CHEN Ming-chang, exposed to Western music, from The Beatles to Bob Dylan, often taught himself to play and sing with a guitar when he was young. In the closed social milieu of martial law in Taiwan, he became immersed in music and yearned for freedom, arousing his desire to become a musician. Later, he decided to set out on a journey to learn more about the music that has been passed down through generations. Traveling around Taiwan, he learns traditional opera music from prestigious musicians and integrates it into his artistic creations, composing music and stories that belong to Taiwan…

《我的神经病》是一部用四段式预言现代人生活中十分神经质部分的故事。第一段《车子》讲的是现代人嗜车如命的荒谬故事。第二段《房子》呈现了都市人对房子的依赖与孤独感。第三段《身体》拍出了人们对自己身体的不满足、斤斤计较与疑神疑鬼。第四段《感情》则道出感情是令人最容易发神经的东西。这是台湾电影中多年难得一遇的轻松作品，说它是疯狂喜剧也好，说它是都市狂想曲也好，总之这是一部足能叫人笑破肚皮的好片子。它以分章节的方式，将台湾人对身体、汽车、房子、感情所衍发的荒谬行为，作了生动、爆笑的描述。末了将一些蝇营狗苟，在都会大笑话中生存的角色，指引到每一个观众自己可以反映的经验。

《白鴿計畫：台灣新電影二十年》蕭菊貞受釜山影展20週年特別企劃「紀錄片系列專題—亞洲電影的力量」之託，拍攝本片紀錄自台片票房復興，台灣電影工作者所面臨的困難，藉由一段段與台灣導演的訪談，爬梳台灣電影中所反映的社會脈動以及「國族認同」議題。
透過訪問導演、製片等電影各界人士，形塑出現今台灣電影的嶄新樣貌，更一窺電影從業人員對於電影的肺腑之言。另一方面，隨時代演變，觀眾對於台灣的想像日漸擴展，這片土地的觀眾似乎湧起一股渴求，希望看到與自身環境及土地相互連結的電影。對於這股新趨勢，身處新世代的導演們又將會如何應對？

When a military contingent of "mythic" Americans arrive for war games in a little farming village in South Taiwan in the late 1960s, a veritable flood of hilarious cultural and linguistic misunderstandings is loosed on both sides.

Young boy, Ah-Jiang, a school failure and day dreamer witnesses the kidnapping of a child. After being taken hostage by a corrupt family, he begins an unusual adventure away from home.