Intertwined story of a group of friends living together and their romantic complications.

Shafkat is a happily married man with wife and two children, who claims himself is a firm believer of monogamous philosophy. His philosophy and instincts faces tough conflict when a young copywriter, Lamia, joins his office.

孟加拉国导演穆斯塔法·萨瓦尔·法罗齐曾凭借《蚁族与明星》入围2014年上海国际电影节金爵奖主竞赛单元，十年后，这位老朋友携新片《类自传》与上海影迷重聚。在这部新片中，法罗齐本色出演，与他现实生活中的妻子努斯拉特·伊姆罗斯·蒂莎扮演一对明星夫妇。影片展现了导演法尔罕和演员蒂蒂在面临着生育的社会压力时所经历的错综复杂的关系变化，英文片名“Something Like an Autobiography”取自日本电影天皇黑泽明自传《蛤蟆的油》的英文书名，为本就“元叙事”的结构增添了一层迷影意味。

受人敬仰的孟加拉国文化偶像贾韦德正处在五十知天命的年纪，他发现自己被女儿萨贝莉的好朋友妮图所吸引。他深爱自己的女儿，而与女儿互相激励互相支持的妮图却让他无法忘怀，这样的痴迷最终导致了贾韦德的离婚。一开始，萨贝莉不知道该怎么面对这个禁忌重重的社会，但是她最终重新振作起来，并鼓励母亲学着享受这份自由和独立。而另一方的妮图发现生活也没有想象中的那么美好，作为打破神圣婚姻的女人，她不得不承受来自社会各方的仇视与愤怒……

導演找來柏林影展最佳攝影作品《青春殘酷課》攝影師一鏡到底，根據真人真事改編2016年一宗導致20多人死傷的恐怖襲擊。但孟加拉導演的焦點，並非血腥屠殺，而是恐怖主義的根源。槍手佔據餐廳，挾持的人質包括本地人和外國人。他們企圖用子彈分化人心，扭曲宗教理念，旨在合理化自己的冷血暴行。無辜的伊斯蘭教徒，在「割席」與「不割席」之間抉擇，也不能逃過泯滅人性的衝擊。本片巧妙地使用長鏡頭，營造張力，緊湊得令人喘不過氣。在極端的氛圍之下，探討社會及政治議題，想必能激發觀眾的深思。

In 2019, a man named Naveen disappears from a memorial park in Sydney while traveling with his girlfriend Cathy. Having arrived in New York two years ago, Naveen finds a job at a restaurant and meets Cathy there. As their relationship deepens, Naveen's lies become bolder. The man known as Naveen, or Sameer, cannot tell the truth about anything, including his name, nationality, religion, family, and past.

Every day on the way back to his suburban home, Mithu, a struggling young graduate, looks towards the dazzling city of Dhaka. As he feels he has no chance of being a part of that world, he embarks on a journey of faking, lying and fantasizing. He finds immense pleasure in his own world, because 'truth is what one has, while lies are what one creates'.