A group of people, including Capulina and Viruta, head towards the city by train. A heavy storm interrupts their journey and now they must take a haunted path to reach they city. (English Subtitled)

The silver masked Santo tries to stop a gang of counterfeiters who conspire to ruin the economy.

In this Mexican sci-fi fantasy, big beefy Martians invade the earth. Ostensibly, they have come to warn people about the dangers of nuclear testing and exploring space, but their real mission becomes manifest when they begin using their special powers and gadgets to exploit weak earthlings.

A band of outlaws appear out of nowhere on a ranchers property and viciously shoot him down. They steal what they can from his ranch and kidnap his wife. They make for the Mexican border, but something starts stalking them. From: Exploitation.TV

传奇摄影师罗德里戈·普列托（《花月杀手》）的电影处女作在一个看似废弃的墨西哥小镇展开，在这个小镇上，过去和现在迷人地共存，这是一个关于欲望、腐败和继承的迷人故事。

A man comes home after serving 18 years in jail for murder in this routine western. Although the man killed in self defense, rumors in town circulated that he murdered the victim in cold blood. The ex-con wants to get his life together, but the two sons of the slain man are gunning for the man who killed their father.
Arturo Ripstein (born on December 13, 1943 in Mexico City) is a Mexican film director. Ripstein got his break into movies working as an uncredited assistant director for Luis Bunuel. In 1965, he directed his first feature, "Tiempo De Morir". Written by Carlos Fuentes and Gabriel García Márquez, it began a tradition of making independent films written by high-profile Latin-American authors. In 1997, Ripstein won the Mexican National Prize for the Arts, the second filmmaker after Bunuel to do so.

An anthropologist goes to the mountains to study the problems of the indigenous people and finds out that they are being dispossessed of their lands.

40-60年代墨西哥电影黄金时期的最后佳作之一，影片讲述最具墨西哥传统民族特色的娱乐活动 - 斗鸡的故事。几乎囊括了当时墨西哥一些最伟大的演员、剧作家和导演等，由Juan Rulfo的小说改编，当时还没出名的马尔克斯也参与了编剧。主演是墨西哥著名女星Lucha Villa。
A poor, but very lucky man in the cock fighting, is hired by a rich man, but both are in love with the same woman. Cockfights are an important aspect of Mexican tradition as illustrated in this story of two competitors who gamble everything on a big cockfight. After nursing an injured sparring rooster back to health, a poor man enters the bird in a cockfighting competition. Suddenly finding himself the owner of a champion cockerel, the man becomes seduced by wealth and fame. After falling for the sultry girlfriend of his gambler partner, his life is irrevocably changed. This recently remastered melodrama, based on a novel by Juan Rulfo with a screenplay by Gabriel Garcia Marquez and Carlos Fuentes, is a classic of Mexican cinema.
This is maybe the last great Mexican Golden Age cinema movie. It was directed by Roberto Gavaldon, one of the most important and creative directors from this country, and the cast allows several excellent actors from that time like Ignacio Lopez Tarso, Lucha Villa and Narciso Busquets; the screenplay was writen by Carlos Fuentes, Gabriel Garcia Marquez ( world size authors ) and the director Roberto Gavaldon who adapted it based on a text from the same name wroten by Juan Rulfo. All this clues takes us to the conclusion that this is a very representative movie of the mexican culture, but it only reflects a part of the ancient life of common people in the mexican towns, focus the atention in the gambling like cards games, cock fights and the palenques; The photograph of this movie take us to the mexican views, outside the big cities, on the fields where you can smell the clean air.
Few years later another movie of the same history was taken to the screen by another mexican director: Arturo ripstein, and the name was "El imperio de la fortuna" it doesnt looks like this one,that version is sader and more negative in the message, in my poor opinion, the original text by Juan Rulfo deserves to be changed and this movie really catches the spirit of that culture, so spiritual, so magic, so faithfull just doing that changes from the way rulfo concived it first.
The history spokes about two man, the poor Dionisio Pinzon and the gambling man , Lorenzo Benavides. They both fall in love with a palenque singer, La Caponera, and they really think she brings them good look in all theirs bussines. Finally they became partners and install a gambling house, but neither la caponera and Dionisio stand that "jail" and decide to leave, till a last cock fight where they face under la caponera sihgt just to prove who`s the luckiest man.

