Young Ursula plays in a tree and ruins her fancy dress. Her elderly mother teaches her a cruel lesson about whether things can ever be mended; what Ursula learns about how to behave may not be what her mother intended.

A sinister montage intimates the hellish void facing a man emptying bottles by the river. Sandy Fisher’s densely reverberating electronic score provides strong support for Lloyd Williams’ cultic collage of skulls, chess boards and fire.

A collection of short experimental horror films, some well-known, some not.