Within the frantic imagery of quickly passing landscape, hazy three-dimensional horizontal insets reveal human figures, trees, and the peaceful countryside.

An anaglyph found-footage film thematically inspired by the capriccio paintings of Giovanni Paolo Panini, Thomas Cole, and Charles Robert Cockerell — which depicted fantastical and dilapidated architectural landscapes — and structured in the style of Stravinsky and Tchaikovsky’s capriccio compositions — brimming with playful staccatos and glissandos, and prone to sudden tonal shifts. (Tiff 2014)

As a major storm strikes Texas in September 1900, a mysterious televisual device is built and tested.