1999 film by Pastor Vega

Julio del Toro is a successful writer in his fifties, who has always had his life under his control, until the day that, returning from one of his frequent foreign travel, this consistent world will fall into crisis. His daughter has started an affair with a Spanish older than him, his mistress poses a serious ultimatum, a young journalist begins to prepare a report on his work, and he faces the question if he is already finished as a creator. While Julio feels increasingly confused and disoriented, the women around him will make the decisions that he is not able to take.

In 1672 Cuban revolutionaries launch an uprising against the Spanish who are occupying the country. Preserved by the Academy Film Archive in 2017.

Gustavo, who idolizes his older brother Paco and his punk, "Frikis" bandmates. When word reaches the Frikis of a potential reprieve from the effects of the economic crisis, they do the now unthinkable: deliberately inject themselves with HIV to live at a government-run treatment home. It's there that they create their own utopia to live and play music freely.

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"Not everything is what it seems". This is the motto of Fernando Pérez's Madrigal, an esoteric fable built, in the first part, around a handsome actor's love story with an overweight and homely girl (does he have eyes for her, or for her swanky apartment?) and, in the second part, recounting the story of a futuristic novel the actor is writing (which turns Havana into some dark orgyesque playground with a film noir tone).

关塔那摩之情 - 剧情 吉娜本来是大学教师，为了在政府部门工作的丈夫而辞职，她那多年未归的演唱家姑妈来找她，姑妈的旧情人也来重聚，姑妈安然而逝。众人决定护送姑妈的灵柩回哈瓦那安葬，途中吉娜遇见她原来的学生、暗恋过她的卡车司机马里诺，一路上彼此间增加了相互的理解，吉娜对自私专横而官僚主义十足的丈夫也渐渐失去信心。最后灵柩到达哈瓦那，而吉娜也选择了马里诺，重新开始自己的生活道路。 关塔那摩之情 - 幕后花絮 本片借用大量古巴风俗歌曲和一个并不高明的感情故事，来批判和嘲讽古巴政府和官员道貌岸然的假道学和对人民自由的束缚。这个爱情故事简单平常，一个对丈夫失去感情的女子重新追求自己的幸福，不会给人留下深刻的印象，但导演背后的象征手法运用颇为明显，吉娜作为自我意识开始觉醒的新一代古巴知识分子，敢于摆脱官方的专制压迫和人身束缚，勇于寻求自己的爱情和自由。片中浓烈古巴风情歌曲优美动听，又带有生活的含义，比故事本身... 出殡也疯狂 Guantanamera 获奖情况 威尼斯电影节 1995 Golden Lion (提名) 托马斯·古铁雷兹·阿莱 威尼斯电影节(Golden Lion) 1995 最佳影片金狮奖 (提名) Juan Carlos Tabío Sundance Film Festival(Latin America Cinema Award - Honorable Mention) 1996 Juan Carlos Tabío

無父無母,沉默寡言的少年荷蘇在荒涼小鎮過著邊緣人的生活,靠著為街坊婆婆媽媽理髮的微薄收入度日。一次偶然的機會他站上扮裝皇后的舞台,身著華服粉墨登場的孤獨少年找到了前所未有的力量,自幼缺席的父親卻在此時服刑期滿歸來,攪亂他的人生。荷蘇所不知道的是,父親當年離去與今復返,都是耶希重生的契機。呈現哈瓦那變裝皇后的世界,情感真摯。

While Havana is full of zombies hungry for human flesh, official media reported that the disturbances are caused by dissidents paid by the United States. Panic seizes all until Juan comes to the rescue: he discovers he can kill the undead destroying his brain, and decides to start a small business under the slogan "We kill your loved ones."