Tommy, a YouTuber known for scamming people with his fake exorcism skills, faces a real challenge when he must save his partner, Alumi, from a zombie demon. Teaming up with Sanjay, an Indian exorcist and computer geek determined to avenge his exorcist guru grandfather, Babaji, Tommy must step up. Will they succeed in their mission, and can Sanjay put aside his quest for revenge to work with Tommy?

紀錄片《南管女子》是記錄一位畢生奉獻給南管音樂的台灣奇女子──「漢唐樂府」創辦人與藝術總監陳美娥女士。 「我一輩子從來沒有聽過這麼優雅的音樂。」陳美娥女士回憶第一次接觸到南管音樂時說。她為之動容，從此迷戀上南管音樂，並且以它作為終身志業，至今未婚。有人說，那是因為她已經「嫁給南管」。南管音樂究竟有什麼神奇的魔力，讓陳美娥如此著迷？而陳美娥又如何在傳統與創新之間，開拓出一條屬於自己的音樂之路？且看《南管女子》為您娓娓道來…… Woman of the Southern Wind tells the story of Mei-o Chen, founder and artistic director of the Han Tang Yuefu Ensemble, and her lifelong crusade to revive the dying art of Nanguan music. An Introduction to Woman of the Southern Wind“I had never heard anything so elegant. It was totally different from other Chinese music.” This is how acclaimed Taiwanese performing artist Mei-o Chen describes her introduction to the ancient music known as Nanguan. Woman of the Southern Wind examines Chen’s quest to breathe new life into this endangered art form as the founder-director of Taiwan’s internationally renowned Han Tang Yeufu Ensemble. Woman of the Southern Wind showcases the exquisite artistry of this extraordinary troupe while following Chen on her inspiring journey, first in Taiwan and then in China, to restore the lost glory of her beloved Nanguan.

李香蘭是20世紀初出生在滿洲的日本人。經由靈巧的身分轉換，成為二次大戰期間風靡東亞地區的大明星，也是日本國策電影的最佳工具。日本戰敗後，她被中國列為頭號漢奸，面臨著死刑的威脅。而香蘭的友人劉吶鷗，是台灣的富家子弟，為了追求藝術理想，他先與中國人合作，又與日本人合作，結果不獲任何一方的信任，最後慘遭暗殺。劉吶鷗的悲劇與李香蘭的傳奇，成為嚴酷的對比，也帶出了電影、戰爭、身份認同，女性與個人自由的多元課題。 This documentary traces the rise and fall of LI Xianglan, one of Asia’s biggest movie stars during World War II. A Manchurian born Japanese who could “pass” as Chinese, she was a propagandist’s dream. On the other hand, LI’s friend, the Taiwanese-born, Japanese-educated writer and filmmaker LIU Naou, was not so lucky. As the war raged, LIU chased his dream of directing feature films, first working with the Chinese, then the Japanese. But neither side trusted him and he ended up dead as a result. The film invites reflection on the nature of film, art, identity, gender and individual freedom.