This filmic portrait is born of a double movement: the meeting of Lena Vandrey with our cinematographic universe, our meeting with her pictorial world, her space and her collection of processional figures and articulated dolls. Crossings of imaginations, of mythologies: the South, the origins, the search for a “greecity”, the search for the magical potential of the image, the feminine one as “force in love”. Crossings of plastic gestures: one on canvas support, the other on photographic and filmic support. We invited the artist to become herself body-painting, filmed painting. We have staged her texts, her paintings, her objects, her space. Attempt to reveal it as an embodiment of its own mythology. ×

这部电影以最先进的视觉制作和惊人的声音为特色。拍摄在阿姆斯特丹的欧洲站2017 - 2018年美国+他们参观了水域执行全球超过二百万人,从他的传奇电影歌曲Pink Floyd专辑(月球的阴暗面,墙上,动物,希望你在这里),从他最后的专辑,这是我们真正想要的生活吗?沃特斯与备受赞誉的电影《罗杰·沃特斯的墙》的富有远见的导演肖恩·埃文斯再次合作，推出了这部具有创造性的开创性的电影，以其强有力的音乐和人权、自由和爱的信息来鼓舞人心。

影片讲述了美国首个安乐死合法化的州——俄勒冈州的居民的故事。
In 1994 Oregon became the first state to legalize physician-assisted suicide. At the time, only Belgium, Switzerland, and the Netherlands had legalized the practice. 'How to Die in Oregon' tell the stories of those most intimately involved with the practice today -- terminally ill Oregonians, their families, doctors, and friends -- as well as the passage of an assisted suicide law in Washington State.
As medical technology has extended the human life span far beyond what many believed possible only decades ago, a growing number of people face the dilemma of having their lives artificially prolonged beyond a point they regard as necessary or desirable. In 1994, the state of Oregon addressed this issue by enacting the "Death With Dignity Act," which allows terminally ill patients the right to opt for physician-assisted suicide. Filmmaker Peter D. Richardson looks into the philosophical and practical implications of this law in the documentary How To Die In Oregon. Richardson features interviews with journalists, lawyers and physicians as they talk about the efforts to legalize physician-assisted suicide, as well as patients and their families as they struggle with the decision of just when is the time to say they've lived long enough, with a special focus placed on Cody Curtis, a woman in her mid-50s fighting an uphill battle with liver cancer. How To Die In Oregon received its world premiere at the 2011 South by Southwest Film Festival.
In 1994, Oregon became the first state to legalize physician-assisted suicide. As a result, any individual whom two physicians diagnose as having less than six months to live can lawfully request a fatal dose of barbiturate to end his or her life. Since 1994, more than 500 Oregonians have taken their mortality into their own hands.
In this acclaimed documentary, filmmaker Peter Richardson gently enters the lives of the terminally ill as they consider whether-and when-to end their lives by lethal overdose. At the heart of the film are the patients themselves, their families and friends, as they grapple with the legal option they are allowed in Oregon. Through their stories, Richardson examines both sides of this complex, emotionally charged issue. What emerges is a life-affirming, staggeringly powerful portrait of what it means to die with dignity.

讲述了法国著名“火山夫妇”卡蒂亚和莫里斯的故事。卡蒂亚和莫里斯是火山学家，两人自幼爱上了火山，相同的志向与爱好让他们走到了一起。他们的一生致力于活火山研究，足迹遍及世界上所有的火山。1991年，两人登上了日本的云仙岳火山，葬身于突然爆发的火山之中。卡蒂亚和莫里斯留下了大量的录像档案，在抢救下来的影像资料中，可以看到即使在生命的最后一刻，他们还在做记录，播报着火山的喷发。

A fascinating documentary focusing on backstage realities of art and business during the British synthesizer band's 1988 American tour.

斯皮尔伯格制片的纪录片，通过集中营幸存者的回忆，讲述了二战结束前，德国大规模屠杀犹太人的滔天罪行。

在青藏高原的高处，那些未被开发和难以到达的山谷里，隐匿着野生动物世界的最后一个圣地，那里生活着许多未被发现的稀有动物群。世界著名野生动物摄影师文森特·穆尼尔带着身为探险者的小说家西尔文·泰森（《西伯利亚的森林》作者）一起执行他的最新任务。在几周时间内，他们将探索这些山谷，寻找珍稀动物，并试图发现其中最稀有也是最难接近的大型猫科动物“雪豹”的秘密。

The incredible true story of early childhood teachers and friends, The Wiggles, who rock 'n' rolled their way into the hearts of millions around the globe in one of the greatest entertainment stories of all time

Documentary

《尘与雪》是一部美得足以令人窒息的纪录片，它是一部活动的摄影集，每一帧单独抽出来都可以成为令人驻足观赏并流连忘返的摄影精品。影片始动于1999年，加拿大籍摄影师格利高里·考伯特（Gregory Colbert）的作品受到许多收藏家的青睐。在此之后，他的足迹更延伸到埃塞俄比亚、纳米比亚、汤加等国家。在那里，人与大象、鲸鱼、花豹、老鹰、、山猫等野生动物毫不违和地出现在同一画面中。他们彼此依靠，和谐共存，言语在绝美的画面前失去了用途，每次呼吸都成就了灵魂对生命的膜拜。
羽变火，火变血，血变骨，骨变髓，髓变尘，尘变雪。生命周而复始，生生不息。这是一次对自然的无上赞颂。

