two lovers: one, a revolutionary, the other, an English spy. In the end, neither is able to save her.

1901年1月27日，著名作曲家歌剧大师威尔弟去世，这也正是意大利北部两户家庭产子的同一天。阿弗雷德（罗伯特·德尼罗 Robert De Niro饰），富有的农场主的孙子；奥尔茂（杰拉尔·德帕迪约 Gérard Depardieu饰），贫穷的农户的孙子。两人从小就结下了友谊，然而因为地位阶级与出身经历的不同，注定了两人天壤之别的迥然人生。
由意大利著名导演贝纳多·贝托鲁奇执导的史诗巨作《一九零零》，以20世纪初期意大利社会动荡时期为故事背景，时间跨越40年，讲述了阶级矛盾和家族纷争下仇恨和抗争的故事。本片被西方国家视为阶级斗争电影读本，加上电影情节的大胆尺度，影片被长期禁映。本片演员阵容豪华，巨星云集，包括罗伯特·德尼罗、杰拉德·德帕迪约、唐纳德·萨瑟兰、多米尼克·桑达、伯特·兰开斯特、斯特林·海登、斯坦芬尼·桑德莱里、劳拉·贝蒂等众多大牌明星。

The Russian Revolution of 1917 marked the beginning of a new era, sending shockwaves across the world and overturning political thought. Through the voices of Lenin and Gorky, discover the two faces of the Revolution: the theory and the practice. Let us return to this mixture of exaltation and nervousness that propelled the Revolution's actors. Retrace their steps by using their own words, their outlook. This dual narrative will give a rich perspective: one abrupt, unpredictable, moving– will be Maxim Gorky. The other – as cold as history and tactics, the planning of the next move – will follow Vladimir Illyich Lenin. Both the writer and the revolutionary are haunted by the failure of the last great European revolution, the Paris Commune, 1871. Through exclusive archives and beautiful animation, Stan Neumann will immerse us into the day by day events, from February to October 1917.

影片以时代“横截面”视角切入，聚焦1921年前后的故事，全景式重现了百年前波澜壮阔、开天辟地的历史时刻——来自五湖四海平均年龄仅28岁的热血青年们，突破国际各股复杂势力的监控和追踪，聚集上海召开中国共产党第一次代表大会，见证中国共产党的成立。

The shocking story of the establishment of the state of Israel told from the perspective of those who lived through the end of the British Mandate for Palestine in 1948.

片子主要以五位曾经是红卫兵的人物访问构成，他们是：刘龙江(现在身份为北京一饭店经理)；胡晓光(现在身份为北京某公司干部)；徐友渔(现在身份为北京某研究所哲学研究员)；黄玲(现在身份为北京某研究所工程师)；田壮壮(现在身份为电影厂导演)。片子分为五段：1、长在红旗下；2、加入红卫兵；3、拿笔做刀枪；4、见到毛主席；5、砸烂旧世界；6、建立新世界；7、回到九二年。

巴西电影大师Glauber Rocha在1968年拍摄的圣保罗街头大游行,青年人的反抗独裁暴乱,导致了上百的人死伤,当时作为导演兼新闻记者的罗查与好友巴西著名摄影师Affonso Beato走上街头,用16mm摄影机记录下了那令人震撼的时刻,影片并没有录制声音.
Unfinished documentary about the "March of the 100,000", driven by the student movement against brazilian dictatorship in 1968. Glauber directed with "Antonio das Mortes'" cinematographer, Affonso Beatto. A mysterious film
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Non-fiction, 35mm, black and white, 600 meters, 22 minutes. Rio de Janeiro, 1968. Directors: Glauber Rocha, Alfonso Beato; Photographer: Alfonso Beato; Location: City of Rio de Janeiro.

Drawing on literary excerpts from the book 'Black Quantum Futurism: Theory and Practice,' 1968 < 2018 > 2068 is a meditation on cyclical and linear time theory, memory, and trauma.

The story of a notorious 1971 activist burglary of an FBI office that lead to the Bureau's numerous abuses against dissidents being exposed.

