A series of interviews with notorious porno filmmaker Phil Prince, intercut with outtakes and behind-the-scenes footage from his best known films.

A documentary journey, both investigative and autobiographical, into the world of female ejaculation, covering the fields of film, literature, performance, activism and sex education.

This 45 minute documentary by Mark Hejnar is a sort of Whitman's Sampler of sickness, chronicling such wildly diverse and extreme personalities as G.G. Allin, Mike Diana, Full Force Frank, GLOD, Annie Sprinkle, and others. This collection of short clips and vile moments is certainly NOT for the squeamish, as these are the artists and performers who have taken the term "free expression" to it's limits--and beyond.

The birth of Electra Elf & Fluffer!

A man finds his wife cheating on him with his best friend; he kills both of them and then himself. Fifty years later, his ghost haunts the same apartment building. He repeatedly has sex with the young woman who moves into the apartment - making her think she's gone insane - kills her male admirers, and for good measure kills her neighbor's lover as well.

Set in a post-apocalyptic future, the story finds a handful of ragged survivors attempting to communicate with aquatic life, while another cadre of survivors have made it their crusade to destroy all the world's religions.

Marsha和Walter是一对夫妇，他们除了彼此之外从未与其他任何人发生过性关系，并且渴望尝试新的体验。与此同时，他们的朋友Louise和Andy是经验丰富的浪荡者，他们经常探索和享受新的幻想。

THE SARNOS - A LIFE IN DIRTY MOVIES is a love story about legendary sexploitation director Joe Sarno, "The Ingmar Bergman of 42nd Street", and his loyal wife and collaborator Peggy - their place in sex film history, life between New York and Sweden, and their struggle to make one last erotic film. A funny and touching portrait of a unique couple who has followed their passion in life - no matter the cost!

Is pornography an acceptable form of expression - and if so, can distinctions be drawn between different forms of pornography? This documentary raises all of these questions, seeking to provide the answers from the perspective of pro-sex feminism, which asserts that pornography must be wrested from patriarchal control, and that in the hands of women and sexual minorities, it can become a tool of liberation. Director Virginie Despentes (Baise-moi) takes a wide ranging look at the movement and maps the evolution of pro-sex, or "post-porn", from its pioneers like Annie Sprinkle to newer European work like Emilie Jouvet's Too Much Pussy! Filled with roughly two dozen interviews with the likes of B. Ruby Rich, Lydia Lunch, Annie Sprinkle, Catherine Breillat, Del La Grace Volcano, Maria Beatty, Coralie Trinh Thi, Carol Queen, Lynnee Breedlove, Norma Jean Almodovar, and other members of the post-porn movement, Mutantes is part of a very queer feminist revolution. Exploring in comprehensive fashion the various sexual niches of punk porn, queer porn, SandM, and transgender, the film goes a long way toward demystifying a movement that has been several decades in the making.

Monika Treut explores the worlds and thoughts of several female to male transgendered individuals. As with Treuts first film, Jungfrauenmaschine, Gendernauts, enters a minority sector of San Fransisco culture. The characters in this film have a lot to complain about, and they do. They are people whose physical appearance (female) does not match their inner sexual identity (male). The subject is pinpointed in the film independant of sexual orientation. Leave your conservative hats at the door, this is going to need your special attention.

From feminist director and provocateur Monika Treut comes this eclectic collection of four short documentaries profiling unconventional women. One has Camille Paglia explaining her ways of thinking. One has Annie Sprinkle explaining her approach to performance art, which includes inviting audience members to view her cervix with a speculum. One interview investigates a professional woman's preoccupation with sadomasochism. The fourth documents the life adjustments of an F2M (female-to-male) sex change who looks like a dangerous biker, with slick black hair, a matching motorcycle jacket, and tattoos.

Monika Treut’s Gendernauts was one of the first films to portray the transgender movement in San Francisco. Twenty years after the film screened in Panorama in 1999, Treut seeks out the pioneers of that time. What has changed? How have the lives of the protagonists evolved? San Francisco was once, as Annie Sprinkle puts it, the “clitoris of the USA”, but today the tech industry has a firm grip on the city. Aggressive gentrification has displaced the genderqueer community of yesteryear. Under the Trump administration, hard-won transgender rights are under massive pressure as protection against discrimination in healthcare and freedom of choice in the use of public toilets are rolled back. Alternating between quiet, unobtrusive images and flashbacks, the film delineates how the gendernauts have grown into their identities over the years, developed their careers and started families, and how their energy continues to have an impact today. Their activism has changed over time, but the struggles continue. New perspectives have been added – such as the relationship between humankind and nature in the Anthroprocene epoch – but also the question of how they want to live in old age.