Mapping extreme close-ups of Broughton's body, the camera slowly becomes a tool to reveal the erotic beauty of the body and the sensual pleasure in loving oneself. The ecstasy and power of sexual gratification are celebrated by the camera, as it probes, reveals, and visually caresses. Broughton's song is a praise of his body as divine androgyne, and an acceptance of this higher, sexual power.

In this homage to Zen poet Basho, the subtle changes of a pond are chronicled on film over a period of time. Broughton recites his cuckoo haikus in the background.

One hundred and sixty portraits or rather appearances, sketches and glimpses of avant-garde, independent filmmakers and film activists between 1955 and 1996. Why BIRTH OF A NATION? Because the film independents IS a nation in itself. We are surrounded by commercial cinema Nation same way as the indigenous people of the United States or of any other country are surrounded by Ruling Powers. We are the invisible, but essential nation of cinema. We are Cinema.