Slapstick inheritance comedy based on the confusion between twin brothers, both played by the great Raimu who also plays their father.

1940 film by Yves Mirande

Cavalcade D'Amour is divided into three sections, each depicting a romance occurring within the walls of the Chateau de Champs. Legend has it that whoever marries in the Chateau is doomed to an unhappy life. This proves to be the case in 1639 and 1839, but the heroine of the 1939 segment, Corinne Luchaire, is determined to break the jinx. She is convinced that she will prove an unsuitable bride for Claude Dauphin, and he is likewise convinced that he will turn out to be an inadequate groom. But the couple's respective families will not be dissuaded, and the marriage takes place as scheduled? with unexpectedly happy results!

Mario Esposito, who sings in a Neapolitan restaurant, is in love with Assunta, the niece of Teresa, the owner of the place. He shares his apartment with Michel, his best friend. This one has fallen under the spell of Lolita, a gorgeous adventuress he met at the cathedral where he officiates as the organist. But things go awry as, while Michel intercedes with Aunt Teresa for Assunta's hand in his favor, Mario in turn falls in love with Lolita. On the very day of his wedding with Assunta, Mario runs away with Lolita, thus betraying both his love and his friend. But it does not take long before the young singer realizes the big mistake he has made.

Monsieur Jourdain is a dangerous madman : he wants to share his fortune! His relatives do what any sensible fellow on earth would do: they have him committed to a mental hospital. But Jourdain manages to escape and decides to make everybody happy except... his heirs!

Commander Gerard and his band of guerrillas have found the ideal hideout: a nursing home in the Alps where, along with the mentally ill, are also hiding a Jewish girl and a Swiss doctor who might be a spy for the Germans ...

A documentary highlighting some of the oddest, strangest and more grotesque examples of human behavior. Included are a tour of the Grand Guignol theater in Paris, a man who sticks long needles through his body, reindeer being castrated, and footage of lesbians and strippers.

Gilbert Quercy, 18, tried to commit suicide after a heartache. At the hospital, three women try to cheer him up : the three former wives of his father, an archaeologist and an egyptologist, whom Gilbert called his "mothers". These women show a lot of willingness, but soon will become intrusive.

Anthology film with three shorts each featuring a famous detective: Monsieur Wens, Lemmy Caution and Maigret.

An alcoholic doctor accidentally kills someone and manages to make the death look like an accident. The episode triggers a sense of confidence and he resolves to correct the miseries of his life.

A journey through history

1939 film by Claude Autant-Lara, Maurice Lehmann

Le très doux et gentil Benoît est gardien d'une maison d'arrêt pas comme les autres située à Clouville, petit bourg de la France profonde des années 1950. Le surveillant chef se prend d'affection pour ses «pensionnaires» et a choisi la gentillesse et la diplomatie plutôt que la manière forte. Progressivement et avec la «liberté de mœurs» et une certaine ambiance délurée, la prison devient de plus en plus un refuge agréable et chaleureux, ce qui ne manque pas d'énerver considérablement la tutelle administrative de notre bon Benoît.

The illegitimate son of a music-hall star and an ambitious politician has grown up to become a journalist. He decides to get back at his father by using blackmail.

The struggles of a small business owner come to light in this film by director André Cayatte. The proprietor of a fabric shop, M. Baudu faces stiff competition when a department store moves in across the street, the first of its kind in 1860s Paris. On top of the stresses associated with the rival retailer, Baudu’s niece and two nephews take up residence with him after recently being orphaned. The niece, Denise Baudu, sees the writing on the wall for her uncle’s business so she takes a job as a shop girl with his competitor and despite her success the decision does not register well with the family.

It is always a great emotion to watch Michel Simon, perhaps the greatest french-speaking comedian ever, whether he appears in Carné's or Duvivier's pre-war masterpieces or in mediocre films by third rate directors. But it is actually the same emotion to watch him in the role of Michel Simon. As noted by Sacha Guitry in the prologue of La Poison, with him there is no reason to stop filming as no one knows when he starts or stops acting. Guitry was perhaps the only established director to trust Michel Simon and offer him major roles at the end of his career which Jean Renoir certainly did not, and this is why it is particularly painful to watch his hypocritical demonstrations of friendship and interest. Renoir's idea was probably to entertain his court of young admirers (Rivette et al.) by showing them some old freak. But in spite of his endless but insignificant talking, Renoir just does not exist in front of Michel Simon.

It is always a great emotion to watch Michel Simon, perhaps the greatest french-speaking comedian ever, whether he appears in Carné's or Duvivier's pre-war masterpieces or in mediocre films by third rate directors. But it is actually the same emotion to watch him in the role of Michel Simon. As noted by Sacha Guitry in the prologue of La Poison, with him there is no reason to stop filming as no one knows when he starts or stops acting. Guitry was perhaps the only established director to trust Michel Simon and offer him major roles at the end of his career which Jean Renoir certainly did not, and this is why it is particularly painful to watch his hypocritical demonstrations of friendship and interest. Renoir's idea was probably to entertain his court of young admirers (Rivette et al.) by showing them some old freak. But in spite of his endless but insignificant talking, Renoir just does not exist in front of Michel Simon.

On the banks of the Rhône, not far from Tain l'Hermitage, Alcide Garonne, an old ferryman - and incidentally a poacher - lives out of wedlock with Victorine Rousset nicknamed Maryse, a colorful tramp. When Garrone's son, Pilou, a worker, falls in love with Augusta, the mayor's daughter, the unconventional old couple tries to protect the unconventional young pair from the disapproval of self righteous villagers.