与戈达尔的其它作品一样，这部电影并不遵循传统的电影叙事弧：开端、冲突和结果。相反，它为观众呈现了女主角朱丽叶·詹森（玛丽那·维拉迪 Marina Vlady 饰）24小时繁杂但空虚的生活。60时代中期的法国，各种社会哲学思潮都在发生变化，朱丽叶表面上是一个中产阶级的已婚母亲,身份之后却是一个兼职妓女，独自应对沉重的生活压力。朱丽叶先把哭闹尖叫的孩子送到一个专门为应召女郎照看孩子的男人那里，然后开始她一天的生活。购物、做家务、带孩子，她平淡无奇的日常生活时常被客户的约会所打断。
片中的故事形态早已支离破碎，充斥着各种旁白、字幕、符号、毫不相关的镜头画面。虽然影片在拍摄时有脚本，但是戈达尔要求演员在表演时突破“第四道墙”，随机创作台词，与镜头外的工作人员进行互动，使得这部影片充满了实验性和批判意识。

巴勒斯坦人穆斯塔法和他的妻子儿女住在隔离墙的两边，距离只有短短的二百米。迟迟拿不到工作许可的穆斯塔法只能等待亲人定期来访而无法履行一个父亲和丈夫的责任。一天当听说儿子出了意外，穆斯塔法决定以走私的方式铤而走险；然而与一位喜欢拍纪录片的德国女孩等人的相遇却在悄然改变着穆斯塔法的内心。

影片展示廣島原爆前後與重建完成後一系列的照片、影片，在不斷疊生的影像、縈繞的音符、詩意的朗頌中，人們記起了什麼？又遺忘了什麼？導演擅於解放文獻影像，賦予新意，精於以電影語言書寫回憶的能耐，不禁令人聯想起他的法國導演前輩克里斯馬克與亞倫雷奈。
★2007法國安錫國際動畫電影節選片
★2007日本文藝廳媒體藝術祭大獎
★2007安娜堡電影節最佳國際電影

In this short film, which is about ten minutes in length, Marker critiques, from a Socialist perspective, the role of the trade union movement in France at the dawn of the era of global web economies. He argues that trade unions are submissive to society, not the other way around, and in fact, that this century of trade unions will be looked back upon as a transitional period in which barbarism was a commonly used tactic. This can not only be used to describe what began to happen in France at this point in time, but can also be generalized to all advanced neo-liberal societies in which the powers of the "middle class worker" were beginning to be systematically eliminated and suppressed by capitalist oligarchies. Incredibly, Marker calls for something which is only now developing- what is known as social movement unionism. Social movement unions seek to organize all workers no matter what their sector, race, ethnicity, or gender and combine efforts with social organizations to affect public policy thus giving them the power to improve social conditions for all people! They attempt to organize at the local, national and international levels to counter the power of the international corporations that have neo-liberal governments tending to their every whim. Marker is well ahead of his time calling for this- a good 15-20 years! What Marker calls for in this film has become quite evident today- especially with groups like the APL in the Phillipines. Marker's advice is on its way to becoming reality- though as he states in the concluding statement of the film, "And provide we hurry a little it'll take just a century."

Documentary about Spanish anarchist revolutionary José Buenaventura Durruti Dumange.

曾经的繁华荣耀，随着时光流转与时代变迁渐渐褪去耀眼的光环，留下的则是无尽的落寞与慨叹。420厂（成华集团），一座从东北迁至四川的飞机军工厂，在特殊的年代里它曾是无数人羡慕与自豪的所在，然而和平的气息和体制改革却将它的光鲜逐渐销蚀。经济浪潮的冲击下，它不可避免地经历了转型的阵痛，而今旧厂址易作他主，一片现代化的楼宇将拔地而起。
大丽（吕丽萍 饰）、小花（陈冲 饰）、娜娜（赵涛）以及众多新老员工见证了厂区几十年的变迁。斗转星移，沧海桑田，万千唏嘘连同那旧日回忆随风飘散……

Over the course of a decade Brooks, Alberta, transformed from a socially conservative, primarily white town to one of the most diverse places in Canada as immigrants and refugees flocked to find jobs at the Lakeside Packers slaughterhouse. This film is a portrait of those people working together and adapting to change through the first-ever strike at Lakeside.

"Approximates a small child's fantasy world in the dark. In a series of close-ups, the nightlight is transformed into a meditative star-spangled sky. An improvisation, edited inside the camera and shot on a single reel. The stars swirl in silence." -IFFR