A couple in love, but sadly married to other partners. What is to be done? A diagnosis of a comfortable but profoundly incapable society, a Hungary suffering from an endemic private life disorder, observable both among the urban middle and the rural lower classes. A descent into a relationship’s demise, more from the tired inertia of a country that has lost all direction and sense of purpose than any ill will.

The first part of Judit Eleks long-term documentary portraits the lives of two girls in a small Hungarian village: Marika and Ilonka. As they grow up, they have to decide between working and learning or marrying at the age of 15 and living up to their parents' expectations.

After her husband's death, Hanna Szendroy, the former primadonna, is caught in the claws of the real estate mafia. She looses her lavish home and ends up homeless at the Keleti train station. When she returns to her house, now full of homeless people moved in by the real estate mafia, an unexpected relationship brings hope into her life again.

This two-part film examines the plight of the working class. In part one, an elderly factory laborer goes to work in his last days before he is forced to retire. He leaves the factory life he has always known and goes home to his wife. In the second part, a young farm boy goes off to an industrial trade school to prepare for the very work the old man left behind. The old man loses his freedom by forced retirement while the young man loses his freedom by becoming a worker faced with a lifetime of factory work.

1952, Budapest. Kati is thirteen years old when her mother dies. Her father works as a founder at the Miskolc foundry, deprived of his former position of director-engineer. Kati is left alone in their flat, transformed into a place crowded with tenants. That is, not quite: in her imagination her mother is alive again, for she still needs her.

The second part of Judit Eleks long-term documentary about two girls and their lives in a small Hungarian village. What has become of their dreams and hopes?

For this austere, clear and sharp telefeature, Judit Elek focused on the last months of Martinovics’ life: his interrogation by the Austrians, the examining Magistrate Schilling in particular, shown as a battle of wits as well as delusions on both sides. Elek had wanted to make this film in the early 1970s, but wasn’t allowed to. When she finally got the chance, the reactions were predictable, as the parallels with recent Hungarian history were simply too obvious for officialdom not to feel anxious. History may not repeat itself, but the variations look eerily similar.

A documentary chronicling the adolescent years of Elie Wiesel and the history of his sufferings. Eliezer was fifteen when Fascism brutally altered his life forever. Fifty years later, he returns to Sighetu Marmatiei, the town where he was born, to walk the painful road of remembrance - but is it possible to speak of the unspeakable? Or does Auschwitz lie beyond the capacity of any human language - the place where words and stories run out?

In 1866, the Szendrey family gathers for the name-day of Júlia’s sister, Mária, but the event dissolves into bitter grievances and the physical decline of the household. As the dying widow of the poet Sándor Petőfi, Júlia struggles with a failed second marriage while Mária grapples with jealousy over her own husband’s love for Júlia. The family’s fragile unity finally shatters under the suffocating weight of Sándor’s heroic legacy and the pervasive shadow of illnesses.

Persuaded by the janitor's wife, a lively, but lonesome old woman, who is only attached to the world through her cherished objects and memories, decides to exchange her two-room apartment for a smaller one. For a little while her everyday life is changed. She meets and entertains new people every day.

Aged just 14, Solymosi Eszter vanished without a trace after having been sent on an errand on April 1, 1882. Soon, a rumour started to make the rounds in the village of Tiszaeszlár: a blood libel that Jews had killed the Christian servant girl. Paranoia grew when, more than two months later, the body of a drowned girl was brought out of the Tisza. At that point, voices in parliament were already crying out ferociously for the deportation of all Jews on Hungary’s soil. On July 29, after a lengthy period of investigations, the last antisemitic trial in the Austro-Hungarian dual monarchy began. It ended with the accused’s acquittal (one of them afterwards fled to the Netherlands). The so-called Tiszaeszlár Affair had already been the subject of three fiction features: Georg Wilhelm Pabst’s Der Prozeß (1948), W. Lee Wilder’s The Vicious Circle (1948) and Erdély Miklós’s Verzió (1979). Judit Elek’s version is the most detailed and historically accurate – sticking close to the original court transcripts and sober in its presentation of a culture ready and willing to turn genocidal if given half a chance. And it’s not over yet. 源自：