描述有自毁倾向的传教士理查德·伯顿，在墨西哥的旅游区客串当导游。他带领的一群游客之中，有三个形象个性差异甚大的女性：德博拉·克尔饰演的艺术家、埃瓦·加德纳饰演的大饭店老板、性感少女休·莱昂。有酗酒嗜好的导游在面对这些女人的性诱惑时，内心产生了很大的冲突和矛盾。

1963 film

1963 film directed by Roberto Rodríguez

1661年，在墨西哥，阿斯塔拉（Astara）的维提利乌斯（Vitelius）男爵因巫术、招魂术和其他罪行被墨西哥宗教裁判所判处火刑。在他临死之际，男爵发誓要向宗教裁判所的子孙后代复仇。300年后，一颗曾在男爵被执行死刑之夜掠过天际的彗星再次降临地球，带来了男爵的化身：一个可怕的、食脑的怪物，他对宗教裁判官的子孙后代进行恐吓。

A husband murders his wife, and years later her ghost emerges from a witch's mirror to take her revenge.

About a woman who was a child refugee from the Spanish Civil War, and is now living as an adult in Mexico City. She tries to remember the traumatic events of her childhood.

1961 film by Miguel M. Delgado

长年在修女会中修行的维莉蒂安娜（Silvia Pinal 饰）即将立誓归宗，嬷嬷建议她在仪式前探望资助人叔叔海麦，维莉蒂安娜前往叔叔在乡间的大宅，岂料海麦因她酷似自己妻子而动情，维莉蒂安娜短暂停留后即将返回修女会，在动身的前夜，海麦央求她穿上了妻子的婚纱并向维莉蒂安娜求婚，被拒后指使女仆用药麻醉了她。第二天海麦自杀身亡，维莉蒂安娜返回大宅决定留下，海麦的私生子何塞（Francisco Rabal 饰）携女友也来到大宅，马上雇人重整荒芜田地，同时维莉蒂安娜邀请一些流浪汉与病乞共享大宅，维莉蒂安娜照顾他们的生活，带领他们虔诚祷告，试图为他们提供神的帮助。何塞的女友大感失落宣布分手，趁维莉蒂安娜与何塞进城的功夫，病乞和流浪汉们登堂入室，将大宅搞得一团混乱。
本片是布努埃尔宗教三部曲的第二部，获1961年戛纳电影节金棕榈奖。

看岛人米勒（赞崔利·史考特 Zachary Scott 饰）和13岁的少女艾薇（凯·米尔斯曼 Key Meersman 饰）共同生活在北卡罗来纳州海岸某孤岛上。艾薇的爷爷刚去世，米勒找来了大陆上的朋友杰克森（卡拉罕·丹顿 Crahan Denton 饰）和牧师弗里特伍德（克劳迪奥·布鲁克Claudio Brook 饰）上岛来实行葬礼。牧师发现艾薇没有受洗，决定不日再回岛，带艾薇上大陆教堂接受洗礼。在米勒下岛采买的过程中，一个陌生的黑人乐手特拉弗（博尼·汉密尔顿 Bernie Hamilton 饰）架小木船偷偷上岛。在修葺木船的等待过程中，艾薇与特拉弗建立了友谊。米勒返岛后发现特拉弗，大发雷霆，却同时利用机会引诱了少女艾薇。几日后杰克森和牧师弗里特伍德再次上岛，特拉弗被认作逃犯，命悬一线；而米勒奸污少女的罪行也行将泄漏……
本片被提名法国嘎纳电影节金棕榈最佳影片，并获“特别提名”奖。

Casimiro, night watchman at a wax museum of horrors, is even more sleepy than his usual laziness makes him - because his boss, the Professor, is secretly draining blood from him while he dozes to use in experiments in raising the dead. These haven't worked so far, and the bodies have been waxened and placed on display in the museum to cover his crimes. His big chance seems to come, however, when he learns that the mummified body of a modern man has been found in an Egyptian sarcophagus. The professor and his two henchmen steal the body and take it back to his lab - where the experiment flops again.

1959 film by Ismael Rodríguez

1959 film by Juan Antonio Bardem