Three astronauts are sent on a mission to destroy the moon.

2019 film directed by Néstor Sánchez Sotelo

Based on the work from Mariana Enriquez and directed by Pablo Larraín, My Sad Dead follows Ema, who can see and hear the dead. After her mother’s death, Ema receives an unexpected visit from her niece Julie, with whom she shares the same unsettling gift. With Julie’s return, family secrets and wounds that never fully healed will resurface —but so will a strange phenomenon from which no one will emerge unscathed. The entire neighborhood will sense presences and hear the distinctive sounds of their own dead.

Things begin to fall apart for Samy (Ricardo Darín), a longtime television writer on the brink of turning 40, when his midlife crisis starts interfering with his career. Suddenly, his scripts just aren't that funny, and he's considering leaving showbiz altogether. Can a pretty new actress (Angie Cepeda) help him turn his life around? Eduardo Milewicz directs this Spanish-language romantic comedy.

At a career-defining moment, a governor's child vanishes. Torn between ambition and family secrets, he must choose: politics or his daughter's safety.

2023 film directed by María Alché and Benjamín Naishtat

2022 film directed by Santiago Mitre

费德里科二十多岁，一个人住在布宜诺斯艾利斯。他祖母去世的那天，他决定和他的女朋友玛格达分手。他害怕伤害她。但当时间到了，她就打败了他。她懒散、精力充沛，甚至连受伤的感觉都没有。然而，尤其是当他得知她已经有了新朋友时。但后来他在最近去世的祖母给他的冰箱里找到了土豆刀，一切都变了。雷杰曼的舞台是阿根廷社会的缩影，他用一个稀少的故事和一种无视复古现实主义的指导性方法，以精心创作的图像来破译。雷杰曼属于阿根廷电影的新浪潮，在20世纪90年代中期首次在欧洲获得认可。据弗吉尼亚大学的罗克•奥•戈登博士说，他作品的主要方面是导演和作者不以粗制滥造的方式讲述线性故事，而是指冷漠的美学。在这种冷漠中，喜剧获得了最大的范围——到目前为止在阿根廷的独特地位。 Federico, is in his mid-twenties and lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend Magda. He fears hurting her. But when the time comes, she beats him to it. She is laid-back, feisty and not even close to feeling hurt. He is however, especially when he learns that she already has someone new. But then he finds the potato knishes in the freezer that his recently departed grandmother gave him and everything changes. Rejtman’s stage is the microcosm of the Argentine society, which he deciphers in carefully composed images with a sparsely told story and a directing approach in defiance of retro realism. Rejtman belongs to the new wave of Argentine film that first gained recognition in Europe in the mid-1990s. According to Dr. Rocío Gordon of the University of Virginia, the key aspect of his work is that the director and author does not tell linear stories in a run-of-the-mill way, but rather refers to an aesthetic of apathy. Within this apathy, comedy gains the greatest of scopes – a unique position in Argentina until now.

改编自感动亿万人的真人真事，金牌喜剧导演马可斯卡尼费利将拉丁美洲的文化风情融入电影中，因地制宜地注入别于原着小说的笑料，创下2016年阿根廷的票房奇蹟，吸引百万人次观看，票房延烧南美洲。 不怕猪一般的队友，因为他是神一般的好朋友。家财万贯的富翁因意外导致终生瘫痪，生活无法自理的他，高薪寻觅适合的看护人选，明明有众多素质优良的应徵者排队，他偏偏选中随性妄为的超中二痞子园丁，这种出人命的任性决定，连管家都出面阻止，他却执意要聘用他。于是一段奇妙的友谊就此展开，飙车、把妹、抽烟样样来，两人天差地远的身份背景，为富翁注入了不同以往的活力泉源，填补彼此生命缺陷的那一块，成为超狂、超疯、超反差的忘年好麻吉。