自从罗伊诉韦德案以来，美国在堕胎问题上一直存在严重分歧。在这个具有里程碑意义的案件中，一个未婚怀孕的女人在得州被拒绝堕胎，随后通过司法挑战赢得了美国妇女进行安全、合法堕胎的权利。从那时起，支持者和反对者就站在问题的两边，彼此之间进行言语辱骂，甚至更糟。随着过去十年中宗教右派的规模和力量的增加，这个问题变得更加具有分裂性和暴力性。
　　以《美国X档案》而闻名的电影制片人托尼·凯正在过去的十五年里制作《地狱之火》，这部电影无疑是关于堕胎问题的权威之作。电影以光明的黑白色调拍摄，实际上是一种无尽的灰色调色板，这种美学完美地适合一个没有绝对真理、没有“对”或“错”的主题。他公平地给予双方同等的时间，涵盖了光谱的两个极端以及中间的观点，这些观点承认，最终每个人都是“对”的，或者是“错”的。
　　通过展示终止妊娠手术及其后果的生动图像，凯努力展示堕胎的身体和心理现实，以明确表明到底有什么在危险中。《地狱之火》——这部电影的标题来自一个人对堕胎者在地狱中的待遇的描述——是一部勇敢的电影，甚至可以说是一部伟大的电影。不管你现在相信什么，看过这部电影后你肯定会有不同的看法。

A documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current-day Watts neighborhood.

《人类启示录》导演最新力作，用同样方式走访50个国家，纪录2000名女性对自己的评价，构成了一幅巨大且撼动心灵的女性“自画像”。随着近年性别平权运动越来越多元化，女性也越来越理解且欣赏自身的能力。当女性和多元性别的声音越来越受到重视，单单争取权利引起共鸣或关注问题显然已不再足够。导演更希望借由纪录片寻找及提出解决方案，并试图调和各个性别中的流动性和更实质性的问题，诸如怀孕、生育、教育、婚姻、经济独立、月经及性行为等主题。

《德雷拉之歌》是卢·里德（LouReed）和约翰·卡尔（JohnCale）的概念专辑，这两人都曾是天鹅绒地下乐队（VelvetUnderground）的成员，旨在纪念他们的导师安迪·沃霍尔（AndyWarhol），沃霍尔于1987年意外去世。德雷拉是沃霍尔的超级巨星昂丁（Ondine）为沃霍尔创造的昵称，是德古拉（Dracula）和灰姑娘（Cinderella）的缩写，沃霍尔的观众使用它。歌曲周期关注沃霍尔的人际关系和经历，歌曲大致分为三类：沃霍尔的第一人称视角（占专辑的绝大部分）、记录事件和事件的第三人称叙事，以及里德和卡尔自己对沃霍尔的第一人称评论。专辑中的歌曲在某种程度上是按时间顺序排列的。

Bahman Mohassess was a celebrated artist at the time of the Shah. Trained in Italy, he created sculptures and paintings in his homeland. But audiences often took offence at the pronounced phalli on his mostly naked bronze figures and his work was regularly censored. All traces of him were lost after the revolution. It was said he destroyed his remaining paintings and disappeared.

玛鲁西亚16岁，像许多俄罗斯青少年一样，决心结束自己的生命。然后她在另一个千禧年的基米那里遇到了她的灵魂伴侣。他们花了十年时间拍摄他们青春时代的欣喜和焦虑，幸福和痛苦，被一个暴力和专制的政权所压制的“沮丧的俄罗斯”。这部电影是一声来自内心的呼喊，是对整个被沉默的一代的致敬。

越南瞩目新锐女导何黎艳，首部长片震撼国际影坛，年度最会得奖的纪录片，全球超过30个指标影展争相邀演。,本片历时4年拍摄，导演跟随一位名为琪的14岁苗族女孩，从无忧无虑的童年进入青春期的过程。,与所有青少女一样，琪面临着家计、学业、爱情，以及村落里绑架新娘的「抢婚」习俗。,在除夕当晚，琪失踪了一夜，父母亲便明白，她的童年宣告结束，而她最担忧的抢婚命运，已提早上门，琪将被迫一夜长大，面对成人的世界…

本片以不加修饰和感性的方式，记录了当代最标志性的艺人之一泰勒·斯威夫特在人生转折期的点滴。该片讲述泰勒如何在他人的期许之下找到自我。导演拉娜·威尔逊通过这部明亮而多角度的电影，展现了一名国际巨星如何接纳自己的多重身份：她不仅是词曲作者和表演者，还是一名能够用声音带来影响力的女性。

Renowned for his exquisitely photographed land- and cityscapes, Peter Hutton’s latest film is an epic story of the birth, life, and death of the modern container ship. Shot over a period of three years, At Sea opens on a hyper-modern South Korean shipyard, where supertankers loom over the workers who build them, then journeys through the swells and storms of the North Atlantic, and closes on a maritime grave in Bangladesh where ship breakers scrap the beached leviathans piece by piece under medieval conditions. Beautifully shot and keenly observed, Hutton’s film showcases the environmental and human dramas that play out in the life cycle of this invisible engine of globalization and modern-day Noah’s Ark.

本片讲述的是发生在明尼苏达州工人大罢工，展现当时人们的种种心态，还有工会和公司进行谈判的全过程，以及工人发生的激烈冲突，但是这场大罢工还是没有结果。