Dans un village du Jutland, trois amis tentent de sauver leur école de la destruction en retrouvant un trésor volé par les nazis et cachés dans un bunker.

After many years of separation, landscaper and part time dealer of illegal fireworks – Anders – is contacted by his father Thomas who is about to lose the family farm. To help his father, Anders returns home and starts a larger production of illegal fireworks and begins shipping it through the family's freight company. Through the traffic of fireworks, the family finds a way towards reconciliation and forgiveness for the first time since the family tragedy twenty years ago which Anders feels responsible for.

Discarded by society, let down by their bank and evicted from their homes, three senior citizens plan a nice little bank robbery to set things right. But things don't go quite that easy...

Rasmus defends his Ph.D in Danish literature entitled "The Romantic Idiot", but with his special qualifications there are not many jobs around. To reduce his study loan he settles for a temporary teaching job at an adult education programme in the provincial town of Korsør. Here, Rasmus meets a complex group of people and takes part in their lives. He falls dramatically in love with one of his pupils, Signe, who dreams of having a child with her partner, Camilla. Playing the role of a romantic idiot in Korsør just isn't plain sailing for Rasmus.

Marie, a former housekeeper, plans an extravagant dinner party for her engagement to the household's patriarch. As preparations unfold, hidden aspects of her past begin to surface, threatening to disrupt the celebration.

The story centers on a family of priests: Johannes, Elisabeth and their sons August and Christian. Johannes is God-like to his sons - he gives, loves, and punishes. His favoritism for August and his disappointment with Christian forces both into making desperate choices in order to either gain his love or break free from him.

水務專員來到神秘大樓檢查水錶，家家戶戶卻緊閉大門，好不容易找到能進入的房間，卻無端白事捱了一記老拳，醒來已成階下囚。大樓內住了各色奇怪人物，令他更如墮五里霧中，只知要找到掌理大門鎖匙的看守人。典型卡夫卡敘事格局，不過這次被拋擲的荒謬場域轉為益發封閉的想像空間，更利劇場出身的祖拿斯約特大玩風格調度。在強烈反差的燈光下，鏡頭前的肢體催動顛倒再顛倒的符號關係，在在申明：出路不會在你沒準備好的時候出現。